The twenty-fifth long form case for Inspector Joseph French, Enemy Unseen (1945) does not cover its detective or its author Freeman Wills Crofts in glory. While, given the era in which it was written and published, there’s an understandable desire to provide a positive impression of the work of the Home Guard, and for the workings of the country as a whole to appear reassuringly competent, the book seems to have no purpose beyond this, feeling to this FWC fan as if, for only the second time in the author’s long and storied career, he was perhaps putting something out to fulfil an obligation. And yet, its inexorable, dull plodding towards the finish line would be comforting to many — E.C.R. Lorac fans would lap this up, I feel.
House of Stratus
#1447: “This is like doing things in books, and I hate the way they do things in books.” – The Clue of the Silver Key (1930) by Edgar Wallace
When I first started looking into the work of Richard Horatio Edgar Wallace beyond The Four Just Men (1905) I was a little overwhelmed by the possibilities. This is a man who, we’re told, wrote over 170 books, so where does one begin to explore such a corpus?
Continue reading#1409: Dr. Thorndyke Intervenes (1933) by R. Austin Freeman
The next couple of years will see me read the final few titles by a bunch of authors I’ve come to very much enjoy: I have five novels by Freeman Wills Crofts remaining, five by J.J. Connington, and now, having read Dr. Thorndyke Intervenes (1933), six by R. Austin Freeman. So my enjoyment of these books — and their later books are still proving enjoyable, though I appreciate that may not continue, with John Dickson Carr‘s work already stumbling into that slough of despond — is tinged with melancholy. It’s been such fun, and I don’t want it to end; and I especially don’t want it to end on a damp squib of turgid prose and bumbling plot mechanics.
#1375: “I find it difficult to explain.” – The Clue of the New Pin (1923) by Edgar Wallace
I have, in my limited exposure to his work, come to quite enjoy the thrillerish tendencies of Richard Horatio Edgar Wallace. You don’t come to him for solid plotting, intelligent detection, or subtle clewing, but there’s a brand of creativity he brings to his wild schemes that is difficult to find elsewhere.
Continue reading#1353: When Rogues Fall Out, a.k.a. Dr. Thorndyke’s Discovery (1932) by R. Austin Freeman
Once again, now for a third time, I have been misled by these House of Stratus editions about the nature of a book by R. Austin Freeman. The cover of When Rogue’s Fall Out, a.k.a. Dr. Thorndyke’s Discovery (1932) promises “Three Books in One, starring Dr. Thorndyke”, leading me to surmise that these were three novellas. Not so. As it happens, Book 1 – The Three Rogues, Book 2 – Inspector Badger Deceased, and Book 3 – The Missing Collector are simply parts of one novel-length story, and I approached the end of The Three Rogues very confused about the apparent lack of impending conclusion and the distinct absence of Thorndyke from its pages.
#1332: Pontifex, Son and Thorndyke (1931) by R. Austin Freeman
One sympathises with Martin Edwards when he says that he found the style of the opening pages of Pontifex, Son and Thorndyke (1931), the nineteenth book and thirteenth novel by R. Austin Freeman to feature medical jurist Dr. John Evelyn Thorndyke, “off-putting”. I am an avowed Freeman fan, this being the 19th book by him I have read, and I nearly quit on page 2. But if you persevere, dear reader, you’ll find an interesting story with some very, very good detection indeed that definitely improves once Freeman curbs his initial pomposity…though the book as a whole does suffer slightly from an absence of content to fill out the closing few chapters
#1287: A Certain Dr. Thorndyke (1927) by R. Austin Freeman
You have to buy the whole book of A Certain Dr. Thorndyke (1927), the tenth novel featuring R. Austin Freeman’s eponymous, esteemed medical jurist, but I’d advise only reading half of it. Rather like final Sherlock Holmes novel The Valley of Fear (1915) by Arthur Conan Doyle, the story here is split into two parts, one of criminous shenanigans and one of tedious backstory — though Freeman’s backstory comes first — and, even then, the crime and its investigation are only just about interesting to hold the attention. Mostly this smells of an idea Freeman couldn’t let go that should have been at best a novella, but which finds itself beefed up so that he could fulfil a clause in a contract. He does so enthusiastically, but it’s not a good read.
#1270: “I flatter myself it is impossible to tell how my stories will end until the last chapter.” – The Clue of the Twisted Candle (1918) by Edgar Wallace
There’s been a some confusing talk of horses here lately, so let’s abandon that metaphor for now and turn to an author who is often entertaining without any weighty expectations of being good: cue Richard Horatio Edgar Wallace and The Clue of the Twisted Candle (1918).
Continue reading#1250: “The mere facts are obvious enough; it is their interpretation that yields the knowledge.” – The Puzzle Lock [ss] (1925) by R. Austin Freeman
The last time I read a book by Richard Austin Freeman, my House of Stratus edition told me it was a collection of short stories only for it to turn out to be a novel. So it’s fitting that my next encounter with Dr. John Thorndyke should reverse the situation and what is pitched on the back cover as a novel turn out to be a collection of short stories.
Continue reading#1224: The Shadow of the Wolf (1925) by R. Austin Freeman
Far from the short story collection my House of Stratus edition pictured here promises on the back cover, The Shadow of the Wolf (1925) is the eighth novel to feature R. Austin Freeman’s “medico-legal hermaphrodite” Dr. John Thorndyke and an inverted mystery to boot — a particular delight to discover, because I’ve been giving this form of detective story a lot of thought lately. And so when Varney — I don’t think we ever learn his first name — murders Dan Purcell on a boat in the opening chapter and begins to put in place that which makes it seem the dead man has fled of his own accord, I was even more delighted than I usually am at the start of a Thorndyke tale.