Mike Johnson discusses how ‘Corpse Bride’ reshaped stop-motion, proving the medium could match CG in fluidity and ambition while keeping to its handcrafted roots.
Explore Richard Williams’ legendary life and career in the new book ‘Adventures in Animation,’ featuring exclusive artwork and untold stories.
Tubi has added nearly 800 Looney Tunes classics, giving fans free access to Bugs, Daffy, Porky, and more from animation’s Golden Age.
Celebrate 65 years of ‘The Flintstones’ with an all-day marathon on MeTV Toons, featuring classic episodes and films on Sunday, August 31.
On July 27, 1940, ‘A Wild Hare’ premiered, introducing the iconic Bugs Bunny archetype audiences know and love today and the catch-phrase, ‘What’s up, doc?’
MoMI will feature classic Superman, Koko the Clown, Betty Boop, and Popeye cartoons and exhibitions, including a new documentary.
“I wasn’t aiming for realism,” says “MirrorMask” director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target.”
Jasmine Amy Rogers, the Tony-nominated star of ‘Boop! The Musical,’ reveals her favorite Betty Boop cartoon, too.
‘The Real Ghostbusters: A Visual History’ will release in July from Dark Horse Comics.
It marks yet another nail in the coffin for what was once a premier global animation brand.
An exploration of one of the greatest cartoon teams in animation history.
Belgian filmmaker Luc Jabon speaks with Cartoon Brew about unearthing Picha’s legacy and recontextualizing the work of this European pioneer of adult animation.
Walt Disney’s first cartoon star is set to make a comeback on streaming.
We’re taking a closer look at underappreciated stop-motion features from the last 100 years.
Expect to see a lot more of this classic cat-and-mouse duo in 2025.
A bounty of classic cartoon and comic characters have entered the public domain this year.
Tired of the same-old holiday animation classics? Here are some off-the-wall Christmas cartoons you might have missed.
In today’s world of focus-tested blandness and homogenized AI sludge, watching Scribner’s boldly personal weirdness from 80 years ago is a breath of fresh air.
Ryan Reynolds will produce the film from a script by Matt Lieberman.
“Fred Moore was Disney drawing,” his colleague Marc Davis once said. “We’ve all done things on our own, but that was the basis of what Disney stood for.”