Here are our favourite albums of the last 12 months, as voted for by tQ staff, columnists and core writers
Watch It Die
Canadian post-punks have all the right slogans, but the sound feels all too familiar, finds Hayley Scott
Rian Treanor & Mun Sing, Proteus, Sarah Angliss, Bruise Blood and Helm also added to bill for next year's Wiltshire weekender...
Metal Machine Music: Power to Consume, Vol. 1
Several salutes to Lou Reed’s most returned release, featuring Thurston Moore, Pharmakon, Drew MacDowall and others
Darran Anderson relishes hearing Rupert Hine's soundtrack to Jerzy Skolimowski's 1978 psychological horror, The Shout and discovers a sonic gateway in the process. Contains mild spoilers for films The Shout, Berberian Sound Studio, Blow Out, and The Conversation
From radical dance music to triumphant, intricately layered synth pop and a levitating collaboration between a Ugandan embaire ensemble and a Japanese dub producer, Daryl Worthington finds rays of joy on cassette to blast away the impending winter entropy this November
Artists discuss the 13 records that shaped their lives
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Enter Subscriber AreaA concept album that transcended its concept, a stealth mix-CD, global disco, sampledelic exotica, yacht rock by other means: the Australian group’s debut was many things, writes David Bennun - and above all it was, and remains, a joy. This article was first published in 2020
Each week we conjure up a miscellany of tQ writing from the mists of time for you. Most often random. Sometimes themed. Always enthralling.
Explore The PortalAhead of their appearance at this year's Le Guess Who festival, Heinali & Andriana-Yaroslava Saienko speak to Jennifer Lucy Allan about interpreting the music of Hildegard Von Bingen via Ukrainian folk song in the context of the Russian invasion of their homeland
In an exclusive extract from his new book, Strange Young Alien, the founder member and principal songwriter of the Monochrome Set discusses the ruptured cerebral aneurysm that changed the way he thought about music and the creative process
Blitz: The Club That Created the Eighties, a new book by Robert Elms, returns the reader to a bygone London of squats full of future popstars and cans of Red Stripe to recall the nightclub that birthed Spandau Ballet and Visage and might just have invented the future