Showing posts with label watercolor painting. Show all posts
Showing posts with label watercolor painting. Show all posts

Wednesday, September 11, 2019

Sketchbook Hacks





I'm off to Montreal but as I was packing my art supplies I thought I would do a post about my sketchbooks.




I use a lot of sketchbooks, some I make some I buy.

But I always add a few things that make it work better for me and I thought I would share my sketchbook hacks.













First thing I add is a ribbon bookmark, very few sketchbooks have this feature at least not the ones with the paper I like.











This is very easy to add, just turn to the back of your sketchbook, cut a ribbon about 4-5 inches longer than your sketchbook, and then tape into place.  I use packing tape.


































Next thing I like to add is a pocket.

I tape this in place with packing tape again right in the back of the sketchbook as well.


















For a large sketchbook I just take a business sized envelope and cut it on the diagonal.

I save the other half as I can use it in the next sketchbook, just tape the opening closed and turn it to the other side.

















With smaller sketchbooks I will use different envelopes and cut them to size, taping as I go.
















Next thing I add is an elastic,  I know seems pretty low tech but I get asked about this.  As your sketchbook gets to be about 1/3 or more full it expands. (especially if you are adding paint)

The elastic helps to keep it together.

You will also find with a bound sketchbook that you will need to reinforce the binding as you go, again packing tape works great for this.















Even with a coil bound book I use an elastic.  Some people will use a binder clip but I find that it can make dents in your pages and there is never a big enough clip and it ends up falling off.












I then add a large ziplock bag.  With my large sketchbooks I can't close it but I will still store my sketchbook in one.

This has saved me more times than I can count especially when travelling.

It protects your pages from rain, spilled coffee, rogue ocean waves, sticky fingers, etc....



Another habit I have developed is using a date stamp.

I carry it with me when I travel and I use it in my sketchbooks.

 I don't use it if I think the painting is framable.

The first few pages of a sketchbook I leave blank.

I use them to add technical info or ideas that I want to always have available to me.  Lists, reference material, photos from my sprocket, stickers from my travels.

I usually add a business card or at least my name and cell # in case I lose my sketchbook.









So what types of sketchbooks do I like......it really is personal preference.


I like these bound Peter Pauper Press books.  You can find them at Chapters/Indigo which is great, they have very nice paper that holds up to painting and come in a few sizes.

They are also cheap.  Now with watercolour paint the paper will buckle but it is thick enough to get some paint effects that you don't get on lightweight paper.

Amazingly Michaels has a good bound sketchbook,  their Artist Loft one, which comes in lots of great colours actually has pretty good paper in it.  You will have to maintain the binding with tape as you go though.






I also really like these Nature Sketch books.  It has some of heaviest paper out there in a sketchbook.

I also like the wide variety of sizes it comes in.











The Nature Sketch books have off white (buff) paper in them.


Here is the Nature Sketch and the Peter Pauper Press side by side.












I also make a lot of sketchbooks using a Zutter machine.











The main reasons I make my own are:

- can have a variety of papers in one book including good quality watercolour paper as well as tan and grey sketch paper

- I can make it bigger, more pages

- I can make it the exact size I want. A lot of times paintings in my sketchbooks end up being framed, I can make a sketchbook that corresponds to common frame sizes.



Another system I use a lot when working with really high quality watercolour paper is a hand bound book and detachable cover.

So I will take 150-300lb wc paper,  score with a bone folder and tear into full pages (a large rectangle that is folded for 2 pages).

I will then stack them usually 3-4 deep and sew them together with a few binding stitches.




I then have a cover made from gatorboard and duct tape.  I use an elastic to hold the wc paper book into the cover.

I could give you all the instructions but you just need to watch these videos if interested in this system.

Video 1 Sketchbook

Video 2 Cover










One of the best parts of this system is that the cover is large enough when open that I can add these magnetic clips.


I just got these at Staples.













I can then have my metal watercolour palette attach to the book for easy painting in the field.




When I am not using the watercolour sketchbook I then close the cover and clip it together.  The gatorboard is thick enough that I don't get any dents in my paper and the elastic inside holds the paper in the cover.
 I prefer metal watercolour palettes so I can use those magnetic clips for both the sketchbook and on my easel.

I buy them empty and then fill up plastic half or full pans with my favourite paints.  I let them dry and then place them in the palette.

I do put magnetic tape under the plastic pans to help them stay in place, this also lets me add an extra row of paints.

This system also lets me change out the colours in my palette really easily.  I also have palettes of colours for places I travel to frequently.  I have a Maui palette, a Cabin/Mountain palette, and a desert palette. (Palm Springs, Phoenix).



For travelling my kit looks like this.

I have 2 metal watercolour palettes with the colours I'm using at the moment.

- pencils, eraser, sharpener, small ruler
- water brushes, I like sakura, make sure your water brushes have the little valve so they don't leak
- some watercolour pencils
- some fountain drawing pens
- molotow white paint marker




I put the water brushes, fountain pens, and molotow marker in a ziplock. This way I can easily remove it and set it out if I'm going thru airline security and the plastic bags helps with any leaks I may have.

One hint I also usually put a paper towel in that plastic bag to absorb any leaks.  I find my fountain pens may leak a bit while flying due to cabin pressure.







This post ended up being longer than I expected, hopefully I didn't ramble too much.

See you next time.

Gail




Sunday, November 5, 2017

Negative Poppy Painting















Here is the next poppy project that I came up with, a negative poppy painting.

Negative painting is a hard skill to grasp so I love that this project gives students more practice at it.


















MATERIALS REQUIRED:

- watercolour or heavy painting paper
- masking tape
- watercolour or disk tempera paint
- sea salt
- pencil
- black acrylic paint

PROCEDURE:

I start by taping off my watercolour paper to my art board.

This will give me that nice finished edge.


Using reds, orange, yellow and a little purple and blue I paint the paper. I am using a lot of water to make the paint flow.  The purple and blue are mixed with the red before dropping onto the paper to create the dark reds.

I also scatter some sea salt onto the paint at the end before the paint dries.
Set painting aside to dry.



When painting is dry brush off the salt.  You can see the effect you get in this picture.

Now I need to decide where my poppy flowers will be.  I look at the paint and choose my favourite spots, places where the colours are rich and where the salt has created amazing effects.

I draw the outline of my flowers in these places including the stems and a few leaves.




Taking black acrylic paint I begin to paint around the flowers following my pencil lines.















I paint the spaces inside between the flowers using a smaller brush.

















When I have painted all the negative space black I leave my painting to dry.














When it has dried I remove the tape. The last thing I do and this is optional as the painting is pretty awesome as it is right now, I paint in a few shadows with a mix of watery blue and black.  I use a small brush again and I'm very selective where I'm adding this.















That's it.

I love the way it turned out.



Gail

Sunday, April 21, 2013

Rainy Day Watercolour

This is for those April showers we are supposed to be having.....yesterday in Calgary we got snow!
I always love how a pop of colour on those grey days can cheer you up.





















MATERIALS REQUIRED:

- watercolour paper, at school I use a nice 130lb Fabranio we get in bulk
- green painter's masking tape
- disk tempera paint or watercolour paint
- water spray bottle 
- foam plate for palette
- sand from the playground or garden centre, optional
- kleenex
- my template, optional
- glue
- coloured paper
- craft foam or vinyl, optional
- small button

PROCEDURE:

Place your paper on your art board.  Tape off edges with Painter's masking tape.



Gather your painting supplies.


Brush some water over your entire paper.



While the paper is still wet start adding colour.  The colours you need for stormy skies are black, blue, and purple.

You want very diluted colour so this is where the foam plate comes in.  Add paint and then extra water to get a nice wash.


Paint over entire paper.  You want variation in your colour so some areas have more grey (diluted black) or blue than others.



You can even splatter on some diluted paint.  You want the paper to stay moist so use your water sprayer if it is getting dry.





Not finished yet.......





Crumple up a kleenex and begin lifting off some of the paint to create clouds.





Storm clouds are dark on the bottom and lighter on top so you can add a touch more grey if needed.  Use your spray bottle to keep the paint moving if needed.









A further effect you can add is using sand.  Unlike salt it will not bloom but the paint will collect around the particles leaving a nice texture, like raindrops.

Sprinkle a little on the painting and leave until fully dry.





While the painting is drying you can work on the umbrella and person.



You can use my template or sketch out the pieces freehand.




The umbrella was traced on watercolour paper and then painted.  You can see the pencil lines try the paint.





Cut out when dry.




Glue a button on the top of the umbrella.
You can also add a few lines.





Cut a handle out of black paper.







Use a bright colour for the slicker, a neutral for the head and hand.

I have some nice yellow vinyl for the boots, you could also use craft foam or just paper.







Glue all the pieces into place.






Paint a little puddle for your person to stand in.  I used the tape again to maintain that white border.  At school I will just make sure not to remove the bottom tape till it is completely finished.








That's it.