“What amazed Rice was how you could spend your whole life physically immersed in a particular ecological system and yet remain blinded to it by superstition, tradition, prejudice.”
A prominent theme in ‘Bearskin’ by James A. McLaughlin is the necessity of violence. Others are our disappearing world of nature, reality versus nonreality, and science versus superstition. The prologue opens with the protagonist, Rice Moore, in a prison in Mexico. It’s a violent scene for survival and the picture of how and why Moore came to be in prison will only become clear later in the story. Chapter one opens with Rice Moore as a caretaker for Turk Mountain Preserve, a remote forest land that is privately owned. With his biology background and tough physical appearance, the owner has hired him, hoping he can forestall trouble; the last caretaker, a female, was unable to do so. It doesn’t hurt that he has some construction experience and can work on remodeling the lodge. Here, Rice hopes to hide out, escape from the troubles that landed him in the Mexican prison and the violence that occurred there and after his exit. Local folks are angry that the preserve is off limits for hunting. When Rice finds bear carcasses, he investigates the locals for evidence of bear poaching, causing even more animosity. McLaughlin threads violence through the novel like a skein of scarlet, but I did not think it gratuitous. At times, with poetic brilliance, the author’s prose depicts the natural world, beautiful old growth forests, a primordial world where wildlife abounds, and creeks rush over a landscape undisturbed by man. But make no mistake. This novel has sharp teeth.
Since his time in prison, Rice has suffered from fugue states. Reality and time don’t function for him as they did previously. When a mushroom picker with a short arm comes to lead Rice through the forest to the dead bears, Rice tells the man, “I don’t think you’re real.” While Rice is hunting the bear poachers, he will make himself a ghillie camouflage suit, hiding in the forest at night. Blending into the forest, he takes on the nature of a wild animal. Exploring astral projection and out of body experiences, McLaughlin challenges the reader on what it means to be a part of nature.
A man of science, Rice has accepted the reality of climate change. Throughout the novel, we see the world of nature as he sees it, a disappearing act, a vision of catastrophic future variations. When the previous caretaker, Sara, returns, she offers a more optimistic viewpoint. Although grounded in science, Sara is more about the here and now. Sara knows there is something magical about the protected space of the preserve. While holding a rare snake, she says, “We want to think we’re exceptional, ensouled, angel fairies or God’s special children. The magic of being animate matter isn’t enough.” That statement gives me pause, makes me think about what a miracle it is that we move around and think and are aware of our world.
Nominated for the 2019 Edgar Award and the Barry Award, ‘Bearskin’ is an excellent work to be considered. Many of us are far removed from nature. I’m close to nature but seldom immersed in it. I am like the people in the story who fear snakes because they don’t know enough about them. However, even I know that the quiet of a forest walk, or a stroll by a stream or creek is the best remedy for frayed nerves and worldly anxieties. The novel has prompted me to search for old growth forest near where I live in North Carolina.