Annecy Winner Shaddy Safadi’s Terrifying New Short ‘Diaboli’ Debuts Online (EXCLUSIVE)
Annecy winner Shaddy Safadi (‘Christo the Civilized Barbarian’) debuts his dark horror short ‘Diaboli,’ a chilling tale of faith, fear, and the Devil’s return.
Adventurous, innovative, and thought-provoking animation projects from around the world.
Annecy winner Shaddy Safadi (‘Christo the Civilized Barbarian’) debuts his dark horror short ‘Diaboli,’ a chilling tale of faith, fear, and the Devil’s return.
Patricio Plaza’s ‘Carne de Dios’ is a haunting animated journey through colonial-era faith, violence, and transformation at the edge of body and spirit.
Darkly funny and brutally forthright, ‘The Well-Oiled Plan’ skewers the fossil fuel industry’s PR spindustry ahead of COP30.
In ‘Baby Bro,’ Bullwinkel mixes classic 2D animation with frat-boy rhetoric, exposing misogyny through absurdist, feminist dark humor.
Lee Hardcastle’s clay stop-motion video for Gunship’s ‘Tech Noir 2’ blends retro gaming, stop-motion craft, and synthwave nostalgia into a sensory feast.
A surreal Hong Kong monsoon stirs memory and identity in ‘Monsoon Blue,’ a festival-hit animated short now available to stream online.
In Nikita Kibirev’s one-minute short ‘CAGE,’ the U.S.-born Russian immigrant uses surreal horror to explore the fear and cycles of American authoritarian power.
Discover how Luca Cioci mixed stop-motion, light painting, and practical effects to turn a mundane gas station visit into a hypnotic visual short.
In ‘Pollo Punch,’ a sleepy rooster and his owner fight for redemption in the ring. This heartfelt animated short is a love letter to Cuban-American resilience.
About a family’s poorly-planned trip to the beach, ‘Summer 96’ quickly shifts from serene nostalgia to a stressful blame game with aesthetics to match.
Clément’s 2023 short is a haunting tale of childhood trauma told through vivid CG and quiet horror.
CalArts student Christina Wu’s Outlandish is a vibrant tale about growth, friendship, and venturing into magical unknowns.
Singing, instrument-playing stop-motion rabbits, dripping paints, felt, and an urban landscape made of wood and found materials, “Weeping Monolith” is a wondrous sensory overload.
The film by Iria Lopez and Daniela Negrin Ochoa celebrates over a decade of running a studio together.
Arash Akhgari’s film combines collage with ink-and-paint animation to explore the fragmented, overstimulated nature of today’s media environment.
Stepping into Pelstring’s world feels like entering a warped, psychedelic time capsule from the 1970s.
Set against a backdrop of soulful retro grooves, “Don’t Make it a Song,” a music video for Canal Power Club, is a breezy, funk-infused stop-motion piece.
The British student film played at dozens of festivals including Annecy and Zagreb.
In the video for the band Kiwi Hug, icky green snail creatures try to devour the band members.
A technical and visual explosion, this video is an unsteady zoom ride where we encounter an array of faces, objects, and scenarios.