NammaMetro: The Conspiracy Theory
Did BMRCL stage a payments disruption to nudge users toward smart cards? A data-driven investigation into the February 2025 fare hike.
The World of Mahesh Shantaram. Documentary Photographer and Data Scientist for the Public Good.
Did BMRCL stage a payments disruption to nudge users toward smart cards? A data-driven investigation into the February 2025 fare hike.
Get to know Bengaluru City through the lens of its metro's ridership. See how commuters and weekenders use the metro.
A system to monitor and analyse road traffic flow on pre-determined routes within a city.
This notebook stress-tests the Rolling Relative Route Scoring System. Does it hold up?
Study solar flares and other phenomena using data from ISRO's Aditya-L1 space observatory.
FlatWrite turns plain markdown into beautiful, shareable documents you actually enjoy reading. Makes markdown publishing feel effortless.
Hyperlocal Road Traffic Monitor – compare current speeds with historical patterns across major routes. Know before you go.
🇮🇳 Generate clean and fresh data from Indian parliamentary and assembly election results published by the Election Commission of India
Web app to verify C2PA content credentials and view EXIF/IPTC info embedded within an image. We do frontend as well as API call!
Based on a true story. Your story. Go ahead, express yourself.
In the paradox that is Ayodhya, old and new comes down to a point of view. I was witness to the myth-making frenzy over the merger of temple and state.
Land of Pain and Pleasure
I scribbled: "If only one parent's name is required in my passport, I would like it to be my mother's. Since I am equally a son to my parents, I trust this should not pose a problem to your department."
Journey through the intertwined narratives of four women's wedding days and the author's own journey into and out of wedding photography.
A fictional narrative through one dreary wedding night in an India tearing at its seams.
A fictional narrative through one dreary wedding night in an India tearing at its seams.
Anywhere in the world, it takes a black person to tell us what racism really feels like.
How a photo project about racism in India got branded as a racist Indian photo project… and other stories
As a country, we can have a conversation about our racism without ever involving the Africans. Our guests are only doing us a favour by holding up a mirror to our society.
Mahesh Shantaram
Data Scientist.
Documentary Photographer.
Visual Storyteller.
Bangalore, India.
Hi, I’m Mahesh Shantaram, a Bangalore-based data scientist working in the public interest, with an earlier career as an independent documentary photographer.
For over a decade, my work focused on long-form, narrative documentary projects examining Indian society, politics, and institutions. My photography projects were built over years rather than assignments, requiring deep fieldwork, pattern recognition, and the ability to synthesise complex social systems into coherent, accessible narratives. This work was shown internationally at festivals including Photoquai (Paris), PhotoPhnomPenh, Delhi Photo Festival, Addis Photo Festival, Chobi Mela, and Angkor Photo Festival, among others.
One such project, Matrimania, used India's wedding industry as a lens to examine class, aspiration, consumption, and social power. Another, Last Days of Manmohan, documented political culture in India during the lead-up to the 2014 general elections by deliberately misusing the visual language of news photojournalism to study politics as theatre. More recently, my work turned to portraiture and lived experience, focusing on racism faced by African migrants living in India through projects such as Racism in India: The African Portraits.
Over time, the analytical spine of this work began to matter more to me than the medium itself. I transitioned into data science to continue doing what I had always done: interrogating systems, working with evidence, and communicating complex realities to the public. Today, I work at the intersection of data analysis, visualisation, and storytelling, using statistical reasoning and computational tools to make sense of public systems, infrastructure, and policy.
I hold a degree in Computer Electronics and a diploma in photography from Paris, and I've been based in Bangalore since 2006. My work—whether photographic or computational—remains driven by the same question: how do large systems shape everyday life, and how can we make those systems legible to the people who live inside them?
Circumstances once forced me to steer a Volvo bus to safety. I've also flown a plane after six pints of Guinness (not recommended). I still can't drive a car.
Type a message below and hit send to open a chat with me.
Get in touch to say hello.
[email protected]