Annunciation (disambiguation)

An "annunciation" is an announcement. The Annunciation, strictly the "Annunciation to Mary", is the revelation to Mary by the archangel Gabriel that she would conceive a child to be born the Son of God.

The term is also sometimes used as a formal term, especially in art history, of other similar biblical revelations to figures including Saint Joseph and the shepherds, or may refer to:

Art

Annunciation (Caravaggio)

The Annunciation is an oil painting by the Italian master Michelangelo Merisi da Caravaggio, finished around 1608. It housed in the Musée des Beaux-Arts de Nancy.

The painting has been considerably damaged and retouched, and what remains of Caravaggio's brushwork is the angel, who bears a resemblance to the figure in John the Baptist at the Fountain. The illusionistic treatment of the angel, floating on his cloud and seeming to protrude outside the picture plane, is more Baroque than is normal for Caravaggio, but the contrast between the energetic pose of the heavenly messenger and the receptive Mary is dramatically and psychologically effective. The loose brushwork is typical of Caravaggio's later period.

The painting was given by Henry II, Duke of Lorraine, to his primatial church in Nancy as the main altarpiece, and was perhaps acquired by one of the Duke's sons in the course of a visit to Malta in 1608.

Description

The painting is composed of two figures. The angel above the Virgin is attributed to being Gabriel who was the angel of the annunciation. The lilies that Gabriel holds are also a symbol of the Virgin. The Virgin is in a prostrate position as she is being told by Gabriel of God’s plan for her. The painting exhibits Caravaggio’s signature sfumato and tenebrism, with almost the entire painting being dark except for the two main figures.

Bartolini Salimbeni Annunciation

The Bartolini Salimbeni Annunciation (Italian: Annunciazione Bartolini Salimbeni) is a painting by the Italian Gothic painter Lorenzo Monaco, completed just before his death (1420–1424) and housed in the Bartolini Salimbeni Chapel of the church of Santa Trinita, Florence, Italy.

History

The panel follows the same stylistic and narrative pattern as the other frescoes in the chapel, also by Lorenzo Monaco. It shows the Annunciation and, in the predella, other episodes of the Life of the Virgin which do not feature in the frescoes.

In 1998, a restoration performed by the Opificio delle Pietre Dure showed that for the Virgin's mantle a simpler technique was used, indicating that the work was perhaps completed by one Monaco's pupils after his death.

Description

The panel is intermediate between a medieval polyptych and a Renaissance altarpiece. It is generally described as the first work in which the subject has a direct relationship with the surrounding architecture. Another innovation is the small side pillars with saints, later used also by Masaccio and Fra Angelico.