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Avant garde font

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Discover the innovative world of Avant Garde design with this typographic specimen sheet featuring the iconic Itc Avant Garde Gothic Font. Perfect for font enthusiasts and graphic designers! #AvantGarde #Typography #DesignInspo Itc Avant Garde Gothic Font, Itc Avant Garde, Avant Garde Typography, Avant Garde Design Graphic, Font Poster Design Typography, Balance Moodboard, Avant Garde Font, Mic Aesthetic, Modern Gothic Font
Itc Avant Garde Gothic Font
Itc Avant Garde
Avant Garde Typography
Avant Garde Design Graphic
Font Poster Design Typography
Balance Moodboard
Avant Garde Font
Mic Aesthetic
Modern Gothic Font

Avant Garde Typography Inspiration: ITC Font Poster Design Graphic

Discover the innovative world of Avant Garde design with this typographic specimen sheet featuring the iconic Itc Avant Garde Gothic Font. Perfect for font enthusiasts and graphic designers! #AvantGarde #Typography #DesignInspo

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ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The condensed fonts were drawn by Ed Benguiat in 1974, and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in 1977. Avant Garde Magazine, Condensed Fonts, X Typography, 70s Inspiration, The Avant Garde, Trending Fonts, Herb Lubalin, Condensed Font, Type Fonts
Avant Garde Magazine
Condensed Fonts
X Typography
70s Inspiration
The Avant Garde
Trending Fonts
Herb Lubalin
Condensed Font
Type Fonts

ITC Avant Garde Gothic typefaces

ITC Avant Garde Gothic is a font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, then he and Tom Carnase, a partner in Lubalin’s design firm, worked together to transform the idea into a full-fledged typeface. The condensed fonts were drawn by Ed Benguiat in 1974, and the obliques were designed by André Gürtler, Erich Gschwind and Christian Mengelt in 1977.

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