Showing posts with label Kaye Spencer. Show all posts
Showing posts with label Kaye Spencer. Show all posts

Monday, March 11, 2019

March Old West Trivia by Kaye Spencer #WesternFictioneers #trivia #OldWestHistory



Just for fun, here are twenty tidbits of Old West history trivia for the month of March.



March 2, 1836 - Texas Independence Day

March 6, 1836 - Battle of the Alamo

Ballad of the Alamo, Marty Robbins



March 2, 1861 - John Butterfield's Overland Mail Company received a government contract for daily mail service to the west coast.

March 6, 1887 - Southern-Pacific Railroad offered a new one-way, $12 fare from Missouri to California. Price wars soon drove the fare down to $1.

March 7, 1885 - Kansas law made it illegal to drive Texas cattle into the state from March 1 to December 1 in an effort to stop hoof-and-mouth disease epidemic

March 9, 1916 - Revolutionary leader Pancho Villa attacked the border town of Columbus, New Mexico.
Pancho Villa
Unknown, Pancho villa horseback, marked as public domain,
more details on Wikimedia Commons

March 10, 1871 - Construction began on the Denver and Rio Grande Railway

March 11, 1867 - A pony express-type route was established between Helen, Montana Territory and Minneapolis, Minnesota

March 13, 1878 - Fire destroyed part of Abilene, Kansas

March 15, 1881 - Abilene, Texas was officially established by the Texas & Pacific Railroad along with west Texas cattlemen.

March 15, 1883 - Cheyenne, Wyoming: Lillie Langtry (Judge Roy Bean idolized her) played at the Cheyenne Opera House
Lillie Langtry
Wisconsin Center for Film and Theater Research, As in a Looking-Glass 1887,
marked as public domain, more details on Wikimedia Commons
March 16, 1903 - Judge Roy Bean died in Langry, Texas. He was 78. He called himself the "law west of the Pecos".
Judge Phantly Roy Bean, Jr.
Unknown, Phantly Roy Bean, Jr. ,
marked as public domain, more details on Wikimedia Commons
March 16, 1874 - In Missouri, Pinkerton Detective Agengy lost two agents in a shoot-out with the Younger Brothers. John Younger died.

March 18, 1880 - Arizona Territory: Southern Pacific Railroad of Arizona and New Mexico was completed to Tucson, which connected to the San Francisco & Pacific Railroad lines

March 18, 1852 - Wells, Fargo & Company was established in response to the California gold rush. Wells Fargo eventually becomes the leading freight and banking company in the west

March 19, 1848 - Born: Wyatt Earp in Monmouth, Illinois
Wyatt Earp (left) with friend John Clum (right) 1900 Nome, Alaska
Unknown, EarpinNome, marked as public domain, more details on Wikimedia Commons
March 19-1916 - Eight American planes take off in pursuit of Pancho Villa. This became the first United States air-combat mission.

March 20, 1880 - Tucson, Arizona Territory: The first Southern Pacific train arrived in town. The event caused quite a celebration.

March 22, 1886 - Seattle, Washington and Abilene, Kansas get electricity. An Abilene newspaper reporter wrote that he doubted the citizenry had a serious interest in using electric lights.

And a day of venerated observance in my family—


March 22, 1908 - Born: Western writer Louis L'Amour.

Louis L'Amour
By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=31295523
 My top ten favorite Louis L'Amour books are:

1. The Man Called Noon.
2. The Keylock Man
3. How the West was Won
4. Down the Long Hills
5. Last Stand at Papago Wells
6. Conagher
7. The Shadow Riders
8. Sitka
9. Dark Canyon
10. Haunted Mesa

What is your favorite Louis L'Amour story?

Until next time,

Kaye Spencer






As I don’t send a newsletter, you might consider following me on these social media venues:

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Monday, February 11, 2019

Remembering Jack Palance by Kaye Spencer #westernfictioneers #hollywood #classicwesterns




As I develop the characters in the stories I write, I invariably attribute a Hollywood celebrity’s appearance, mannerisms, and persona related to particular roles they’ve played to my characters. I'm careful, however, to leave enough imagination wiggle room for the reader to create their own mental image of my characters...

...except for the supporting villain in my western historical romance, THE COMANCHERO’S BRIDE. I deliberately created this villainous character in the image of a well-known Hollywood villain of his time,  Jack Palance.
Jack Palance - Publicity photo for film 'Man in the Attic'
By 20th Century Fox - ebay, Public Domain, https://commons.wikimedia.org/w/index.php?curid=27756531
 Since 2019 marks one hundred years since his birth, let’s take a brief look at his life and his acting career. I have used information from these websites: Jack Palance biography at IMDb.com | Jack Palance page at Wikipedia.com   | Jack Palance biography Website


Pertinent information

  • Born: February 18, 1919
  • Died: November 10, 2006
  • Married twice – three children
  • Birth name:Vladimir Ivanovich Palahniuk of Ukranian descent and born in Lattimer Mines, Pennsylvania, which was coal country. His father an anthracite miner, who died of black lung disease.
  • received a football scholarship to the University of North Carolina
  • dropped out be a professional boxer as Jack Brazzo
  • served as an Army Air Force bomber pilot in WWII
  • after military service, he returned to college to study journalism at Stanford University
  • worked as a sportswriter for the San Francisco Chronicle



Jack Palance in The Godchild 1974
Public Domain, https://commons.wikimedia.org/w/index.php?curid=147085
Examples of his acting career

Stage (Broadway)

  • 1947 – 1st stage performance in “The Big Two” – his role was a Russian soldier
  • 1947 – understudy for Marlon Brando as Stanley Kowalski in Broadway's “A Streetcar Named Desire” (he eventually assumed this role)

Anecdote:  While an understudy to Marlon Brando … Brando, who was into athletics, rigged up a punching bag in the theater’s boiler room and invited Jack to work out with him. One night, Jack threw a hard punch that missed the bag and landed square on Brando’s nose. The star had to be hospitalized and understudy Palance created his own big break by going on for Brando. Jack’s reviews as Stanley Kowalski helped get him a 20th Century-Fox contract.

A few notable movies (early in his acting career, he was billed as Walter Jack Palance)

  • 1950 – 1st movie: Panic in the Streets (with Richard Widmark) – his role was as a plague-carrying fugitive  – Widmark said, “...the toughest guy I ever met. He was the only actor I've ever been physically afraid of.”
  • 1951 Halls of Montezuma (again with Richard Widmark) – his role was a boxing Marine
  • 1952 Sudden Fear – his role was a rich and famous playwright who plots to murder his wife (Joan Crawford) and run off with girlfriend (Gloria Grahame)
  • 1953 Second Chance with Robert Mitchum
  • 1953 Shane – his role was “...finest villain of the decade, that of creepy, sadistic gunslinger Jack Wilson”
Jack Palance in 'Shane'
Google Search, Google, www.google.com/search?site=imghp&tbm=isch&q=Jack Palance&tbs=sur:fc#imgrc=ID_BbZMGHHdvIM:

  • 1956 Attack – his first lead role – WWII action film with Lee Marvin, Eddie Albert, Buddy Ebsen
  • 1960s and early 1970s movies found him in filming in Europe with much success
  • 1966 The Professionals with Burt Lancaster
  • 1970 Monte Walsh with Lee Marvin
  • 1972 Chato's Land with Charles Bronson
  • 1988 Young Guns with the Hollywood “brat pack”
  • 1989 Batman with Jack Nicholson and Michael Keaton
  • 1989 Tango and Cash with Sylvester Stallone and Kurt Russell
  • 1991 City Slickers with Billy Crystal
  • 1994 Cops and Robbersons
  • 1999 Treasure Island as Long John Silver

Jack Palance CBS Television
CBS Television, Jack Palance 1975, marked as public domain, more details on Wikimedia Commons

Oscar Nominations and Win for Supporting Actor

  • Nominated: Sudden Fear
  • Nominated: Shane
  • Won: City Slickers
A few of his television appearances
1950s
  • Studio One in Hollywood
  • The Gulf Playhouse
  • The Motorola Television Hour
  • Zane Grey Theater
  • Playhouse 90: Rquiem for a Heavyweight as a down-and-out boxer (Emmy nomination)
1960s
  • The Greatest Show on Earth
  • The Man from U.N.C.L.E.
1970s
  • Bronk – series in which he was the title character Lt. Alex Bronkov
1980s
  • Host of Ripley's Believe It or Not!

General Trivia

  • Owned a California cattle ranch, exhibited his landscape paintings (poem on the back of each), and was a published poet (The Forest of Love 1966)
  • Fell asleep in his square during a taping of The Hollywood Squares television program (1965)
  • Awarded a Star on the Hollywood Walk of Fame on February 8, 1960
  • Inducted in Hall of Great Western Performers of the National Cowboy and Western Heritage Museum 1992
  • Turned down role of General Chang (Star Trek VI: The Undiscovered Country 1991) due to scheduling conflicts (part went to Christopher Plummer)
  • Wanted the Kid Shelleen role in Cat Ballou (1965) for which Lee Marvin received an Oscar
  • Played Dracula, Dr. Jekyll/Mr. Hyde, and Ebenezer Scrooge
  • Has been described as having ‘an imposing glare, intimidating stance, and kill-shark smile’
  • Recorded a country music album in 1969, “Palance” – he wrote the song “The Meanest Guy that Ever Lived”, which is included on the album
'Blackjack County Chains' performed on the Porter Waggoner show in 1970
 


 Many of you will recall his famous one-handed push up during his Oscar acceptance speech.


Now, for the excerpt from THE COMANCHERO’S BRIDE when we meet “Jack”:

Grayson leaned back in his chair. “They need to see me as a man of action. A man who can get things done. A man who takes charge. I have to head-up the rescue crusade myself, and you’ll write about it, firsthand, emphasizing my discomfort and desperation to save her, which makes Elizabeth’s peril all the more real and heart-rending to the readers.”

“This is going to cost you more, Gray.” Doyle swirled the whiskey in his glass. “I create and destroy careers from comfortable accommodations, not from the midst of inconveniences that go hand-in-hand with chasing an outlaw from here to Mexico.”

“There’s a mighty big piece of country in between here and the Rio Grande.”

Grayson and Doyle turned as one person to stare at the man standing beside their table. Grayson sized him up in a glance and didn’t like what he saw. The stranger was tall, grizzled and unkempt, clad in weather-worn, dirty buckskins, and he sported a battered, sweat-stained hat cocked at an angle over shoulder-length gray scraggly hair. He carried a faded military haversack slung across his body. His rifle, muzzle pointed down, rested in the crook of his right arm, which lifted his right shoulder higher than the left with a rounded, misshapen hump. He had the look of a mountain man, mean, rough-hewn, and hard as granite, but his defining feature was his puckered eye that drew the left side of his face into a disturbing grin. The eye itself was canted in the socket, a milky white-blue orb that sometimes seemed to focus and other times to look right past a person.

Although the man was starkly out of place in the swank surroundings, he didn’t seem to notice, or, more importantly, didn’t care. Grayson saw the concierge watching from the doorway, his expression strained and demeanor nervous at this stranger’s presence, inappropriately attired as he was for this establishment and that he openly carried a rifle. Grayson made a mental note to slip a hefty tip to the concierge to buy his cooperation.

“Who are you?” Grayson demanded.

“I’m the tracker yer lookin’ to hire. Name’s Jack.”

“Jack…what?”

“Jack’s good enough.”

Grayson reassessed the man coolly, his initial unfavorable impression changing. This crude-cast stranger might just be the sort of man he needed.

“Have a seat.” Although Grayson nodded to the concierge that all was well and the small man visibly relaxed, although he maintained his watchful position at the doorway.

Grayson offered bourbon, and a chair across the table, but Jack declined both with a slight head shake then took a chair that put his back to the wall and beside Grayson. Grayson exchanged a quick glance with Doyle.

“What’s your price?”

“Depends on the job.”

*****

THE COMANCHERO’S BRIDE
Available on Amazon.com as a single purchase


AND in the boxed set

UNDER A WESTERN SKY


Until next time,



Kaye Spencer

Writing through history one romance upon a time

 As I don’t send a newsletter, consider following me on these platforms:

Kaye Spencer:  Amazon (for new release notifications| BookBub (my book recommendations) | Blog (occasional posts)| Twitter (history trivia & happiness & RT)









Monday, January 14, 2019

Remembering Tex Ritter by Kaye Spencer #westernfictioneers #countrymusic



To kick off 2019, let's take a stroll down musical memory lane, and take a quick look at the show business career of a talented man named Woodward Maurice Ritter, better known as Tex Ritter.

He was born on January 12, 1905 and he died on January 2, 1974. He was father to actor John Ritter and grandfather to actors Jason and Tyler Ritter.

Tex was a popular actor and country music artist in the early years of both industries. He was inducted into the Country Music Hall of Fame, and he received a star on the Hollywood Walk of Fame. Tex was born in Murvaul, Texas and grew up on the family farm. After he graduated high school, he went to college with intent to become a lawyer. In 1928, he became interested in show business, and his law/government studies went to the back burner.

Tex Ritter - publicity image 1966*
Here is a timeline highlighting his business/music career:

Radio and Broadway

1928 - sang cowboy songs on radio in Houston, Texas
1928 - moved to New York City - sang in chorus of Broadway show The New Moon
1931 - appeared in the role of Cord Elam in Broadway show Green Grow the Liacs (basis for the musical Oklahoma!)
1932 - played role of Sagebrush Charlie in The Round Up
1934 - played role of Sagebrush Charlie again in Mother Lode
1932 - starred in New York City's The Lone Star Rangers radio show - sang and told Old West stories
1933-1936 - wrote and starred in Cowboy Tom's Roundup (daily radio children's cowboy program)
During this time, he appeared on WHN Barndance and sang on NBC radio shows.
1965 - moved to Nashville - worked for WSM Radio and the Grand Ole Opry - cohosted late-night program with country disc jockey Ralph Emery

Recording Career

1933 - signed with Columbia Records - recorded "Goodbye Ole Paint" and "Rye Whiskey"
1935 - signed with Decca Records - recorded "Sam Hall" and "Whoopie Ti Yi Yo"
1942 - signed with Capitol Records - he was the company's first artist they signed and also their first western singer

Actor

1936 - moved to Los Angeles
1936 - movie debut - Song of the Gringo - followed by 12 B-movie westerns (40+)
*Appeared in episodes of Death Valley Days and The Rebel
1938 - 1945 - starred in singing cowboy movies - teamed with Johhny Mack Brown (western actor) in several movies
1945 - starred as "Texas Ranger Tex Haines"
*Hiatus
1950 - returned to show business in supporting roles or performing as himself
1966 - played himself in the film Nashville Rebel (side note: Waylon Jennings was also in this movie)

Musical Years

1944 - "I'm Wasting My Tears on You" - No. 1 on the country chart and No. 11 on the pop chart
1945 - "There's a New Moon over My Shoulder" - No. 2 country - No. 21 pop
1945 - 1946 hits: "You Two-Timed me One Time Too Often" and his cover of the song "The Deck of Cards", which is a recitation song
1952 - toured Europe
1952 - recorded the title track of the western movie, High Noon "Do Not Forsake Me Oh My Darlin'"
1955 - "Remember the Alamo"
1961 - "I Dreamed I was in Hillbilly Heaven"
1965 - moved to Nashville - one of the founding members of the Country Music Association

 'High Noon'


Tex Ritter's contribution to the western genre--movie, television, and country music--is a legacy that I hope will never be lost or forgotten. I hope someday to visit The Tex Ritter Museum in Carthage, Texas. Here is a quote from the museum's website:

The museum started in 1993 as the Tex Ritter Museum and expanded to include friends of Tex and other Texas-born country music legends. In August 2004, the museum expanded to add a significant Jim Reeves display which features the radio equipment from Jim's radio station KGRI in Henderson.

I grew up listening to Tex on the radio or watching his western movies on Saturday afternoon matinees at the theater or on late night television. I still have two 78rpm records of his:When You Leave Don't Slam the Door/Have I Told You Lately That I love You and My Heart's as Cold as an Empty Jug/Rock and Rye. Sadly, I've lost track of my record of Blood on the Saddle.



I mean no disrespect to his memory or his singing, but I cannot listen to Blood on the Saddle without smiling, if not actually giggling. You listen and let me know if you kept a straight face.





As I don’t send a newsletter, you might consider following me on these platforms:
Amazon (for new release notifications| BookBub (my book recommendations) | Blog (occasional posts)| Twitter (history trivia)

Until next time,



Kaye Spencer
Writing through history one romance upon a time

 

References:
“Tex Ritter.” Wikipedia, Wikimedia Foundation, 17 Dec. 2018, en.wikipedia.org/wiki/Tex_Ritter.
“Tex Ritter.” IMDb, IMDb.com, www.imdb.com/name/nm0728811/.
Razor Tie Artery Foundation Announce New Joint Venture Recordings | Razor & Tie, Rovi Corporation, web.archive.org/web/20080618172239/http://www.carthagetexas.com/HallofFame/museum.htm.
*Capitol Records, Tex Ritter 1966, marked as public domain, more details on Wikimedia Commons 

Monday, December 10, 2018

Samuel Clemens (Mark Twain) and Suspenders by Kaye Spencer #trivia #westernfictioneers #fashionhistory

Suspenders (aka braces and galluses) have been around for centuries as a practical means of holding up one's britches, particularly because of the high waists on men's trousers before belts and belt loops became functionally popular, which was roughly around World War I, when soldiers were introduced to uniform belts. Since the 1920s, suspenders have continued to ride a roller coaster of fashion popularity.

An article on the website Time.com offers this tidbit about the origins of suspenders along with an amusing anecdote:

The first suspenders can be traced to 18th century France, where they were basically strips of ribbon attached to the buttonholes of trousers. Benjamin Franklin is said to have worn them — although it's probably best not to ask how historians know that; back then, suspenders were considered an undergarment never to be seen in public. In fact, visible suspenders were considered risqué as recently as 1938, when a town in Long Island, NY tried to ban gentlemen from wearing them without a coat, calling it "sartorial indecency."
"First Suspenders" Public Domain Image


This article goes on to explain that in the 1820s, a British designer named Albert Thurston manufactured suspenders as we know them, which brings me to Samuel Langhorne  Clemens, aka author Mark Twain, as an  inventor of an alternative to suspenders.
Samuel Clemens Public Domain (b. Nov. 30, 1835 - d. Apr. 21, 1920)

Clemens received his first patent (#1221992) on December 19, 1871 for an alternative to suspenders, which he reportedly loathed entirely as miserably uncomfortable. He called this invention an "Adjustable and Detachable Straps for Garments" (ADSG). However, as with many inventions, the original designs are often adapted and the inventor's intent is either lost completely or altered in new and interesting ways.

Suspenders in Hollywood:
John Wayne with suspenders*


Humphrey Bogart with suspenders**
Clemens' suspenders patent didn't catch on for suspenders. According to an article from Smithsonian Magazine (HERE):

His “improvement in adjustable and detachable straps for garments” was a button-on adjustable strap that could be used to tighten garments–it could pinch a shirt at the waist, for example. “The advantages of such an adjustable and detachable elastic strap are so obvious that they need no explanation...” It would also be simple to make non-elastic detachable straps, Clemens wrote, “but I prefer to make them elastic.

An article in The Atlantic Monthly (HERE) explained it this way:

Clemens designed the adjustable and detachable strap to be used from one garment to another in order to 'fix' whatever clothing issue the wearer encountered. However, he did not elaborate on exactly how his invention should be used. He wrote that the "advantages of having a stretchy strap for any item is so obvious that they need no explanation."

Image from Smithsonianmag.com

His invention 'ADSG' did not catch on for pantaloons, suspenders, or vests. It did, however, find its niche with one particular garment: the brassiere. So, now you know who to thank, or cuss, for how a traditionally designed bra fastens.




On a side note, the other patents Clemens received were for a self-pasting scrapbook technique (1873) and a history trivia game (1875). He made $50,000 from the scrapbook invention. His other inventions either cost him money in the long run or simply didn't work. The website ThoughtCo.com has more information about his other inventions and investments-gone-wrong HERE.



Until next time,

Kaye Spencer
Writing through history one romance upon a time


Website/Blog | Instagram | Twitter | Pinterest
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Prairie Rose Publications |YouTube

Resources/References
Shop Mr & Mrs Renaissance - https://www.mrm-accessories.com/blog/2015/1/5/the-look-and-history-of-suspenders-braces
Smithsonian.com - SmartNews - https://www.smithsonianmag.com/smart-news/how-mark-twains-hatred-suspenders-drove-him-invent-180967577/
U.S. Patent and Trademark Office - https://www.uspto.gov/about-us/news-updates/mark-twain-granted-his-first-patent-december-19-1871
The Atlantic - https://www.theatlantic.com/technology/archive/2011/07/celebrity-invention-mark-twains-elastic-clasp-brassiere-strap/241267/
Time.com - http://content.time.com/time/nation/article/0,8599,2037331,00.html

ThoughtCo.com - https://www.thoughtco.com/what-were-mark-twains-inventions-740679
Images:
First Suspenders image Public Domain - Miscellaneous Items in High Demand, PPOC, Library of Congress [Public domain], via Wikimedia Commons
Samuel Clemens - Public Domain image: UnknownUnknown author, MarkTwain.LOC, marked as public domain, more details on Wikimedia Commons
*John Wayne imbd - https://www.imdb.com/name/nm0000078/mediaviewer/rm2120462592
**Humphrey Bogart - https://goo.gl/images/KU44HM

Openclipart.com - 'wow'

Saturday, May 23, 2015

Name that Tune by Kaye Spencer



Let’s take a stroll along a nostalgic musical path for a brief look at the history of a song (melody, not lyrics) whose origin remains somewhat of a mystery. Perhaps this song was a traditional folk tune handed down through the generations. Maybe it was “born” in 1924. However it came about, over the years, this melody has experienced a host of lyrics put to its familiar, catchy tune.

While many singers recorded their versions of this song, between 1924 and 1952, this melody saw significant renditions of different lyrics and each new song enjoyed chart-topping hit status in the country music, hillbilly, bluegrass, and gospel music genres.
Seeburg Select-o-matic Jukebox (reproduction) c. 1949
Legend has it that in 1924, Vernon Dalhart copyrighted this song and lyrics in the name of his cousin, Guy Massey, after Vernon heard it sung by a family member who “may” have learned it while serving time in prison. This song went on to become a bit hit in the 1920s.
  •  First line hint: Oh, I wish I had someone to love me…
In 1925, two songwriters/performers, Welby Toomey and Edgar Boaz, recorded their lyrics to this melody.
  •  First line hint: Looking back on what we both had together…
In 1927, Roy Harvey and the North Carolina Ramblers released their version with a similar, but abbreviated title to the one the Carter Family would release in two years.
  •  First line hint: I’ve been thinking today of my blue eyes…

Carter Family promotional portrait by the Victor Talking Machine Co. 1927
In 1929, the famous Carter Family recorded their version of this melody, but with different lyrics and title.
  •  First line hint: ‘Twould been better for us both had we never…
In 1936, it was Roy Acuff who had a hit with the same melody and, again, different lyrics and title.
  •  First line hint: What a beautiful thought I am thinking…
Then, in 1952, two country music artists—Hank Thompson and Kitty Wells—had hits with this same melody, and both with different lyrics and titles.
  • Hank Thompson – First Line Hint: You wouldn’t read my letter if I wrote you…
And the “answer” song:
  
  • Kitty Wells – First Line Hint: As I sit here tonight, the jukebox playing…
So, did you *Name that Tune*?

1924 – Vernon Dalhart – The Prisoner’s Song
1925 – Toomey and Boaz – Thrills that I Can’t Forget
1927 – Roy Harvey – Blue Eyes
1929 – Carter Family – I’m Thinking Tonight of My Blue Eyes
1936 – Roy Acuff – The Great Speckled Bird
1952 – Hank Thompson – The Wild Side of Life
              Kitty Wells – It Wasn’t God Who Made Honky Tonk Angels

Over the years, these songs not only achieved ‘country music standard’ status, they have achieved ‘signature song’ identification for many musicians. Johnny Cash, Marty Robbins, Hank Locklin, Waylon Jennings and Jessi Coulter, Freddie Fender, Burl Ives, and Jerry Lee Lewis rank among the artists who come to my musical memory as having performed some version of this melody. I imagine you have your favorites, also.

A YouTube search will bring up a host of videos for each of these songs, and I am going to leave you with the one I associate the most with this tune.



Further reading:
http://www.roadtofortworth.com/26kittywells.htm
http://jopiepopie.blogspot.com/2013/12/prisoners-song-1925-blue-eyes-1927.html

**Music notes clipart courtesy cyberscooty.com
**Jukebox image:  "Seeburg Select-o-matic jukebox detail 01A" by Joe Mabel. Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Seeburg_Select-o-matic_jukebox_detail_01A.jpg#/media/File:Seeburg_Select-o-matic_jukebox_detail_01A.jpg
** Carter Family photo: Creative Commons - http://www.bluegrassmessengers.com/the-carter-family.aspx

 
Until next time,

Kaye








 

Saturday, March 28, 2015

Thomas Eakins, realist painter of the late 19th century America by Kaye Spencer



When I think of artists whose paintings and sculptures captured the essence of the American West, the names that come to mind are:

Charles Russell (1864-1926) His dramatic representations usually show men on horseback.
"Bronc to Breakfast" - Charles Russell
  George Catlin (1796-1872) His work was predominantly concerned with the Native Americans.
"Tipis" - George Catlin

Thomas Moran (1837-1926) His paintings focused on western landscapes.


"Green River Wyoming" - Thomas Moran
 Albert Bierstadt (1830-1902) His paintings leaned toward sweeping, romantic landscapes.
"Prong-horned Antelope" - Albert Bierstadt


Frederick Remington (1861-1909) His artistic talents leaned toward paintings and sculptures involving cavalry officers, Native Americans, and horses. He provided illustrations of the American West for magazines.
"Fight for the Waterhole" - Frederick Remington
   To this esteemed list, I would add the Philadelphia native, Thomas Eakins (1844-1909).

Thomas Eakins self-portrait

His works, while not strictly focused on the west, are a more well-rounded study of the human condition of the time, albeit, the ‘eastern’ time

Thomas Eakins

Life in the American east and in Europe influenced the happenings in the west. The fashions, medicine and medical milestones, transportation, sports, leisure, and the day-to-day living “back east” had eventual impacts on life out west, and Thomas Eakins’ paintings show us those connections. For me, the ‘life’ he painted and preserved on canvas and his photography tell a broader story of what real life was like back then.


Thomas Eakins
 
Thomas Eakins
 
Eakins was a realist painter, photographer, photographer, sculptor, and fine arts educator. Other than trips abroad, he lived his life in his home town of Philadelphia, and the subjects of his art were the people around him. Eakins was a ‘colorful’ character for all of his 71 years, and he possessed a life-long passion for the human body as the ultimate art form. This information from Wikipedia sums up his work and his philosophy as a teacher:


He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons.

He believed that women should "assume professional privileges" as would men. Life classes and dissection were segregated but women had access to male models (who were nude but for loincloths).

Controversy shaped much of his career as a teacher and as an artist. He insisted on teaching men and women "the same", used nude male models in female classes and vice versa…


"Home Ranch" - Thomas Eakins -  I often used this painting as a creative writing prompt when I taught writing classes.

"Four-in-Hand - May Morning in the Park" - Thomas Eakins
"Cowboys in the Badlands" - Thomas Eakins
  
I was fortunate to have had the opportunity to visit the Philadelphia Museum of Art a few years ago and view the Thomas Eakins exhibit. (yes, THAT museum with the “Rocky” stairs) So for fun, here’s a picture of me and Rocky.


Kaye Spencer with the Rocky statue at the Philadelphia Museum of Art (2009)

 
For more information about Thomas Eakins, I would direct you to the website devoted to his life and works — http://www.thomaseakins.org/ — and to this book, The Revenge of Thomas Eakins by Sidney D. Kirkpatrick.


Until next time,

Kaye

www.kayespencer.com
Twitter - @kayespencer

Note: The images included in this post are in the Public Domain and can be found through the Google Art Project, which is an “online platform through which the public can access high-resolution images of artworks housed in the initiative's partner museums.” Some images are Kaye’s that she took while visiting the Philadelphia Museum of Art in June 2009.