Showing posts with label Gigi Pandian. Show all posts
Showing posts with label Gigi Pandian. Show all posts

Monday, April 18, 2022

Celebrating the 2022 Agatha Nominated Authors for Best First Novel and Best Short Story

by Paula Gail Benson

 

Next weekend, after a two year absence, a group of devoted readers and writers will gather in Bethesda, Maryland, to celebrate the traditional mystery at Malice Domestic. Each year, its been a great privilege for me to interview the Agatha nominees for Best First Novel and Best Short Story. Through this message, please enjoy meeting or reacquainting yourself with these wonderful authors, and dont forget to click on the links to read the nominated short stories!

 

Congratulations to all the nominees and thank you for spending time with us at The Stiletto Gang!

 

Best First Novel
The Turncoat’s Widow by Mally Becker (Level Best Books)
A Dead Man’s Eyes by Lori Duffy Foster (Level Best Books)
Arsenic and Adobo by Mia P. Manansala (Berkley)
Murder in the Master by Judy L. Murray (Level Best Books)
Mango, Mambo, and Murder by Raquel V. Reyes (Crooked Lane Books)

 

What has been your most unexpected experience with the publication of your first novel?

 

Mally Becker

Mally:

The nomination of The Turncoat’s Widow for an Agatha Award in the “best debut” category is one of the most unexpected and humbling experiences of my life. I am honored beyond belief, and the nomination still doesn’t feel real.

Beyond that, I am gobsmacked by how much kindness has come my way in the wake of writing and publishing this book. There were historians and curators who gave their time gratis, authors (you know who you are) who shared their wisdom and support freely, and family, friends, librarians, and strangers who took the time to reach out and send good wishes.

Each act of kindness feels like a moment of grace, reminding me that, even in this time of discord, there is a tremendous amount of goodness in the world. That revelation has been the most unexpected, welcome surprise of all.

Lori:

Book promotion has been much more time-consuming than I had expected, but what has surprised me most is the level of support I have experienced from my local community. There are huge advantages to living in a rural area. We are spread-out, but we are also tight knit. Everybody really does know everybody even if they are separated by ten or fifteen miles. I expected some support, but not like this. Everywhere I go, people ask when the next novel is releasing. I feel like they are honestly happy for me. I am truly fortunate.

 

Mia P. Manansala

Mia:

I wrote this book after the previous novel I’d written failed on submission–Arsenic and Adobo was meant to be a book for me and my mom, who’d introduced me to the world of cozy mysteries in the first place. So the fact that something I wrote for mostly personal reasons has managed to connect with so many people is amazing and completely unexpected.


Judy:

Gaining an Agatha Award nomination for Best First Novel is an absolute, unpredicted thrill. I’m so, so honored to be a part of this legacy of talented writers. I discovered an amazing community of people open to helping each other grow. I need to do the same in return.

I recently held a two-hour book talk and the joy and fun of discovering how much Murder in the Master readers were totally engaged in my characters’ lives was fantastic. They laughed and questioned and probed.

Raquel V. Reyes

I’d add that for Murder in the Master, launching the storyline with a murder in the first paragraph was a big leap. Pure instinct. Thank goodness so many readers love that opening! I also deliberated, with a whole lot of angst, about the concept of creating my squad of favorite, famous sleuths to help my protagonist investigate the crime. Readers love it.
They enjoy seeing these favorites bring their crime solving talents and uniqueness into a current day mystery. They’ve also told me Helen’s personality has struck a chord. She’s quick-witted and likes to verbally spar, especially with her possible love interest, and readers are cheering her along. Overall, I’d like to encourage other writers to get their creativity down on paper. Don’t allow, like I did, life’s practicalities to delay their writing.

Raquel:

In my wildest dreams, I never would have imagined that Mango, Mambo, and Murder would get a NYT Book Review.

 

Best Short Story
A Family Matter by Barb Goffman (Alfred Hitchcock Mystery Magazine Jan/Feb 2021)
A Tale of Two Sisters by Barb Goffman in Murder on the Beach (Destination Murders)
Docs at Midnight by Richie Narvaez in Midnight Hour (Crooked Lane Books)
The Locked Room Library by Gigi Pandian (Ellery Queen Mystery Magazine July/Aug 2021)
Bay of Reckoning by Shawn Reilly Simmons in Murder on the Beach (Destination Murders)

 

How do you create realistic antagonists in short stories?

 

Barb Goffman

Barb:

The process for creating a realistic antagonist is the same as the process for creating a realistic protagonist and other characters. Think about their feelings, their motivations, and their emotional needs, because it’s these things that prompt each character’s actions.

One good way to do this is to put yourself in the characters’ shoes, which will allow you to see the situation in question from their perspectives. With this insight, you should be able to have each character act and react as real people would and also act differently from one another.

In “A Tale of Two Sisters,” Robin is strong while her sister, the bride, is anxious. Robin is determined to ensure the night goes well for Emma. It’s that motivation that prompts her actions throughout the story. If Robin were anxious too, the story would have unfolded quite differently.

Similarly, in “A Family Matter,” Doris reacts negatively to the family that moves in next door, not because she’s a mean person but because she believes it’s vital that this family not bring the neighborhood down. If Doris were more low-key, like another neighbor, Audrey, she would have reacted differently to things the new neighbors did. As a result, she wouldn’t have discovered a certain secret, and the story would have had a very different ending.

So, given that characters could act differently in any situation, it’s imperative for the author to understand who each character is, what motivates him or her, and think about how those motivations come into play with every action. This applies whether the character is the protagonist, antagonist, or even a sidekick.

 

Richie:

The same as you would a protagonist: Make them as tangible as possible. Does he have a favorite flavor of ice cream, a certain way of speaking, a pet cockatoo? Little details help the reader see them as more than just cartoony two-dimensional people. And we should know their motivations. Most of us are happy to pay rent and vacation once in a while, but what makes this person want to kidnap, murder, lie, steal, take over the world?

 

“Doc’s at Midnight” is fairly short, so we don’t get to hang out with the antagonists for very long, but when we do we get their motivation, and we see how it is anchored in a decades-old pain that echoes the struggle that the two main characters are going through, attempting to review and recover from the past.

 

Gigi Pandian

Gigi:

Such an interesting question! For me, in a short story it’s the puzzle itself that’s the antagonist, more than any particular person. The motive of the person behind the crime needs to be realistic, but I’m far more interested in creating a satisfying locked-room puzzle that makes the reader smile at the end of the story because the solution is both surprising and believable.

 

Shawn:

To me finding conflict between characters is one of the easier parts of writing. We’re all wired differently, all based on how we were raised and our life experiences since. The potential for conflict to arise is, unfortunately, all around us on a daily basis. My process is to think about how that character feels about a certain situation, and why they may have an issue, based on their beliefs or a perceived slight or outright injustice they feel has happened to them. It’s fun for me to think how a character might think, and have them react in a way that might be surprising in the face of conflict. 

 

Now, a question for all the nominees:

What shoes would your protagonist (or another character in your book or story) wear to the Agatha Banquet?

 

Mally:

Becca will wear the kitten-heeled satin slippers that Martha Washington gave her just the other day. The shoes are cobalt blue, shot through with shimmering metallic threads and topped with silver buckles. Lady Washington, as she was known, loves shoes and occasionally gifts them to special friends. After all the unpleasantness last winter–the less said about that, the better–Becca certainly qualifies as one of those special friends.

 

Lori Duffy Foster

Lori:

Boots, of course! Lisa would want to look good, but she would also want to be super comfortable. To settle her nerves, you know? So she would choose a pair of leather cowboy boots, probably light brown with a simple design, with about a one-inch heel. It be a pair she has worn often enough to break in, but not so often that they are scuffed or worn-looking. Lisa loves boots. She lives in them.

 

Mia:

This is tough because my protagonist is way, WAY more fashionable than me. She favors dark color palettes and stacked heels, so I’m picturing glittery or velvety black wedges that lace up and have fun, sexy cut-outs. Her mom taught her about couture and famous designers when she was younger, but she cares less about brand names and more about the style and vibe of a design.

 

Judy:

No question, Helen would wear four-inch heels, maybe red. She’d be taking her fashion direction from Nora Charles and Agatha Raisin, who both know how to sashay across a room. Unfortunately, for me personally, those heels have been shoved to the back of my closet. Too many years of heels for work have turned my feet into pretzels. I can hear Jane Marple tsk- tsking in my ears.

 

Judy L. Murray

Raquel:

My protagonist, Miriam QuiƱones, a Cuban-American food anthropologist turned cooking show star, is on the practical side—so, probably a simple, classic pump. But if her BFF, Alma, had anything to do with it, Miriam would wear a stylish and strappy shoe with some tasteful bling to it. 

 

Barb:

Robin in “A Tale of Two Sisters” would wear flats. At her last fancy affair, she had to wear heels and they made her evening even more difficult. It’s hard to chase a dog when you’re in heels. So, she wouldn’t make that mistake again. After all, who knows if a dog will crash the Agatha banquet too?

Doris from “A Family Matter” would wear shoes with a narrow, pointy toe and a tall heel. They were the stylish choice for women in the spring of 1962, and Doris is all about projecting the right image, which means she must wear the right thing.

Richie:

Great question! Well, the protagonist of “Doc’s at Midnight,” is actually a character from the 1961 movie West Side Story, Chino, but he’s older now and not flush with cash. So I think he would wear something that harkens back to his past, but not expensive—so, Capezio lace-up dance shoes in faux leather featuring one-inch heels with suede-covered bottoms for shock absorption. In black. Used, but buffed to a shine.

Richie Narvaez

Gigi:

Sanjay would be wearing his signature tuxedo and bowler hat, which he wears when he performs on stage as The Hindi Houdini.

 

Shawn:

Sabrina Westfall, the protagonist in my story, is a former beauty queen, so she would wear heels, but she’s also very sensible and practical, so they would be modest and elegant, much like her. She’d also have an updo and be wearing a lovely gown, chin up and toe turned out for photos (she’s media trained!). 

 

Shawn Reilly Simmons

BIOS:

Mally Becker combines her love of history and crime fiction in mysteries that feature strong, independent heroines. In addition to being nominated for a 2022 Agatha Award, The Turncoat’s Widow has also been named a Mystery & Mayhem finalist in the Chanticleer International Book Awards. The next book in her series will be published in June 2022 by Level Best Books.

https://www.mallybecker.com/

 

Lori Duffy Foster

Lori Duffy Foster is a former crime reporter who writes fiction and nonfiction from the hills of Northern Pennsylvania, where she lives with her husband and four children. She was born and raised in the Adirondack Mountains of New York State, where a part of her heart remains.

https://loriduffyfoster.com/

 

Mia P. Manansala is a writer and book coach from Chicago who loves books, baking, and bad-ass women. She uses humor (and murder) to explore aspects of the Filipino diaspora, queerness, and her millennial love for pop culture.

https://www.miapmanansala.com/

Judy L. Murray is a real estate broker with a not-so-secret passion for deals, divas, and danger. Her passion for mysteries began with smart girls like Nancy Drew and Trixie Belden, grew deeper with not-to-be-ignored women like Miss Marple and Nora Charles, and finally evolved into her own gutsy heroine - Helen Morrisey. https://www.judymurraymysteries.com/

Raquel V. Reyes writes stories with Latina characters. Her Cuban-American heritage, Miami, and the Caribbean feature prominently in her work. Raquel is a co-chair for SleuthFest. https://rvreyes.com/

Barb Goffman, a short story author and a freelance crime-fiction editor, has won the Agatha Award twice and has also taken home the Macavity, Silver Falchion, and 2020 Readers Award given by Ellery Queen’s Mystery Magazine. She’s been a finalist for major crime-writing awards thirty-five times for her stories, including sixteen Agatha Award nominations (a category record), and multiple nominations for the Anthony, Macavity, and Derringer awards. www.barbgoffman.com.

Richie Narvaez is the award-winning author of the collection Roachkiller and Other Stories, the gentrification thriller Hipster Death Rattle, and the historical YA mystery Holly Hernandez and the Death of Disco. His latest book is the collection Noiryoricanhttps://www.richienarvaez.com/

Gigi Pandian is a USA Today bestselling mystery author, breast cancer survivor, and locked-room mystery enthusiast. Gigi is a co-founder of Crime Writers of Color, and she writes the Jaya Jones Treasure Hunt mysteries, Accidental Alchemist mysteries, and Secret Staircase Mysteries, beginning with Under Lock & Skeleton Key—which came out in March 2022. https://www.gigipandian.com/

​Shawn Reilly Simmons is the author of seven novels in the Red Carpet Catering mystery series featuring Penelope Sutherland, chef-owner of a movie set catering company. She’s also written short stories which have been published in various anthologies. Shawn serves on the Board of Malice Domestic and is co-owner/publisher/editor at Level Best Books.  https://www.shawnreillysimmons.com/ 

Monday, July 27, 2020

Short Story Update

by Paula Gail Benson

The Palmetto Chapter of Sisters in Crime and the Southeast Chapter of Mystery Writers of America were delighted with the response to Mystery in the Midlands. We started off with a terrific panel on short stories featuring John Floyd, Tara Laskowski, and Art Taylor. Among them, those talented writers have been nominated and are recipients of the Agatha, Anthony, Derringer, Edgar, Macavity, and Thriller for their short stories. All of them have been involved with editing anthologies and preparing collections of their own work.

Listeners had many questions for this panel and links were left in the chat line to a number of excellent sources for short story writers.

Clockwise from upper right: Dana Kaye, Moderator, John Floyd, Tara Laskowski, and Art Taylor
The Short Story Panel from Mystery in the Midlands
Photo by Kathryn Prater Bomey, shared by Tara Laskowski
 A number of folks have asked to see a replay of the session. Here's the link where you can access the entire program from Mystery in the Midlands:




Coming up in August is another great event for short story writers. Agatha winner Gigi Pandian is presenting "The Art and History of Locked Room Mysteries," on Saturday, August 15 from 1:00 to 3:00 PM Pacific Time for the Sacramento-based Capitol Crimes Chapter of Sisters in Crime. Here's the link to register:


Gigi Pandian

I hope you'll be able to access these programs and enjoy!

Monday, July 20, 2020

Mystery in the Midlands ONLINE and FREE!!!! Saturday, July 25, 2020

by Paula Gail Benson

For the last two years, the Palmetto Chapter of Sisters in Crime and the Southeast Chapter of Mystery Writers of America have sponsored a mid-summer conference for readers and writers in "famously hot" Columbia, S.C. While we had to cancel our in person gathering due to Covid 19, our third venture as an online conference, to be held on Saturday, July 25, 2020, looks to be a charm with a terrifically HOT lineup and a program offered free of charge (thanks to Sisters in Crime and Mystery Writers of America for generous support). Anyone can attend. You don't have to be a member of Sisters in Crime or Mystery Writers of America to join in the fun!

All you have to do is register at this link, then click through to the Crowdcast link to save your spot.


REGISTER TODAY!!!!
Here's the link again:

Today, Monday, July 20, 2020, is the last day to register! You don't want to miss this fabulous program hosted by Dana Kaye with books available through Jill Hendrix's Fiction Addiction Bookstore in Greenville, S.C.

Here's the schedule for Mystery in the Midlands, on Saturday, July 25, 2020:

10:00 am to 10:15 am EST   Welcome
Dana Kaye (moderator), Debra Goldstein (SEMWA), and Paula Gail Benson (Palmetto Chapter SinC)

10:30 am to 11:15 am EST   Slip into Some Shorts
Dana Kaye (moderator) - John Floyd, Tara Laskowski, and Art Taylor

11:30 am to 12:00 pm EST  Mystery Writers Are Always Hot! Keynote
Charlaine Harris

12:15 pm to 1:00 pm EST       Spectres Rather Than Heat Mirages
Dana Kaye (moderator) - Alexia Gordon, Toni L.P. Kelner, and Gigi Pandian


1:15 pm to 2:00 pm EST      Pages Burning Their Way to the Screen
Dana Kaye (moderator) - Dana Cameron, Jeffrey Deaver, and Charlaine Harris

2:15 pm to 2:30 pm EST      Everybody in the Pool!
Dana Kaye (moderator), Debra Goldstein (SEMWA), and Paula Gail Benson (Palmetto Chapter SinC)

Here's some information about our fabulous authors:

Charlaine Harris is a true daughter of the South. She was born in Mississippi and has lived in Tennessee, South Carolina, Arkansas, and Texas. After years of dabbling with poetry, plays, and essays, her career as a novelist began when her husband invited her to write full time. Her first book, Sweet and Deadly, appeared in 1981. When Charlaine’s career as a mystery writer began to falter, she decided to write a cross-genre book that would appeal to fans of mystery, science fiction, romance, and suspense. She could not have anticipated the huge surge of reader interest in the adventures of a barmaid in Louisiana, or the fact that Alan Ball would come knocking at her door. Since then, Charlaine’s novels have been adapted for several other television series, with two in development now. Charlaine is a voracious reader. She has one husband, three children, two grandchilden, and two rescue dogs. She leads a busy life.

John M. Floyd’s short fiction has appeared in Alfred Hitchcock Mystery Magazine, Ellery Queen Mystery Magazine, The Strand Magazine, The Saturday Evening Post, and many other publications. Three of his stories have been selected for the annual Best American Mystery Stories anthology (the 2015, 2018, and 2020 editions) and another was recently optioned for film. A former Air Force captain and IBM systems engineer, John is also an Edgar nominee, a four-time Derringer Award winner, a three-time Pushcart Prize nominee, a recipient of the Edward D. Hoch Memorial Golden Derringer Award for lifetime achievement, and the author of eight books. He and his wife Carolyn live in Mississippi.

Tara Laskowski’s debut novel, One Night Gone, won the 2019 Agatha Award for Best First Novel and was a finalist for the Mary Higgins Clark, Anthony, Macavity, and Lefty Awards. It was hailed by Tana French as “a subtly but relentlessly unsettling novel.” Tara is also the author of two short story collections, Modern Manners for Your Inner Demons and Bystanders, which The Guardian named a best book of 2017. She has had stories published in Alfred Hitchcock and Ellery Queen’s Mystery Magazines and has won both an Agatha Award and a Thriller Award for her short fiction. She was a longtime editor of the flash fiction journal SmokeLong Quarterly. Tara earned a BA in English from Susquehanna University and an MFA from George Mason University and lives in Northern Virginia with her husband, writer Art Taylor, and their son, Dashiell.

Art Taylor is the author of the story collection The Boy Detective & The Summer of ’74 and Other Tales of Suspense and of the novel in stories On the Road with Del & Louise, winner of the Agatha Award for Best First NovelHe won the 2019 Edgar Award for Best Short Story for "English 398: Fiction Workshop," originally published in Ellery Queen's Mystery Magazine, and he has won three additional Agatha Awards, an Anthony Award, three Macavity Awards, and three consecutive Derringer Awards for his short fiction. He is an associate professor of English at George Mason University.

Virginia native, physician by training, author by passion, Alexia Gordon writes the award-winning Gethsemane Brown Mysteries, with Book 5, Execution in E, being released March 24, 2020. She is a member of MWA, SinC, ITW, and CWoC; blogs at Missdemeanors.com and with the Femmes Fatales (femmesfatales.typepad.com/my_weblog/); and hosts the podcast, The Cozy Corner with Alexia Gordon. Find her on social media (Facebook: AlexiaGordon.writer, Twitter: @AlexiaGordon, Instagram: DrLex1995) and visit her website (www.alexiagordon.net) to sign up for her newsletter.

Toni L.P. Kelner/Leigh Perry is two authors in one. As Leigh Perry, she writes the Family Skeleton Mysteries. The sixth, The Skeleton Stuffs a Stocking, was released in Fall 2019. As Toni L.P. Kelner, she wrote eight novels in the Laura Fleming mystery series and three “Where Are They Now?” mysteries. Kelner also co-edited seven urban fantasy anthologies with New Your Times best-seller Charlaine Harris. Under both names she writes short fiction, including recent publications in Ellery Queen Mystery Magazine and a forthcoming story in Shattering Glass. Kelner has won the Agatha Award and an RT BookClub Lifetime Achievement Award and has been nominated multiple times for the Anthony, the Macavity, and the Derringer.
http://tonilpkelner.com/

Gigi Pandian is a USA Today bestselling and Agatha Award-winning mystery author, breast cancer survivor, and accidental almost-vegan. The child of anthropologists from New Mexico and the southern tip of India, she spent her childhood traveling around the world on their research trips, and now lives in California with her husband and a gargoyle who watches over the garden. Gigi writes the Jaya Jones Treasure Hunt mysteries, Accidental Alchemist mysteries, and locked-room mystery short stories.

Dana Cameron writes across many genres, but especially crime and speculative fiction. Her work, inspired by her career in archaeology, has won multiple Anthony, Agatha, and Macavity Awards, and has been nominated for the Edgar Award. Dana's Emma Fielding archaeology mysteries were optioned by Muse Entertainment; the third movie, based on More Bitter Than Death, will premier on the Hallmark Movie & Mystery Channel in January, 2019. When she's not traveling or visiting museums, she's usually yelling at the TV about historical inaccuracies.
http://www.danacameron.com/

A former journalist, folksinger and attorney, Jeffery Deaver is an international number-one bestselling author. His novels have appeared on bestseller lists around the world, including the New York Times, the Times of London, Italy’s Corriere della Sera, the Sydney Morning Herald and the Los Angeles Times. His books are sold in 150 countries and have been translated into over twenty-five languages. He has sold 50 million books worldwide. The author of over thirty-five novels, three collections of short stories and a nonfiction law book, and a lyricist of a country-western album, he’s received or been shortlisted for dozens of awards around the world. His book A Maiden’s Grave was made into an HBO movie, his novel The Bone Collector was a feature release from Universal Pictures, and in 2019, NBC picked up a series called “Lincoln,” based on his books. Lifetime aired an adaptation of his The Devil’s Teardrop.

We hope that you'll all join us for Mystery in the Midlands, Saturday, July 25, 2020!



 

Monday, April 16, 2018

Interview with Agatha Nominees for Best Short Story!





Each year, I feel very privileged to be able to host interviews with the Agatha nominees for best short story in The Stiletto Gang and Writers Who Kill. I always learn from their answers and appreciate so much what goes into the craft.




Following is a list of the nominated stories with links on the titles so you can read and enjoy. Thanks to Gretchen, Barb, Debra, Gigi, and Art for taking the time to answer the questions. And check in at Writers Who Kill tomorrow to hear more from these talented authors. Best wishes to all. — PGB




Double Deck the Halls by Gretchen Archer (Henery Press)
Whose Wine is it Anyway by Barb Goffman in 50 Shades of Cabernet (Koehler Books)
The Night They Burned Miss Dixie’s Place by Debra Goldstein in Alfred Hitchcock's Mystery Magazine (May/June 2017)
The Library Ghost of Tanglewood Inn by Gigi Pandian (Henery Press)
A Necessary Ingredient by Art Taylor in Coast to Coast: Private Eyes from Sea to Shining Seat (Down & Out Books)






How do you know an idea is “short story worthy”?



Gretchen Archer: If the elements are there—story arc, strong characters, interesting setting, and a puzzle to solve—I find the idea worthy. There are many colorful characters in the Davis Way series, so I had a surfeit of choices for a protagonist in Double Deck the Halls. From my character list, I chose Granny. The setting is always the same—the Bellissimo Resort and Casino in Biloxi, Mississippi. And the puzzle? What could be more fun than an octogenarian MacGyver?




Barb Goffman: When considering if an idea is better suited to be developed into a short story or a novel, I think the key is how complicated the plot is and how early you want to bring your main character in on the action. If your story involves multiple murders, for instance, and you want to show that your protagonist is on the case from the beginning, then you're likely describing a novel. That idea seems too complicated to develop properly in a short story. But if you have the same scenario and your protagonist comes in at the last murder and quickly figures out whodunit, then that could be a short story. Which way to go? I think that's a style decision for the author. 




This is why I tell people that a short story is about one thing. One specific tight tale. The more complicated the idea, the more detail you need to show, the more pages your tale will take. The plot of my story "Whose Wine Is It Anyway?" has two inciting incidents-- twice within a few days my main character, a legal secretary, feels slighted by her long-time boss--and the resolution comes quickly thereafter, so it was well suited for a short story. (For those who haven't read the story, in Myra's last week before retirement, she learns her boss has hired an airhead to replace her and he does something that makes her realize he's been taking her for granted. So Myra devises a plan to teach him a lesson.)




Debra Goldstein: I don’t initially know if an idea is “short story worthy.” When a story works, it flows and ends exactly where it should. The idea of the story may come from a prompt, a phrase stuck in my mind, or a character’s voice. In “The Night They Burned Ms. Dixie’s Place,” the opening sentence “I remember the night they burned Ms. Dixie’s Place” was the first thing I thought of, but then I realized that most of the story had to be told on that night, when the main character was only nine years old. Once I recognized the voice would be a child’s, the importance of the premise became evident. I write both novels and short stories, but there was no question that this idea and the portrayed characters and incident would only work as a tightly written short story.




Gigi Pandian: I love short stories that have a satisfying twist. In my own short fiction, the twists that I like to play with are seemingly impossible crimes that have a rational explanation.




My full-length novels are adventures in addition to being mysteries, so while my books do have twists in them, the twists and the puzzle aren’t necessarily as important to keep the story going as the characters themselves and the adventures they’re having.




Therefore when I come up with an idea for a story involving an impossible crime twist, instead of an idea that centers around a specific character or a larger plot, then I know it’s a short story rather than a novel.




Art Taylor: I’m primarily a short story writer, so most of my ideas seem suited to that length—it just seems to be the form I’m most naturally drawn toward, the one I’m most comfortable in. Ideas come from a variety of places, of course: a bit of overheard conversation, a dream, a trip (the travel kind, not the hallucinogenic kind!), even other short stories or novels that prompt the imagination along. While I tend to think in narrative arcs at short story length, I also try to fold in other threads as well to help enrich the story’s texture and its breadth—by which I mean balancing several characters’ narrative arc and the ways they intertwine, for example, or by layering in some thematic arc alongside the arc of the plot, letting several things speak one to another. I may not be able to write long very often, but I try to write dense at least—dense in a good way, I hope!



Tell us about the publisher of your nominated short story and how the story came to be published.



Gretchen Archer: “Double Deck the Halls: is a short-story companion to my Davis Way Crime Caper mystery series published by Henery Press. I knew where Deck would land before I wrote it.




Barb Goffman: "Whose Wine Is It Anyway?" appeared in the anthology 50 Shades of Cabernet, which was published by Koehler Books. This book is the brainchild of author Teresa Inge. She came up with the idea of a lighthearted anthology involving mystery and wine. She wanted to help promote the Virginia wine industry. So she reached out to a bunch of Virginia authors and asked if we'd be interested in submitting stories for the book. After doing a lot of interesting research I came up with a workable story idea, wrote my story, and submitted it. Teresa shopped the manuscript around and Koehler ended up picking it up. They're based in Virginia Beach, near where Teresa lives, so it all worked out very nicely. Koehler gave us multiple rounds of edits and proofreading. And royalties. What's fun about them is for each book they publish, they put two potential covers on their website and the general public can vote on which one they like better. The cover with the most votes becomes the cover of the book.




Debra Goldstein: Alfred Hitchcock Mystery Magazine not only published my first submission to it, “The Night They Burned Ms. Dixie’s Place,” in its May/June 2017 issue, but featured it on its cover. Neither of these exciting events almost happened. Even though several of my short stories had been accepted by other publications, I lacked the confidence to send my work to AHMM or Ellery Queen. Several friends, including Art, Barb, Bob Mangeot and Terrie Moran encouraged me to submit my work to these Dell magazines, but the one who made me believe in myself was B.K. (Bonnie) Stevens.




When I read her story, “Thea’s First Husband,” I was so blown away by it that I wrote her a fan email asking if she taught online classes. She didn’t, but she sent me suggested readings and we subsequently became friends. She encouraged me to reach beyond my fears. Last year, every Malice Domestic recipient received the AHMM which contained “The Night They Burned Ms. Dixie’s Place” in their book bags. A few weeks after Malice, I received a package and note from Bonnie. She wrote she believed it was an award-winning story and knew, because it was my first Alfred Hitchcock submission and acceptance, I would want extra copies of the issue. I wish she had lived to see that her encouragement, as well as that of so many friends, made this wonderful ride happen.




Gigi Pandian: Henery Press publishes my Jaya Jones Treasure Hunt Mysteries. The most recent book The Ninja’s Illusion, is set in Japan, and I had an idea for a locked-room mystery twist that needed to have the characters stranded in a remote place. I was having such fun with the characters in The Ninja’s Illusion that I wondered if Jaya and her friend Tamarind could get waylaid on their way home from Japan. I came up with the idea to have them get stranded due to bad weather, so “The Library Ghost of Tanglewood Inn” is set at the remote inn where they’re forced to seek shelter from a storm.




I had a lot of fun writing a story-within-a-story, because in “The Library Ghost of Tanglewood Inn” there’s a ghost story about an avenging ghost that killed an unscrupulous man who was reading an Agatha Christie novel at the hotel nearly a century ago—and now the “ghost” is striking again while the guests are trapped. Can Jaya figure out what’s really going on? The team at Henery Press loved the story idea, and they published it as a short story single the month after the novel came out last fall.




Art Taylor: “A Necessary Ingredient” was published in Coast to Coast: Private Eyes from Sea to Shining Sea. Paul D. Marks—a good friend, fellow blogger at SleuthSayers, and co-editor of the first volume of the Coast to Coast—reached out to say he was doing this second volume with the same publisher, Down & Out Books, in this case focused on private eyes, and would I like to contribute something? I don’t generally write private eye stories, but the geographical slant on the anthology attracted me—the opportunity to explore the intersection of that subgenre of crime fiction and my home state of North Carolina, which was the region I was assigned. That’s also one of the things I enjoyed about writing the story, trying to navigate the shadow of one tradition (hardboiled PI stories) against another (traditional, regional mystery fiction, specifically here with nods toward one of my own mentors, Margaret Maron, another North Carolina native). An additional inspiration was the tonka bean itself, the “necessary ingredient” of the title, which I’d first heard about from another NC-based writer, Wilton Barnhardt—but to reveal more about that story would give away too much about the story I wrote.


 


If you could bring your protagonist as a guest to the Agatha banquet, what shoes would he or she be wearing?


 
Gretchen Archer: Easy Spirit Happy Feet Walkabouts. With Velcro. She’d pair them with a gold velour track suit.




Barb Goffman: Myra would choose something stylish and practical. I'm not quite sure what that would be, but it surely would be nicer than what I'll be wearing. I go for comfort, so I'll be in the equivalent of stylish slippers.




Debra Goldstein: My protagonist would be wearing these scuffed basketball shoes:





Gigi Pandian: “The Library Ghost of Tanglewood Inn” has two main characters, historian Jaya Jones and her librarian friend Tamarind Ortega. Jaya is only five feet tall in socks, so she loves her heels. She’d dress in black slacks, a sleeveless black blouse, and three-inch shiny black stilettos. Tamarind is tall and big-boned, with short hair she dyes different colors (it’s blue right now). She thinks of herself as post-punk and loves her purple combat boots, so for the Agatha banquet she’d wear those boots with a homemade dress that looks like Molly Ringwald’s dress from Pretty in Pink.


Art Taylor: Ambrose Thornton comes from a fairly proper Southern family, so I’m sure he could spiffy up if he needed to: a sharply polished pair of wingtips maybe? But honestly, he strikes me as someone who would rather be back home reading than out socializing most nights.