Kenji Suzuki

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Godzilla effects directors
Koichi Kawakita
Kenji Suzuki
Makoto Kamiya
Kenji Suzuki
Kenji Suzuki in 2018
Born July 9, 1957
Ibaraki, Japan
Occupation Special effects director, director
First work Monkey (TV 1979)
Notable work Godzilla 2000: Millennium (1999)
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Kenji Suzuki (鈴木 健二,   Suzuki Kenji) is a Japanese tokusatsu director. Getting his start as a freelance assistant director, his earliest-known job was as first AD in Shinichi Kamisawa's special effects unit on two 1979 episodes of Monkey. He was hired at Toho Eizo (later Toho Eizo Bijutsu) in the early 1980s, and by Godzilla vs. King Ghidorah (1991) had become solidified as special effects director Koichi Kawakita's first AD. He served in this position for the remainder of the Heisei Godzilla series (1992-1996), as well as Orochi, the Eight-Headed Dragon (1994) and the first two Rebirth of Mothra films (1996-1997).

Upon Kawakita's retirement from Toho in 1998, Suzuki was selected as his successor, making his directorial debut on that year's Rebirth of Mothra 3. He was subsequently hired to direct the special effects for the first two Godzilla films of the Millennium era, Godzilla 2000: Millennium (1999) and Godzilla vs. Megaguirus (2000), but was not retained for further entries. The remainder of his career has consisted primarily of work for television, including a handful of Tsuburaya Productions' Ultraman shows (2002-2007) and the first two shows in the Toho-co-produced Ultra Star God Series (2003-2005). During this time, his duties have fluctuated between shooting special effects and human drama, having directed his first non-stuntman actors on The Gransazers (2003-2004).

Suzuki's most recent assignment was the 2019 short film Dream Challenge: Godzilla Appears in Sukagawa, which consisted entirely of special effects footage.

Selected filmography

First assistant director of special effects

Second assistant director of special effects

First assistant director

Director of special effects

Director

Actor

Gallery

Trivia

  • Suzuki was the first Godzilla special effects director to never be acknowledged as a director in any of his films' credits. He is credited on Godzilla 2000: Millennium, Godzilla vs. Megaguirus, and even Rebirth of Mothra 3 with the title of simply "special effects" (特殊技術,   tokushu gijutsu), as opposed to his predecessor Koichi Kawakita's title "director of special effects" (特技監督,   tokugi kantoku), which was used as late as Rebirth of Mothra 2. This tokushu gijutsu credit would continue through the rest of the Millennium era with Makoto Kamiya, Yuichi Kikuchi, and Eiichi Asada, while tokugi kantoku would not appear in a Godzilla film again until it was revived for VFX director Shinji Higuchi on 2016's Shin Godzilla.
    • Despite this, Suzuki has often been styled as the films' tokugi kantoku in Japanese sources, and was credited as "Director of Special Effects" in the English-language versions of all three films, as well as on the packaging for some of the two Godzilla films' video releases (namely Toho Video's Japanese VHSes and TriStar/Sony's American DVDs and Blu-rays).

Notes

  1. Episodes 26 and 50 are the only ones to credit more than one assistant director for each unit, with Suzuki only credited on the former. It is unknown whether he participated in any other episodes.

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