Iconic Children’s Show ‘Pocoyo’ Has A New Owner — And A New AI-Powered Production Pipeline
Sixte de Vauplane, co-founder of Animaj, explains his new technology and how animation can benefit from new generative AI pipelines that serve artists.
Sixte de Vauplane, co-founder of Animaj, explains his new technology and how animation can benefit from new generative AI pipelines that serve artists.
The first six tools help to create masks, upscale and extend backgrounds, and aid with the time-consuming scene setup process.
Post-acquisition, DNEG’s Brahma group will employ over 800 engineers and creative technologists.
There’s a lot more open-source software used in big-studio animated features than you may think.
Azaria is anxious about the future, but believes his job is safe for the immediate future.
Barbie, Chester Cheetah, and Cocomelon have all been brought to life using the company’s production pipeline.
“Without AI, the work would take a minimum of one week to ten days. Using AI, it is about four of five hours,” says the studio’s design director.
‘Flow’ director Gints Zilbalodis and plug-in developer Mārtiņš Upītis talk about the development of the water plug-in used to create the Golden Globe-winning film.
The app allows anyone, regardless of experience or skill, to generate cg animation.
Last year, Cameron had warned against the dangers of artificial intelligence.
The studi says that replacing human artists with AI will save “millions and millions of dollars.”
The company’s aim is to redefine the possibilities in AI-driven character animation with a video-3D foundation model that’s built with an understanding of physics.
“The path generative AI is on is wrong for us,” the software maker said in a statement.
Ole Tillmann, art director of ‘Harold Halibut,’ walks us through the production process of one of 2024’s most distinctive-looking video games.
Pérez Irigoyen’s company Dessignare has found success with unconventional screen formats for animation in planetarium venues and virtual reality.
Brown Bag Films head Cathal Gaffney is also calling for more transparency from other studios about how they intend to use AI in commercial production.
The Japanese feature ‘Who Said Death is Beautiful?’ used Stable Diffusion among other software in its production.
The experimental project developed by Autodesk AI Lab is not available for public use.
China Media Group teamed with the Shanghai Artificial Intelligence Laboratory to create a model trained on CMG’s audio and video libraries.
Five companies were selected for Disney’s 10th Accelerator program. Three specialize in AI, one in VR, and another in autonomous vehicles.