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464 pages, Kindle Edition
First published November 8, 2023
Valentine Anzio. My first kiss, and my first betrayal.
“Madness is rather like art.”
“How so?”
His smile tucked into the corner of his mouth. “One man’s madness is another’s dream.”
He had the most bizarre perspective on the everyday, leaving me puzzling over his words as he stepped from the sidewalk and waved down a passing carriage.
“Sometimes liars believe their own lies so much they make them truths, don’t you think?”
Surely he couldn’t hold a grudge for over a decade? We’d been boys, and boys being boys, we’d done things. Stupid things. Things we regretted as men.
My instincts suggested Devere had much to hide, but the murder of his father wasn’t among his secrets.
“The wolves are at your door and I’m the only man with a gun, the only one willing to fight for you. Turn me away if you wish, but there is nobody else coming to save you, Dev. And God, I wish it wasn’t me. I wish I wasn’t here and I wish we’d never met, but wishes are the currency of fools and madmen, of which you and I are neither.”
He’d always been difficult to read. So distant, so different… never fitting in. He’d never belonged. But with me, the two of us alone together, he’d come to life, like the dancer in a music box, or the clockwork toy with its key wound anew. There was a softer side to Devere that few people saw.
I was enjoying the a fair bit, but I simply lost interest because there are so many other books I want to get to. Found myself not picking this up for a while, so I'll call it quits.
"...I wish I wasn't here and I wish we'd never met, but wishes are the currency of fools and madmen, of which you and I are neither."
Very strong sense of atmosphere and setting (especially in the beginning chapters) that helped create a feeling of immersion that I was able to hold on to for most of the 51% that I read. There's this sense of encroaching gloominess that seems to claw its way through every crevice of Minerva. Nash's prose also did some heavy lifting in this book, which I loved seeing.
I wasn't particularly enamoured with the characters so far, but I still have half the book left so this is by no means a critique. But that combined with the softness of the magic amidst this twisty 'nothing is as it seems' cerebral plot is a combo that I have to be in a certain mood for I suppose.
Might finish reading this in the future! But right now, other books are calling my name more.
The execution (zing!) of the plot: This is a complex plotline to pull off. Easily the most complex that Ariana has written to date. And she absolutely nails it. I don’t have any other word for it than that. It’s giving Gothika, butterfly effect, big wheel keep on turnin’. It took me a minute to figure out what was going on once things began to really start moving, but once I did I was in a state of anxiety almost the entire time. Who is the villain? Who is the victim? What is really going on here??
The ending: Some readers aren’t going to like this ending. Ariana has said herself that she has been stressed about it. But I don’t think this novel could have ended any other way. It’s perfect. It makes sense, and most of all it’s a happy one despite the circumstances. I genuinely can’t see any other way that this novel could have wrapped up.
The Pinnochio themes: I have visions of Geppetto’s workshop. The clocks, the choo-choo trains, the bright warmth and colours that the setting of the toy store evokes in this novel all remind me of Pinnochio. The clocks ticking incessantly out of time remind me of the scene in the disney movie when Jiminy Cricket is trying to sleep and the clocks are going mad. Without spoiling, it feels very much like this is a twisted, darker version of that story, and I absolutely love it.
Lord Rochefort: What a guy. No more detail than that because of spoilers, but what. A. Guy.
That Scene in the Mansion: I had a dream the other night that featured a grandfather clock bong bong bonging away in my ears, and I’m pretty sure this scene is to blame. The mindfuck of that scene and the gradually increasing stress and anxiety it evoked as I read is probably some of the strongest emotional response I’ve had to a novel since TJ Klunes Under the Whispering Door.
The cameo: I didn’t realise this was set in the same world as The Final Masquerade until I got to a comment about the host left the Masquerade long ago and I went huh. Maybe it’s the same one? Turns out it is. Neat!
Devere: Hello, tortured beautiful soul. Welcome to my collection. Valentine is equally tortured of course, but there’s just something about Devere that draws me to him more. Maybe it’s because of his aloofness and his attempts to be an ass early on. I’m a sucker for the gilded cage trope. SPEAKING OF.
The Bird themes: A recurrent theme. Trapped birds in cages, birds should be free to fly away, the clockwork bird, a bird reared in a cage will never know the world outside if it never gets the chance…I really do love this theme when paired with the overarching plotline. It’s a beautiful analogy and so appropriate.
nothing: That’s it. Nothing. Nothing about this novel missed it for me. Not the ending, not the fights, not the dialogue, not the execution of anything (well, except for- /shot).
Toymakers Son is sitting pretty as one of my top Ariana Nash novels. I think it’s fighting Fool Me Twice for the top spot and may nudge ahead with time given how complex the story is and how well executed it is. Genuinely, I did not expect such intricate, deeply woven storylines when I picked this novel up. Ariana’s skill in her writing has been shooting up, up and up with every single novel that she’s released of late, and if this trajectory continues I’m going to end up broke from inevitably buying both digital copies and hardcopies of every single novel.
Read Toymakers Son. You will not be disappointed.
5 stars.
I was generously provided an ARC of this novel, and am leaving my review voluntarily.