Showing posts with label Jim Jarmusch. Show all posts
Showing posts with label Jim Jarmusch. Show all posts

Tuesday, May 19, 2026

Dallas Good's final recorded project due from Yep Roc on June 26th

Dallas Good's Were The Watchtowers, features Kurt Vile, John Doe, Yo La Tengo, Jon Spencer, Scott McCaughey, Gary Louris, Neko Case and others.  

From Yep Roc HQ...

Yep Roc is honoured to announce the June 26th wide-release of Were The Watchtowers, the final recorded work of Dallas Good, completed before his unexpected passing in February 2022. Written and recorded slowly over more than a decade with Richard Reed Parry, the project captures a deeply collaborative, cosmic strain of psychedelic Americana. Guest appearances include Neko Case, Kurt Vile, Yo La Tengo, Jim Jarmusch, John Doe, Jon Spencer, Scott McCaughey, Gary Louris and Margaret Atwood. 

Listen to the single "Echo the Part" (below) and order a physical copy on White vinyl or CD at https://goodparry.lnk.to/echothepart.


Monday, January 12, 2026

Jim Jarmusch's Father Mother Sister Brother screens at the Fox, Jan 12 thru 17

Tom Waits stars alongside Adam Driver in Father Mother Sister Brother showing at The Fox Monday thru Saturday. 

Here's the scoop...
A revolutionary voice of the 1980s indie film scene, Jim Jarmusch returns to weaving narrative vignettes, as he mastered in his diner anthology “Coffee and Cigarettes” and his early films like “Mystery Train” and “Night on Earth.”

In his own words, Jarmusch describes the film as “a kind of anti-action film,” with a subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being delicately arranged in three separate arrangements.

“Father Mother Sister Brother” showcases Jarmusch at his best: minimalist, with an unerring eye for the essence of human experience.

Watch the trailer followed by screening times below. 
Get tickets for Father Mother Sister Brother at the Fox Theatre right here
Read an interview with director Jim Jarmusch for Another Mag in the Links section.  

 

LINKS
Another Mag Jim Jarmusch interview


FATHER MOTHER SISTER BROTHER @ The Fox Theatre





Monday, September 29, 2025

Anika, Avishag Cohen Rodrigues @ The Dance Cave, Monday

Anika – who scored Jim Jarmusch's "Father Mother Sister Brother" – hits the Dance Cave with Avishag Cohen Rodrigues opening at 7 pm. 

Writes Anika....

"In very exciting news, I scored the music for the latest Jim Jarmusch film, "Father Mother Sister Brother," along with Jim and some of the Solistenensemble Kaleidoskop crew (With whom i did the Nico, Desertshore project). The film just won the Golden Lion in Venice (Congrats to Jim, the cast and all his crew for this much deserved achievement) and premieres in the States on the 3rd October 2025, in NYC. Check the film once it's out in local cinemas and on Mubi." – Anika



Check out a few songs from Anika's recent performance in Paris following her videos for "Walk Away" and "Hearsay" off her latest album Abyss out now via Sacred Bones Records and the trailer for Jim Jarmusch's new film "Father Mother Sister Brother" starring Tom Waits, Cate Blanchett, Adam Driver, Charlotte Rampling, Vicky Krieps and Mayim Bialik. There's also some footage from a March show by Avishag Cohen Rodrigues at The Rockwell in Somerville below. 

Tickets for Anika's show with Avishag Cohen Rodrigues at the Dance Cave tonight (Monday, September 29) are $33.33 advance. Get 'em via Tickeweb right here









Monday, August 11, 2025

The RZA visits the Criterion Closet

Wu-Tang Clan mainman The RZA is a big fan of Melvin Van Peebles and John Cassavetes.

Here's the scoop...
The rapper, record producer, composer, and filmmaker talks about how the ONCE UPON A TIME IN CHINA series elevated the martial-arts genre, praises MIKEY AND NICKY as a master class in how to write a buddy movie, and shouts out his longtime collaborator Jim Jarmusch.


Tuesday, June 11, 2024

Man Ray's newly-restored surrealist films screening at TIFF Bell Lightbox, Wednesday

Four of Man Ray's silent surrealist shorts have been digitally restored with new soundtracks created by Jim Jarmusch's Sqürl. 

TIFF Wavelength presents...

Return to Reason (Retour à la Raison)

Man Ray

France | 76m | silent

TIFF Bell Lightbox (350 King St. West) 

Wednesday, June 12 at 6:30 pm

New 4K digital restoration!

Introduction by TIFF Cinematheque Coordinator Vicky Wong and Wavelength Music Artistic/Executive Director Jonathan Bunce.

In 1923 Paris, American expat Man Ray — one of the major proponents of Dada and Surrealism — made the first of his four silent avant-garde films, Le Retour à la raison. A hundred years later, Sqürl ― the atmospheric “marginal rock band” composed of Jim Jarmusch and Carter Logan ― performed and recorded a semi-improvised score to this now-legendary quartet of shorts (1923–1929), newly and wondrously restored. The hypnotic Sqürl score terrifically enhances their dreamlike qualities, which were created using solarizing techniques (the artist’s signature “rayographs”), in addition to his use of diffused and refracted glass. These Freudian gossamer abstractions include explorations of graphic shapes; an oneiric picnic outing; a psychedelic study inspired by a Robert Desnos poem; and the Villa Noailles, a modernist villa designed by the great architect and designer Mallet-Stevens. Rife with hidden meaning and surrealist sensuality, the films are given an extra sensory and perceptual altering by the band’s ambient loops and Moog synths, which may induce a psilocybin-like experience. No drugs required! – Andréa Picard

Playing as part of this programme:

Return to Reason (1923)

Emak-Bakia (1926)

L’Étoile de mer (1928)

Les Mystères du château de Dé (1929)

The restoration process was led by Womanray and Cinenovo sourcing original prints from various parts of the world, in partnership with La Cinémathèque française, the Centre Pompidou, the Library of Congress, the French CNC and Cineteca di Bologna. 

Check out the TIFF Bell Lightbox site for more info. Watch the trailer below. 


Tuesday, December 10, 2019

Jim Jarmusch salutes cinematographer Robby Müller on his new SQÜRL LP

The new SQÜRL album from filmmaker Jim Jarmusch and pal Carter Logan began as the soundtrack to Claire Pijman's documentary Living The Light.  

NYC-based duo  Jim Jarmusch and Carter Logan aka SQÜRL will release Some Music for Robby Müller via Sacred Bones Records on January 31st, a new album in tribute to the Dutch cinematographer Robby Müller.  Here's a statement from Jarmusch about the album...

"These recordings were made by SQÜRL to provide the score to the documentary film LIVING THE LIGHT by Claire Pijman. The subject of Claire’s film is Robby Müller, the unparalleled Dutch cinematographer and poet of light whose work includes: PARIS TEXAS, DEAD MAN, BREAKING THE WAVES, BARFLY, 24 HOUR PARTY PEOPLE and at least 70 other remarkable films. He also produced many still photographs, like these luminous Polaroids on the jacket of this vinyl recording.
Claire Pijman is also Dutch, and also a cinematographer. Her film is, happily, not a conventional or formulaic documentary, but more a personal essay focused on Robby’s vision, his gathered images, and his approach to light, to storytelling and to life itself. LIVING THE LIGHT has now been screened at numerous important film festivals around the world, and was recently awarded the top prize for best feature documentary at the Netherlands Film Festival.

I first met Robby in 1981, in a bar on a boat in Rotterdam during the film festival (where I was presenting my first feature film, PERMANENT VACATION). Wim Wenders knew I was a huge fan of Robby’s work and he told me exactly where I might meet Robby – in that bar on that boat seated next to the peanut machine which rested on top of the bar. And yes, there he was. I nervously introduced myself, and then we talked and talked and talked. This was the beginning of one of the most important relationships of my life.

Robby became my close friend, my collaborator and my teacher too. From him I learned about the emotional qualities of light, about telling stories with a camera, about artistic intuition, collaboration, and integrity. We worked together on the films DOWN BY LAW, MYSTERY TRAIN, DEAD MAN, parts of COFFEE AND CIGARETTES, and GHOST DOG: THE WAY OF SAMURAI. We spent time together in many interesting places in the world, and became parts of each other’s families. Honestly, I can’t even begin express all that I learned from Robby, the joy I had just being with him, or the depth of my respect for him as a compassionate, energetic and rebellious human being. I miss him very much.

As SQÜRL approached creating music for Claire’s film, we attempted to be guided by the beautiful and illuminated elements of Robby’s spirit. We tried to channel his love of the special light during “magic hour,” his love of moving images – from trains and cars, the sadness of certain architecture, or the vibrant energy that can be felt emanating from all living things.

Just before recording, SQÜRL borrowed an unusual vintage Japanese electric guitar from the wonderful Brooklyn–based Dutch luthier, Flip Scipio. We used it for all the guitar parts, its tonal qualities also somehow channeling the spirit of Robby. Robby liked formal purity and focus but he also embraced imperfection, accidents and experimentation. He was well aware that contradictions can and should become strengths.

So here is Some Music for Robby Müller created by SQÜRL in NYC and inspired by Claire Pijman’s film, LIVING THE LIGHT, and of course by Robby himself; his perceptions, his wonderful presence, his mind, his heart and his twinkling, mischievous eyes -- through which he communicated, and with which he surveyed the same illusive world still vibrating around us." - Jim Jarmusch

Listen to "Robby's Theme" followed by a trailer for Claire Pijman's film Living The Light below. Pre-Order a copy of Some Music For Robby Müller directly from Sacred Bones right here.




Monday, June 17, 2019

The Dead Don't Die soundtrack feat. SQÜRL getting vinyl release

The creepy, synth-enhanced score created by Jim Jarmusch's band SQÜRL for his new zombie flick is being issued by Sacred Bones on Sept 13th.

The Dead Don’t Die is writer/director Jim Jarmusch’s unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film’s score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band’s EP #260 in 2017, is releasing the LP edition of the score.

The score to the The Dead Don’t Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.

From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari — all sculpted through a collection of effects pedals, notably from Earthquaker Devices.

The inspiration for SQÜRL’s score for The Dead Don’t Die came from some of the most iconic soundtracks of the past half-century of genre cinema — Tangerine Dream’s Sorcerer, Bebe and Louis Barron’s Forbidden Planet, Ennio Morricone’s The Thing and Once Upon a Time in the West, Goblin’s Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan’s consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

Watch The Dead Don't Die soundtrack teaser below. Pre-order a limited edition "Black Dust" splatter wax copy of the LP right here.



The Dead Don't Die – Original Motion Picture Score (Sacred Bones)
1. Dialogue 1 (Adam Driver, Bill Murray, Chloë Sevigny)
2. The Dead Just Don’t Wanna Die Today
3. Dialogue 2 (Larry Fessenden)
4. Replacement Sky
5. Dialogue 3 (Chloë Sevigny, Adam Driver)
6. This Is All Gonna End Badly
7. Dialogue 4 (Selena Gomez, Rosie Perez, Austin Butler, Luka Sabbat)
8. Malignant Wave Of Doom
9. Dialogue 5 (Caleb Landry Jones)
10 Toxic Moon
11 Dialogue 6 (Tilda Swinton, Bill Murray)
12 Pulsating Elevator Of Light
13 Dialogue 7 (Chloë Sevigny, Bill Murray, Adam Driver)
14 The Dead Don't Die
15 Dialogue 8 (Tom Waits)

Thursday, June 13, 2019

The Sadies get a shout-out in Jim Jarmusch's zombie flick The Dead Don't Die

While trapped in a hardware store, Bobby Wiggins and Hank Thompson discuss the guitar playing skill of The Sadies' Dallas & Travis Good. 

Since Jim Jarmusch started making feature films, the part-time musician and full-time music fan has sought to sneak in cameos of his favourite artists. Beyond the starring roles frequently played by his longtime pals John Lurie and Tom Waits, Jarmusch always finds clever ways of getting some screen time for artists he loves, whether it's having underground NY rapper Rammelzee portraying "man with money" in his 1984 breakthrough Stranger Than Paradise, Screamin' Jay Hawkins serving as a hotel night clerk in 1989's Mystery Train, Butthole Surfters' frontman Gibby Haynes playing "man with a gun in alley" in 1995's Dead Man, Wu-Tang Clan's RZA and GZA discussing the finer points of alternative medicine with Bill Murray in 2003's Coffee and Cigarettes.

In Jarmusch's latest The Dead Don't Die – a cautionary tale about the hazards of fracking and consumerism run amok which opens this weekend), he's got regular collaborators Iggy Pop playing a coffee zombie, RZA appears as a WU-PS delivery man while Tom Waits has a key role as Hermit Bob, a mysterious forest-dwelling loner who provides Rod Serling-esque commentary. Alt-country star Sturgill Simpson is name-checked frequently as the singer of the film's title song whose CD of "The Dead Don't Die" serves as a prop throughout and Simpson himself later appears as a guitar-dragging zombie.

In a similar multi-level reference, there's a scene set in a zombie-surrounded hardware store where Bobby Wiggins (Caleb Landry Jones) and Hank Thompson (Danny Glover) talk about the awesome guitar skills of The Sadies' dynamic brother duo of Dallas and Travis Good after seeing a brief cameo which fans of the Toronto twangers won't soon forget. You'll need to see the film for that entertaining sequence but in the meantime, watch the trailer below followed by a video for Sturgill Simpson's title track.

Ginger St. James has invited The Sadies to play The Casbah (306 King St. West) in beautiful downtown Hamilton on Sunday (June 16) – Check the venue's page right here for more info and tickets – before they head to Saskatchewan for the Long Day's Night Festival with Reverend Horton Heat in Swift Current (June 20-23) and then continue on a Western swing through July before hitting Buffalo's Cobblestone Live Music & Arts Festival (49 Illinois St) August 2-4.
 






Wednesday, April 17, 2019

Ron Mann's doc Carmine Street Guitars @ NYC's Film Forum, April 24 to May 7

Kirk Douglas of The Roots happened to stop by Rick Kelly's shop Carmine Street Guitars while Ron Mann was filming his excellent documentary.

Carmine Street Guitars
The mystique of the Greenwich Village as a haven for bohemians, artists, and musicians lives on (just steps from Film Forum) at Carmine Street Guitars: Rick Kelly and apprentice Cindy Hulej build handcrafted, one-of-a-kind instruments from wood salvaged from the city’s defunct buildings. (Unfazed 93-year-old mom Dorothy keeps the books and answers the phone.) Nothing looks or sounds like Rick Kelly’s guitars, which is why they’re embraced by Lou Reed and Patti Smith, among others. A week in the life of the shop features visits from its devoted clientele: Lenny Kaye (Patti Smith Band), Dallas & Travis Good (The Sadies), Kirk Douglas (The Roots), Eleanor Friedberger, Nels Cline, jazz guitarists Bill Frisell and Marc Ribot, and filmmaker/composer Jim Jarmusch. Watch the trailer and a Q&A with filmmaker Ron Mann below. Check the links for screenings and tickets. 







Monday, January 22, 2018

Happy Birthday Jim Jarmusch!

Raising a glass to the filmmaker/musician with "Welcome Machines" and "Atom Satellite" by The Del-Byzanteens.


Thursday, February 23, 2017

Whaddya mean you don't know Cold Diamond & Mink

Cold Diamond & Mink are the mysterious houseband of Timmion's subsidiary Stylart. Check their recent soul instros. 




That's Cold Diamond & Mink playing in the background of the trailer for Jim Jarmusch's latest film Paterson.


Wednesday, November 2, 2016

Jim Jarmusch's Gimme Danger @ TIFF Bell Lightbox, Friday

Watch Jim Jarmusch & Iggy Pop chat about The Stooges doc Gimme Danger which runs through Nov 10. 

Wednesday, September 14, 2016

Jim Jarmusch's Stooges doc Gimme Danger screens at TIFF

Gimme Danger is at Isabel Bader Theatre Sept 17. Hear the TIFF press conference & watch the Cannes clips.
Check out the TIFF press conference for Gimme Danger hosted by Richard Crouse: part one and part two


Wednesday, September 29, 2010

Jim Jarmusch details plans for Stooges film

No, acclaimed auteur Jim Jarmusch isn't planning on making a Three Stooges movie  – however entertaining it may be seeing Tom Waits, John Lurie and Bill Murray doing some slapstick comedy together in the roles of Shemp, Larry and Moe – it's a documentary about the confrontational Ann Arbor rock 'n' roll band The Stooges. In addition to some rare vintage performance clips, Jarmusch has apparently already filmed eight hours with Iggy Pop talking about all things Stooges going back to his childhood in a Ypsilanti trailer park as the filmmaker noted during an interview at the All Tomorrow's Parties festival in Monticello, New York which he co-curated.

Jim Jarmusch spills on his Stooges film

Sunday, August 15, 2010

Lost Greenhornes album magically appears


Just when you thought you'd heard the last of Cincinnati garage rock rebels The Greenhornes, a copy of what appears to be an unissued album recorded during their mid-2000's peak has found it's way into the hands of Zach B. who posted it on his fine Random Old Records blog.  How do these things happen?
Assuming that the recording of undisclosed origins tagged as "Little Horse" sans tracklisting really is a lost Greenhornes album – the professionally recorded 12-song studio set certainly sounds like their work – then it's plausible that the recording could've been done after 2005's East Grand Blues (V2) EP and before the Greenhornes rhythm section of drummer Patrick Keeler and bassist Jack Lawrence were deputized by Jack White for various projects, notably Loretta Lynn's Van Lear Rose album and  the Raconteurs. Meanwhile Greenhornes guitar-playing singer/songwriter Craig Fox has been keeping busy in Cincinnati with Oxford Cotton, The Long Gones and Pearlene.
Of course, it's also possible that these tracks could be early versions of songs intended for The Greenhornes forthcoming Four Stars album set for release on Jack White's Third Man Records label in October. We'll likely find out soon enough as the reunited Greenhornes will be kicking off a short tour with a homecoming show at The Comet in Cincinnati on August 20 followed by gigs at Detroit's Magic Stick (Aug. 21), Nashville's The Basement (Sep. 1), New York's Mercury Lounge (Sep. 3) and Maxwell's in Hoboken (Sep. 4) as a warm-up for their Jim Jarmusch-approved appearance at the All Tomorrow's Parties Festival at Kutsher's Country Club in  Monticello, New York on September 5. No word as yet about a Toronto show but The Greenhornes have always done well here so there will likely be announcement soon. You'll probably read about it here first. 

LINKS
Greenhornes site http://www.myspace.com/thegreenhornes
Random Old Records http://randomoldrecords.blogspot.com
All Tomorrow's Parties Festival http://www.atpfestival.com/events/atpnewyork2010.php
Third Man Records http://www.thirdmanrecords.com/