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Sati Series #3
Draupadi: The Sati Series III
‘Ahalya, Draupadi, Kunti, Tara, Mandodari – each of the Pancha Kanyas is fascinating ... Koral Dasgupta’s wonderful retelling adds to this corpus, with a lyrical and poetic quality’ BIBEK DEBROY
THE THIRD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend. Yet what do we really know of the fire-born queen’s dreams? What were her true desires?
In Koral Dasgupta’s thrilling new interpretation, Draupadi’s interior story, often relegated to the margins, is vividly foregrounded – from her unique friendship with Krishna, unconventional marriage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home. Bold, intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
***
In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from the Hindu epics and reinvents them with a feminist consciousness.
Praise for the Sati series
‘Magical and thought-provoking’ CHITRA BANERJEE DIVAKARUNI
‘Enigmatic’ NAMITA GOKHALE
‘A must for those wishing to know about our past and the dialectics of gender within it’ PAVAN K. VARMA
THE THIRD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend. Yet what do we really know of the fire-born queen’s dreams? What were her true desires?
In Koral Dasgupta’s thrilling new interpretation, Draupadi’s interior story, often relegated to the margins, is vividly foregrounded – from her unique friendship with Krishna, unconventional marriage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home. Bold, intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
***
In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from the Hindu epics and reinvents them with a feminist consciousness.
Praise for the Sati series
‘Magical and thought-provoking’ CHITRA BANERJEE DIVAKARUNI
‘Enigmatic’ NAMITA GOKHALE
‘A must for those wishing to know about our past and the dialectics of gender within it’ PAVAN K. VARMA
151 pages, Kindle Edition
Published September 22, 2022
About the author
Koral Dasgupta
12 books116 followers"Her stories give an insight into the unknown world of creativity and imaginations."
WION
"Her novel works beyond the obvious, characters not just individuals but a philosophy."
INDIA TODAY
Koral is an Indian author, now working on The Sati Series for Pan Macmillan. The Sati series is a five book project on the Pancha Kanyas of Indian mythology.
She is a compulsive storyteller. She writes academic non fictions and relationship dramas, exploring the inherent nature of complex minds that leads to a relatable conflict and unpredictable climax. As on May 2020, Koral has published five books with Westland, Niyogi, Rupa and Pan Macmillan Publishers.
She is the founder of www.TellMeYourStory.biz, a story laboratory led by crowd-sourced narratives.
She consults with educational and corporate bodies on content and communication projects and workshops.
Koral is known for a great sense of humour. But when she is tired or sad or angry, she paints.
Koral is recognised in the list of Innovator25 Asia Pacific 2019 prepared by The Holmes Report, a New York based PR news agency.
WION
"Her novel works beyond the obvious, characters not just individuals but a philosophy."
INDIA TODAY
Koral is an Indian author, now working on The Sati Series for Pan Macmillan. The Sati series is a five book project on the Pancha Kanyas of Indian mythology.
She is a compulsive storyteller. She writes academic non fictions and relationship dramas, exploring the inherent nature of complex minds that leads to a relatable conflict and unpredictable climax. As on May 2020, Koral has published five books with Westland, Niyogi, Rupa and Pan Macmillan Publishers.
She is the founder of www.TellMeYourStory.biz, a story laboratory led by crowd-sourced narratives.
She consults with educational and corporate bodies on content and communication projects and workshops.
Koral is known for a great sense of humour. But when she is tired or sad or angry, she paints.
Koral is recognised in the list of Innovator25 Asia Pacific 2019 prepared by The Holmes Report, a New York based PR news agency.
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Displaying 1 - 30 of 65 reviews
December 9, 2022
This is the third book in Koral Dasgupta's Sati series. The first two were about Ahalya and Kunti respectively.
The introduction of the book began with a discussion about the Panch Kanyas and Panch Satis, and how the beliefs of various eras and translators have colored how women have been depicted and celebrated over the ages. I liked how the author explained and expressed this point.
This discussion was followed by an alternate definition of purity (quoted below), with which I wholeheartedly agreed.
I always read a book's introduction because it tells the reader where the author is coming from, it sets the tone of the book, and gives the reader a clear picture of what to expect in the book. This book did a great job with the introduction.
I prepared myself for a journey into the world of the Mahabharata through Draupadi's perspective. I was ready to meet the woman I have always admired -- the brave, loving, fierce, warrior queen.
I liked how the book began with a small poem where Draupadi (Krishnaa) was in conversation with Krishna. This is also allegorical to the discussion a person has with their own soul. These beautiful poems are peppered throughout the book.
The book's prose is lucid, lyrical, and free of any grammatical errors.
However, I felt that the content fell short of delivering what it had promised.
The blurb -- parts of which are mentioned below -- gave me the impression that the book would present insights into Draupadi's thoughts and inner life based on deep research of the Mahabharata.
Unfortunately, there were many inconsistencies between events in the unabridged epic and this book. It created a jarring experience because I was expecting a well-researched book.
Here are some of the inconsistencies I noticed:
- The events that transpired after Kunti told Arjuna to share what he had brought, between the five brothers.
- Draupadi's relationship with Kunti (which reminded me at times of saas-bahu serials).
- Draupadi's interactions with Gandhari.
- Her interactions with Bhishma.
- Her attitude towards the war, etc.
At one point, I decided to ignore the inconsistencies and enjoy the book in the spirit of Mahabharata fanfiction. This change of perspective helped me a lot.
The author showed Draupadi's loving and playful sides very well, but she was not able to do justice to Draupadi: the fiery, clear-minded, warrior queen.
I'll leave you with three quotes I liked from this book:
The introduction of the book began with a discussion about the Panch Kanyas and Panch Satis, and how the beliefs of various eras and translators have colored how women have been depicted and celebrated over the ages. I liked how the author explained and expressed this point.
This discussion was followed by an alternate definition of purity (quoted below), with which I wholeheartedly agreed.
"Purity can refer to the transparent water, what clearly reflects every pebble and weed lying below the surface. In the Sati series, I follow this meaning of 'purity' while retelling the stories of the five illustrious women -- Ahalya, Kunti, Draupadi, Mondodari and Tara. The purity that is brave enough to present itself the way it is -- sans any cosmetic cover -- and mirrors the mind unpretentiously as much as it exposes the politics of a society."
I always read a book's introduction because it tells the reader where the author is coming from, it sets the tone of the book, and gives the reader a clear picture of what to expect in the book. This book did a great job with the introduction.
I prepared myself for a journey into the world of the Mahabharata through Draupadi's perspective. I was ready to meet the woman I have always admired -- the brave, loving, fierce, warrior queen.
I liked how the book began with a small poem where Draupadi (Krishnaa) was in conversation with Krishna. This is also allegorical to the discussion a person has with their own soul. These beautiful poems are peppered throughout the book.
The book's prose is lucid, lyrical, and free of any grammatical errors.
However, I felt that the content fell short of delivering what it had promised.
The blurb -- parts of which are mentioned below -- gave me the impression that the book would present insights into Draupadi's thoughts and inner life based on deep research of the Mahabharata.
"... Yet what do we really know of the fire-born queen's dreams? What were her true desires? In Koral Dasgupta's thrilling new interpretation, Draupadi's interior story, often relegated to the margins is vividly foregrounded...."
Unfortunately, there were many inconsistencies between events in the unabridged epic and this book. It created a jarring experience because I was expecting a well-researched book.
Here are some of the inconsistencies I noticed:
- The events that transpired after Kunti told Arjuna to share what he had brought, between the five brothers.
- Draupadi's relationship with Kunti (which reminded me at times of saas-bahu serials).
- Draupadi's interactions with Gandhari.
- Her interactions with Bhishma.
- Her attitude towards the war, etc.
At one point, I decided to ignore the inconsistencies and enjoy the book in the spirit of Mahabharata fanfiction. This change of perspective helped me a lot.
The author showed Draupadi's loving and playful sides very well, but she was not able to do justice to Draupadi: the fiery, clear-minded, warrior queen.
I'll leave you with three quotes I liked from this book:
"With him, I was neither a princess, not a queen, a sister, daughter, or wife. Not even a woman. With him, I was me, or just no one. What inspired such confidence, I couldn't tell."
"Once informed, I charioted her back to Salva. He refused to accept her because he hadn't been able to protect her from her abductor. Vanity is the pride of the incapable."
"The galaxies are more truthful than humans, more straightforward than destiny."
August 26, 2023
2.5 stars rounded to 3.
I am a bit ambivalent about this book. While there are moments of sheer intensity born out of observation and self reflection, it gets immediately glazed over to some bizarre metaphor. This in itself was distracting and I kept hoping the author would stay with the thought, but Draupadi gets distracted and we lose interesting introspection.
While the first two thirds of the book is fairly alright, same plot as the original executed differently, the third act is pure intensity. The writing is fantastic, absorbing and lays in the mythos starkly on the pages. Draupadi is disrobed in public by her own kin as the king, queen, the court and her husband watches. The author is a little unfairly kind to her husbands; no, they weren't in some fugue or drugged state. They silently watched it all unfold. They didn't do anything. History has always remembered this.
Its this part that's quite captivating and the author has done this in previous two books as well. The impactful parts of the series has always been the transformative moment which changes the course of history. It's when the woman in context blooms.
I am a bit ambivalent about this book. While there are moments of sheer intensity born out of observation and self reflection, it gets immediately glazed over to some bizarre metaphor. This in itself was distracting and I kept hoping the author would stay with the thought, but Draupadi gets distracted and we lose interesting introspection.
While the first two thirds of the book is fairly alright, same plot as the original executed differently, the third act is pure intensity. The writing is fantastic, absorbing and lays in the mythos starkly on the pages. Draupadi is disrobed in public by her own kin as the king, queen, the court and her husband watches. The author is a little unfairly kind to her husbands; no, they weren't in some fugue or drugged state. They silently watched it all unfold. They didn't do anything. History has always remembered this.
Its this part that's quite captivating and the author has done this in previous two books as well. The impactful parts of the series has always been the transformative moment which changes the course of history. It's when the woman in context blooms.
November 20, 2024
More of a 3.5 I guess.
I’m unsure what I was expecting from this book and what I ultimately got. Maybe it just wasn’t my kind of writing. It’s still poetic and beautiful, though the disjointed timelines didn’t really work for me.
I’m unsure what I was expecting from this book and what I ultimately got. Maybe it just wasn’t my kind of writing. It’s still poetic and beautiful, though the disjointed timelines didn’t really work for me.
June 24, 2023
“I searched for happiness in this overtly agitated sphere and drifted into the orbit of creation. Of relationships, of a kingdom, of a home.
And then, one day, the music of my heart changed its course. The melody of the flute was replaced by the call of the conch”
- Koral Dasgupta, Draupadi (Sati Series 3)
Draupadi, the fiery queen emerged from the sacrificial fire. Krishna’s soulmate, Arjuna’s consort, warrior queen, a wise administrator & treasurer, such was the glory of the daughter of the soil. Only Arjuna could calm Yagnaseni’s feisty self yet no one could douse the fire inside her, the embers in her eyes. When they enjoyed moments of quiet privacy, Panchali expressed her predicament to Arjuna about being in wedlock with his brothers. Arjuna patiently revealed to her that all five brothers were equally involved in overcoming a crucial hurdle during her Swayamvar.
Krishna is portrayed to be a human, a friend of Draupadi with whom he shares a bond, and not as a supreme being. Draupadi felt herself around him. Whenever she faced a dilemma, the tunes of the flute pulsating through the air put her at ease.
"I am only as powerful as your intuition. I can't read the future."
‘Draupadi’ by Koral Dasgupta is an attempt to reconstruct the enigma I.e Draupadi and depict her relationship dynamics with the people in her household. It weaves a poignant and tender tale of romance between Arjun and Draupadi that would be sensationalized by the world eons later.
Koral summons the forces of nature to induce the desired effect in the non-linear narrative.
The read also briefly describes Kunti as someone proficient in the art of warfare and Draupadi, an able administrator who oversaw the construction of Indraprastha. This riveting saga of relationships doesn't end here, her softened stance toward Bhishma Pitamaha is narrated as an episodic tale where Draupadi tries to resurrect his lost identity of Devavrata.
And then, one day, the music of my heart changed its course. The melody of the flute was replaced by the call of the conch”
- Koral Dasgupta, Draupadi (Sati Series 3)
Draupadi, the fiery queen emerged from the sacrificial fire. Krishna’s soulmate, Arjuna’s consort, warrior queen, a wise administrator & treasurer, such was the glory of the daughter of the soil. Only Arjuna could calm Yagnaseni’s feisty self yet no one could douse the fire inside her, the embers in her eyes. When they enjoyed moments of quiet privacy, Panchali expressed her predicament to Arjuna about being in wedlock with his brothers. Arjuna patiently revealed to her that all five brothers were equally involved in overcoming a crucial hurdle during her Swayamvar.
Krishna is portrayed to be a human, a friend of Draupadi with whom he shares a bond, and not as a supreme being. Draupadi felt herself around him. Whenever she faced a dilemma, the tunes of the flute pulsating through the air put her at ease.
"I am only as powerful as your intuition. I can't read the future."
‘Draupadi’ by Koral Dasgupta is an attempt to reconstruct the enigma I.e Draupadi and depict her relationship dynamics with the people in her household. It weaves a poignant and tender tale of romance between Arjun and Draupadi that would be sensationalized by the world eons later.
Koral summons the forces of nature to induce the desired effect in the non-linear narrative.
The read also briefly describes Kunti as someone proficient in the art of warfare and Draupadi, an able administrator who oversaw the construction of Indraprastha. This riveting saga of relationships doesn't end here, her softened stance toward Bhishma Pitamaha is narrated as an episodic tale where Draupadi tries to resurrect his lost identity of Devavrata.
December 22, 2022
One of the best books written on Draupadi. Third book in the Sati series. Beautiful words gorgeously entwined with the story line makes the book an incredible phenomenon. Every Mahabharata lover must read the book. Highly recommended for those who are interested in learning about the Women of our epic past. Author Koral Dasgupta has done an amazing job in bringing out the feelings of Draupadi and her relationship with the various characters of the Mahabharata.
August 9, 2024
in the prologue of this book, draupadi said,
"i sympathise with these storytellers. innumerable words would fill up their blank pages in a rigorous attempt to affix my identity."
it begs the question, who was draupadi? was she only the wife of five illustrious mythological heroes? an ordinary mother to brave sons? sister to the valiant dhrishtadyumna? a king's daughter? was she only defined by her relationship to noteworthy mythological men? if not, then who was she apart from that?
draupadi by koral dasgupta answered this question beautifully. not only legendary heroines like her but regular women like you and me somewhere along the path of life lose our own identities. while we're busy with becoming the perfect mother, daughter, or wife, bits of us chip away.
we all know who draupadi was because we've read countless retellings and heard her tales as bedtime stories. however, this retelling felt refreshing as it made me feel a total sense of identification with this lionhearted mythical heroine. the author allowed her to transcend the role that mythology has imposed upon her and breathed into her a new life. one that made her her own whole person. i understood her struggles with finding her footing and voice in a male-dominated world because they resembled my struggles too.
“one lifetime. so many memories. so many people to love. only one heart.”
main themes:
🪷draupadi's inner dilemma
🪷a search for identity apart from her relationships with the men in her life
🪷 feministic retelling
🪷 female rage
"i sympathise with these storytellers. innumerable words would fill up their blank pages in a rigorous attempt to affix my identity."
it begs the question, who was draupadi? was she only the wife of five illustrious mythological heroes? an ordinary mother to brave sons? sister to the valiant dhrishtadyumna? a king's daughter? was she only defined by her relationship to noteworthy mythological men? if not, then who was she apart from that?
draupadi by koral dasgupta answered this question beautifully. not only legendary heroines like her but regular women like you and me somewhere along the path of life lose our own identities. while we're busy with becoming the perfect mother, daughter, or wife, bits of us chip away.
we all know who draupadi was because we've read countless retellings and heard her tales as bedtime stories. however, this retelling felt refreshing as it made me feel a total sense of identification with this lionhearted mythical heroine. the author allowed her to transcend the role that mythology has imposed upon her and breathed into her a new life. one that made her her own whole person. i understood her struggles with finding her footing and voice in a male-dominated world because they resembled my struggles too.
“one lifetime. so many memories. so many people to love. only one heart.”
main themes:
🪷draupadi's inner dilemma
🪷a search for identity apart from her relationships with the men in her life
🪷 feministic retelling
🪷 female rage
January 31, 2023
Although the characters are well written, the narration is not my fav.
November 4, 2022
The third book in the Sati Series, Draupadi is yet another artistic piece of words written by the author. Draupadi, Krishnaa, Panchaali, Yagaseni, whichever name you want to call her, her story has traveled through generations by authors, filmmakers, historians, sociologists, etc, and yet everyone has a new thing to add, an existing thing to deny, and a new admiration for her in each of its forms.
Koraldas Gupta did a magnificent job of taking her readers through the life of Krishnaa through some random incidents of her life, which all combinedly resulted in the Mahabharat. What do you think? Why the war of Kurukshetra happened? Because of Panchaali’s rage? Because of the Pandav Brothers’ failure at Pachisi? Or was it just ‘vidhi ka vidhan’?
The majority of us always imagine Draupadi as a rageful person, a friend of Krishna, a lover to Arjun, a wife to five brothers, a daughter-in-law to Kunti, a mother, a sister, a daughter, but when did we imagine her as a woman, just her, without linking her with someone. The author in this book did just that, she talked about Draupadi, and maybe that is why, even after reading several books based on Panchalli’s life, I couldn’t put this book down.
With exceptional writing style, brilliant narrative, and remarkable perspective, this book is nothing less than the author’s past two books of the series- Ahalya and Kunti. Looking forward to reading the next two soon.
Koraldas Gupta did a magnificent job of taking her readers through the life of Krishnaa through some random incidents of her life, which all combinedly resulted in the Mahabharat. What do you think? Why the war of Kurukshetra happened? Because of Panchaali’s rage? Because of the Pandav Brothers’ failure at Pachisi? Or was it just ‘vidhi ka vidhan’?
The majority of us always imagine Draupadi as a rageful person, a friend of Krishna, a lover to Arjun, a wife to five brothers, a daughter-in-law to Kunti, a mother, a sister, a daughter, but when did we imagine her as a woman, just her, without linking her with someone. The author in this book did just that, she talked about Draupadi, and maybe that is why, even after reading several books based on Panchalli’s life, I couldn’t put this book down.
With exceptional writing style, brilliant narrative, and remarkable perspective, this book is nothing less than the author’s past two books of the series- Ahalya and Kunti. Looking forward to reading the next two soon.
January 16, 2023
This is a retelling of Draupadi from the Mahabharata. It's written from the perspective of Draupadi, delving into her emotional states as she goes through the major events of her life from childhood till the start of the Kurukshetra war. The prose is quite lyrical, however the plot is very limited. I found it slow moving at least in the first half. The author made a good choice in limiting the number of characters in the book. Draupadi's relationships with Arjun, Kunti and Bhishma are explored in more detail than the other characters. While I enjoyed the dialogue between these characters, I felt that they ended abruptly. This is a short book that looks at the emotional aspects of Draupadi's life events rather than an ethical discussion around the events of the Mahabharata. I would recommend it to readers who enjoy character studies from Indian epics.
December 28, 2022
All the books in the Sati Series is without a thought 5 stars, but this book Draupadi is hands down the best of best.
April 7, 2024
Many books have now been written from Draupadi’s point of view. This book written by Koral Das Gupta, as part of the Sati series brings out the dilemma faced by Draupadi beautifully. This book throws a new light on the character of Kunti and Devvrat, whom history remembers only as Bhishma.
Overall a nice read.
Overall a nice read.
September 26, 2022
What an euphoric read. My heart weeps whilst my soul rejoices.
"Not every death takes from you your right to breathe. Sometimes death occurs by stripping away the old faith that was once absolute, obsolete now. This is your battle, fight well."
"Not every death takes from you your right to breathe. Sometimes death occurs by stripping away the old faith that was once absolute, obsolete now. This is your battle, fight well."
This entire review has been hidden because of spoilers.
November 8, 2022
The Sati Series continues with the tale of Draupadi, the girl born from fire, the princess of Panchal, the wife of the illustrious Pandavas, the Queen of Indraprastha. Koral Dasgupta doesn’t let her craftmanship retire as she resurrects Draupadi buried deep under the foliage of stories, lore, myths and illusions. Her metaphorical weaving is brimming with artistry and speckled with bright artefacts of the mind.
A pleasant continuity greets the reader as they continue with the Sati Series sequentially book after book, entrapping them into stories of the Pancha Kanyas who were wronged much more than they were celebrated. Centuries rolled over, invincible dynasties vanished into oblivion, conquests and gallantries lost their lustre, fallacies and atrocities waned from their curses—but through all this the women of these tales lived on, stimulating ripples after ripples of more involved storytellings, more imaginative poetics and reinvented fantasies.
Koral Dasgupta’s Panchaali is flanked by the towering figures who rule the Mahabharat, yet she exists like a singleton dazzling flame visible from afar. She rules and gets dominated, blocks the path yet allows passage, rises majestically yet stumbles downwards, loves yet coaxially spites, longs yet restrains, lives uninhibited yet gets degraded into ashes. Amidst this bizarre concoction of situations which adorn and blemish Draupadi’s life like jewels and bruises, her humanization catches the eye, placed alongside a brisk divinity. Her eternal jovial companion is the godly Krishna, who never leaves her side. Krishna’s presence in the story, conceptualized via the ever-sounding melodious flute leading way to the sky-tearing roar of the conch shell—serves as the ultimate plotline to keep the book on track.
Koral Dasgupta’s pen is never scarce of deft reimaginings where she suitably makes use of natural elements and conscious faculties to convey the darkest, most uncomfortable truths of the Mahabharat in the simplest of ways. Her appropriation in the sequence of events which guide the trajectory of the book, seen through multiple episodes moving back and forth in time, transcends beautifully above the familiar linearity of Darupadi’s story and instead gives us a new direction of exploration. Better read than said, Koral Dasgupta invites Indra in unexpected domains—using his celestial philosophy to reinstate the relationship between Arjun and Panchaali and to traverse the illusions dancing in the palace of Indraprastha. Indra’s presence, Krishna’s companionship, Arjun’s passion, the Kaurav’s vengefulness, Kunti’s motherhood and Draupadi’s own queenship and wifehood emerge in the story from time to time, never forgetting to leave behind some form of wordy magic.
To an observant eye however, Draupadi’s characterization is comparatively devoid of inward looking, as much as it is replete with outward manifestations. Amid the massive number of details included in the book, the writing often glides forward in a daze, missing out to linger a bit longer on more unconventional aspects of Draupadi’s mind. Some elements in the book are executed with worthy intensity—like her swayamvar and her disrobing in the royal court of Hastinapur. Meanwhile, an uninvited issue sneaks in inevitably; while tracing more complex sides of Draupadi’s oddities, her simpler emotions do not get their dues. Lastly, the psyche that the author tried to metaphorize as ‘Evil’ and make it aid the conflict between Dharm and Adharm, righteousness and injustice—comes off as a crude generalization, and contradicts the general absence of a suitable translation of the word ‘evil’ in classical Indian languages.
The Sati Series is racing to find its place among deserving readers, and ‘Draupadi’ attempts to propel that momentum forward, complementing mythological fiction with Koral Dasgupta’s bold reinvention of the Pancha Satis.
Thanks Pan Macmillan India for the book.
A pleasant continuity greets the reader as they continue with the Sati Series sequentially book after book, entrapping them into stories of the Pancha Kanyas who were wronged much more than they were celebrated. Centuries rolled over, invincible dynasties vanished into oblivion, conquests and gallantries lost their lustre, fallacies and atrocities waned from their curses—but through all this the women of these tales lived on, stimulating ripples after ripples of more involved storytellings, more imaginative poetics and reinvented fantasies.
Koral Dasgupta’s Panchaali is flanked by the towering figures who rule the Mahabharat, yet she exists like a singleton dazzling flame visible from afar. She rules and gets dominated, blocks the path yet allows passage, rises majestically yet stumbles downwards, loves yet coaxially spites, longs yet restrains, lives uninhibited yet gets degraded into ashes. Amidst this bizarre concoction of situations which adorn and blemish Draupadi’s life like jewels and bruises, her humanization catches the eye, placed alongside a brisk divinity. Her eternal jovial companion is the godly Krishna, who never leaves her side. Krishna’s presence in the story, conceptualized via the ever-sounding melodious flute leading way to the sky-tearing roar of the conch shell—serves as the ultimate plotline to keep the book on track.
Koral Dasgupta’s pen is never scarce of deft reimaginings where she suitably makes use of natural elements and conscious faculties to convey the darkest, most uncomfortable truths of the Mahabharat in the simplest of ways. Her appropriation in the sequence of events which guide the trajectory of the book, seen through multiple episodes moving back and forth in time, transcends beautifully above the familiar linearity of Darupadi’s story and instead gives us a new direction of exploration. Better read than said, Koral Dasgupta invites Indra in unexpected domains—using his celestial philosophy to reinstate the relationship between Arjun and Panchaali and to traverse the illusions dancing in the palace of Indraprastha. Indra’s presence, Krishna’s companionship, Arjun’s passion, the Kaurav’s vengefulness, Kunti’s motherhood and Draupadi’s own queenship and wifehood emerge in the story from time to time, never forgetting to leave behind some form of wordy magic.
To an observant eye however, Draupadi’s characterization is comparatively devoid of inward looking, as much as it is replete with outward manifestations. Amid the massive number of details included in the book, the writing often glides forward in a daze, missing out to linger a bit longer on more unconventional aspects of Draupadi’s mind. Some elements in the book are executed with worthy intensity—like her swayamvar and her disrobing in the royal court of Hastinapur. Meanwhile, an uninvited issue sneaks in inevitably; while tracing more complex sides of Draupadi’s oddities, her simpler emotions do not get their dues. Lastly, the psyche that the author tried to metaphorize as ‘Evil’ and make it aid the conflict between Dharm and Adharm, righteousness and injustice—comes off as a crude generalization, and contradicts the general absence of a suitable translation of the word ‘evil’ in classical Indian languages.
The Sati Series is racing to find its place among deserving readers, and ‘Draupadi’ attempts to propel that momentum forward, complementing mythological fiction with Koral Dasgupta’s bold reinvention of the Pancha Satis.
Thanks Pan Macmillan India for the book.
January 30, 2023
I recently finished reading "Draupadi" by Koral Dasgupta and I was thoroughly impressed by the author's ability to bring this legendary character to life. Dasgupta's writing has a lyrical and poetic quality that really drew me in and made me feel like I was right there alongside Draupadi as she navigated her complex relationships and fought for her place in the world.
One of the things I appreciated most about this book was the way Dasgupta was able to humanize Draupadi and show her as a fully realized, three-dimensional character. Too often, female characters in myth and legend can feel one-dimensional or like they exist purely to serve the male characters around them. But in "Draupadi," Dasgupta gives us a protagonist who is strong, intelligent, and fiercely independent. I loved getting to know her and learning about her motivations and desires.
Overall, I would highly recommend "Draupadi" to anyone who is a fan of myth and legend, or who is simply looking for a beautifully written, thought-provoking read. It's an exceptional addition to the "Sati" series and I can't wait to read the other books in the series.
One of the things I appreciated most about this book was the way Dasgupta was able to humanize Draupadi and show her as a fully realized, three-dimensional character. Too often, female characters in myth and legend can feel one-dimensional or like they exist purely to serve the male characters around them. But in "Draupadi," Dasgupta gives us a protagonist who is strong, intelligent, and fiercely independent. I loved getting to know her and learning about her motivations and desires.
Overall, I would highly recommend "Draupadi" to anyone who is a fan of myth and legend, or who is simply looking for a beautifully written, thought-provoking read. It's an exceptional addition to the "Sati" series and I can't wait to read the other books in the series.
October 6, 2023
3.5 stars
To meet Draupadi, the anchor of an immense epic, the harbinger of the end and the catalyst of a new beginning, is always interesting if nothing else. Every author who traverses the heroine’s journey seems to bring forth pathos, fire, rage, immortal emotion and a painful awakening in differing proportions
As Koral Dasgupta’s third Sati, we meet the Queen of the Pandav as she is - the germ of transformation - a painful, intense one. In her now trademark style, the author allows the heroine to transcend the role that mythology has pronounced upon her and breathes in a distinctly feminine conscious - and cleverly so, we see a different hue of this conscious than we have with the preceding Sati’s
I waited eagerly to journey with the author as she journeyed with Draupadi. I wait eagerly again for Mandodari and Tara (though less so).
PS: Draupadi’s skin, the author doesn’t shy away from describing as beautifully dark, perhaps even blue tinged. It would have been nice to have that beautiful book jacket mirror that little but fairly (pun intended) significant detail. These are minor misses but why miss the chance to visually impact that the written word is trying to anyway!
To meet Draupadi, the anchor of an immense epic, the harbinger of the end and the catalyst of a new beginning, is always interesting if nothing else. Every author who traverses the heroine’s journey seems to bring forth pathos, fire, rage, immortal emotion and a painful awakening in differing proportions
As Koral Dasgupta’s third Sati, we meet the Queen of the Pandav as she is - the germ of transformation - a painful, intense one. In her now trademark style, the author allows the heroine to transcend the role that mythology has pronounced upon her and breathes in a distinctly feminine conscious - and cleverly so, we see a different hue of this conscious than we have with the preceding Sati’s
I waited eagerly to journey with the author as she journeyed with Draupadi. I wait eagerly again for Mandodari and Tara (though less so).
PS: Draupadi’s skin, the author doesn’t shy away from describing as beautifully dark, perhaps even blue tinged. It would have been nice to have that beautiful book jacket mirror that little but fairly (pun intended) significant detail. These are minor misses but why miss the chance to visually impact that the written word is trying to anyway!
October 16, 2022
In a world starved of role models, people turn to mythology. Koral Dasgupta has taken on the task of writing the stories of the Pancha Kanyas and Satis from the old texts and giving them new relevance in the current time. Draupadi is the third of her Sati series and there she unfolds the life of the queen of the Pandavs who became a byword for her five husbands and her undraping by the Kauravas after being staked in a game of dice. Dasgupta assumes and correctly that most of her readers will be aware of Draupadi’s story and begins her narrative on the evenings before Kuruskshetra, travelling back in time. Her language is ornate and has a mix of styles – at one point Panchali refers to herself as ‘lousy’ but that too is likely to appeal to readers who prefer their heroines with modern foibles.
To add to the modernity, she reigns over a palace at Indraprastha which is equipped with an elevator and also with a solar panelled tower that absorbs sunlight and shines at night. The mix of modern and ancient is intriguing and Dasgupta keeps the intrigue factor high in various ways so that tradition remains comprehensible.
We see Panchali in terms of her relationships with people – Arjun, her severe mother in law Kunti and Bhishma whose grandeur has her mesmerised and with whom she attempts to go back in time to understand the reason behind his vow. Again those aware, as Bhishma is aware, will know that her sister Shikhandini will destroy Bhishma in another gender role – however we only hear later that Shikhandini starts to wear armour and calls herself Shikhandi rather than any further delving. Krishna’s relationship with Draupadi, who is also known as Krishnaa because of her dark skin, is a mysterious connect between two souls. And there is Karn, the man who was banned from competing for her swayamvar. She is a woman who admires male beauty and is passionate in her descriptions though her other husbands do not seem to inspire her.
The balancing act with five husbands as a result of Kunti’s slip of tongue is explained through the fact that the five Pandavs are the five elements of one soul and therefore the reason for the marriage division. Dasgupta’s is a subtle subjective narrative which keeps Draupadi at arm’s length while making her appealing. The crux of the story is of course the violence that follows the game of dice and the disrobing which is detailed but at the same time kept subtle when it comes to Krishna’s intervention, restricted to the waves in Draupadi’s mind rather than the visuals shown in the ever popular Mahabharata TV serial. One piece of interesting information is the attempted intervention by the youngest Kaurav brother, something that is not usually pointed out. This is followed by Kunti facing the council and sweeping her daughter in law away – underlining again the contrasts between the two women.
What is unclear perhaps is the concept of the Evil that Dasgupta introduces. Who the Evil is, barring the Kauravas and the Takshak of the Nagas and what makes them evil requires some more fleshing out – lustfulness and greed are the key factors pointed out. The Mahabharata is in the end a struggle between Dharma and Adharma with Draupadi, daughter of fire, Agni’s arrow that triggers the conflict.
To add to the modernity, she reigns over a palace at Indraprastha which is equipped with an elevator and also with a solar panelled tower that absorbs sunlight and shines at night. The mix of modern and ancient is intriguing and Dasgupta keeps the intrigue factor high in various ways so that tradition remains comprehensible.
We see Panchali in terms of her relationships with people – Arjun, her severe mother in law Kunti and Bhishma whose grandeur has her mesmerised and with whom she attempts to go back in time to understand the reason behind his vow. Again those aware, as Bhishma is aware, will know that her sister Shikhandini will destroy Bhishma in another gender role – however we only hear later that Shikhandini starts to wear armour and calls herself Shikhandi rather than any further delving. Krishna’s relationship with Draupadi, who is also known as Krishnaa because of her dark skin, is a mysterious connect between two souls. And there is Karn, the man who was banned from competing for her swayamvar. She is a woman who admires male beauty and is passionate in her descriptions though her other husbands do not seem to inspire her.
The balancing act with five husbands as a result of Kunti’s slip of tongue is explained through the fact that the five Pandavs are the five elements of one soul and therefore the reason for the marriage division. Dasgupta’s is a subtle subjective narrative which keeps Draupadi at arm’s length while making her appealing. The crux of the story is of course the violence that follows the game of dice and the disrobing which is detailed but at the same time kept subtle when it comes to Krishna’s intervention, restricted to the waves in Draupadi’s mind rather than the visuals shown in the ever popular Mahabharata TV serial. One piece of interesting information is the attempted intervention by the youngest Kaurav brother, something that is not usually pointed out. This is followed by Kunti facing the council and sweeping her daughter in law away – underlining again the contrasts between the two women.
What is unclear perhaps is the concept of the Evil that Dasgupta introduces. Who the Evil is, barring the Kauravas and the Takshak of the Nagas and what makes them evil requires some more fleshing out – lustfulness and greed are the key factors pointed out. The Mahabharata is in the end a struggle between Dharma and Adharma with Draupadi, daughter of fire, Agni’s arrow that triggers the conflict.
November 27, 2023
Name : Draupadi
Author : Koral Dasgupta
Genre : Feminist mythological retelling
🏅
My 💭 :
Ah another Koral Dasgupta gem! Her writing never fails to wow me. Never. 🙌
Draupadi is the third installment of her Sati series. I am reading the series in order, as you guys know. But tbh, I was excited to read Draupadi's story the most. She's the only Sati who's life is somewhat of a common knowledge to all of us, Indians. So I was very much looking forward to see the author's magic on Draupadi's story.
I loved how the timelines were portrayed from Draupadi's contemplations in this book. Most of her life, the life she wants to be remembered by, gets revealed to us only in form of her memories and thoughts. It made me think. Isn't that how most of us remember Draupadi now? The woman who was disrobed by the evil and her wrath brought upon the destruction of the evil. Yes, her vengeance at the end felt colossal to read, almost like witnessing goddess Kali taking the form of her. But her parting wish was to be remembered as the woman who loved to love and live and bring upon happiness. It's not everyone who can melt the rigid Bhishma with their understanding and acceptance.
I know the Kauravas are the villains of the story, but there were so many other 'good' men standing quiet in the face of dishonour. What is it with men and honour? Even the Pandavas. Why participate in something that you know will cost you your beloved's dignity? I'll tell you what, ego. Men have a strong repulsion to losing, even if it costs them everything.
Indra, as usual, is present in this book as well, like the previous 2 books in this series. But to me, here Krishna's presence overpowered the former's. As Indra explained, he is impulse and Krishna is conscience and mostly, they are at odds with each other. Isn't that so relevant for us also? I am constantly made to choose between what I want and what I should. Sadly, it seems, for me, I'm letting my impulses win mostly, belittling my conscience. I'll try my hardest to let my conscience win from now on.
How is it that the Sati Series is having such a spiritual effect on me? Being a devout feminist, I enjoy reading about prominent women characters' lives untainted by men's voices. But more than that, their thoughts and ideologies are having a profound effect on my soul, I can feel it right now. I am just having this realisation after reading this book, what if Krishna is nothing but our soul?..... I am definitely going to start reading Bhagavad Gita. I feel like I am ready.
P.S. I had NO idea that our Hindu mythology has transgender characters. So many things were hidden in plain view, but we missed. Male narrative is simply not for me anymore. Kudos to the author for removing the curtain from the LGBQT characters in our mythology 🙌.
Thank you Koral Dasgupta for writing this series, honestly. This is a must read for today's disillusioned generation.
Author : Koral Dasgupta
Genre : Feminist mythological retelling
🏅
My 💭 :
Ah another Koral Dasgupta gem! Her writing never fails to wow me. Never. 🙌
Draupadi is the third installment of her Sati series. I am reading the series in order, as you guys know. But tbh, I was excited to read Draupadi's story the most. She's the only Sati who's life is somewhat of a common knowledge to all of us, Indians. So I was very much looking forward to see the author's magic on Draupadi's story.
I loved how the timelines were portrayed from Draupadi's contemplations in this book. Most of her life, the life she wants to be remembered by, gets revealed to us only in form of her memories and thoughts. It made me think. Isn't that how most of us remember Draupadi now? The woman who was disrobed by the evil and her wrath brought upon the destruction of the evil. Yes, her vengeance at the end felt colossal to read, almost like witnessing goddess Kali taking the form of her. But her parting wish was to be remembered as the woman who loved to love and live and bring upon happiness. It's not everyone who can melt the rigid Bhishma with their understanding and acceptance.
I know the Kauravas are the villains of the story, but there were so many other 'good' men standing quiet in the face of dishonour. What is it with men and honour? Even the Pandavas. Why participate in something that you know will cost you your beloved's dignity? I'll tell you what, ego. Men have a strong repulsion to losing, even if it costs them everything.
Indra, as usual, is present in this book as well, like the previous 2 books in this series. But to me, here Krishna's presence overpowered the former's. As Indra explained, he is impulse and Krishna is conscience and mostly, they are at odds with each other. Isn't that so relevant for us also? I am constantly made to choose between what I want and what I should. Sadly, it seems, for me, I'm letting my impulses win mostly, belittling my conscience. I'll try my hardest to let my conscience win from now on.
How is it that the Sati Series is having such a spiritual effect on me? Being a devout feminist, I enjoy reading about prominent women characters' lives untainted by men's voices. But more than that, their thoughts and ideologies are having a profound effect on my soul, I can feel it right now. I am just having this realisation after reading this book, what if Krishna is nothing but our soul?..... I am definitely going to start reading Bhagavad Gita. I feel like I am ready.
P.S. I had NO idea that our Hindu mythology has transgender characters. So many things were hidden in plain view, but we missed. Male narrative is simply not for me anymore. Kudos to the author for removing the curtain from the LGBQT characters in our mythology 🙌.
Thank you Koral Dasgupta for writing this series, honestly. This is a must read for today's disillusioned generation.
November 5, 2022
I have received this book from Indic Book club for winning a giveaway. 'Draupadi' is the third book of the very intriguing Sati Series by Koral Dasgupta.
Blurb:
THE THIRD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend. Yet what do we really know of the fire-born queen’s dreams? What were her true desires?
In Koral Dasgupta’s thrilling new interpretation, Draupadi’s interior story, often relegated to the margins, is vividly foregrounded – from her unique friendship with Krishna, unconventional marriage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home. Bold, intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
***
In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from the Hindu epics and reinvents them with a feminist consciousness.
Review:
After 'Kunti' , this is the second bookof Koral Dasgupta that I have read. The first thing that is very notable in the book is Koral's very lyrical writing style. It is almost like reading a poetry that will get you into a trance. That alone can demand three of the four stars. Story wise, you will be a bit lost if you have no preliminary knowledge of the Mahabharata. Honestly I have enjoyed the book as much as I did mainly as an ardent Mahabharat lover. Also I found a huge chunk of Draupadi's life to be missing in the book that is supposed to be telling 'Draupadi's interior story', especially her post war trauma of such a huge loss. We didn't get to see her rebuild a broken war trodden kingdom along with her husbands. Personally I would love Koral Ma'am's inside on that especially as unlike almost every other woman in our epics, Draupadi as a woman seems more of a Queen than a mother, a wife, a daughter or a sister. The ending of the book left me thirsting for more. Another point I would like to mention is the occasional indecisive phases Draupadi has gone through in the book. Throughout the Mahabharata, she had been very clear to herself about what she wanted whether the decision was always wise or not. Regardless, it has been an enjoyable read. Go for it without a hesitation if you love The Mahabharata and its heroine.
PS. Koral Dasgupta's portrayal of Kunti in this book also impressed me a lot. Absolutely loved Kunti in here (even more that Draupadi herself :-p). Most authors now a days does such an injustice to her that it felt like a breeze of fresh air. Having a mother -in-law like Kunti and a friend like Krishna were probably the two greatest blessings Draupadi had in her life full of sufferings.
Blurb:
THE THIRD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend. Yet what do we really know of the fire-born queen’s dreams? What were her true desires?
In Koral Dasgupta’s thrilling new interpretation, Draupadi’s interior story, often relegated to the margins, is vividly foregrounded – from her unique friendship with Krishna, unconventional marriage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home. Bold, intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
***
In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from the Hindu epics and reinvents them with a feminist consciousness.
Review:
After 'Kunti' , this is the second bookof Koral Dasgupta that I have read. The first thing that is very notable in the book is Koral's very lyrical writing style. It is almost like reading a poetry that will get you into a trance. That alone can demand three of the four stars. Story wise, you will be a bit lost if you have no preliminary knowledge of the Mahabharata. Honestly I have enjoyed the book as much as I did mainly as an ardent Mahabharat lover. Also I found a huge chunk of Draupadi's life to be missing in the book that is supposed to be telling 'Draupadi's interior story', especially her post war trauma of such a huge loss. We didn't get to see her rebuild a broken war trodden kingdom along with her husbands. Personally I would love Koral Ma'am's inside on that especially as unlike almost every other woman in our epics, Draupadi as a woman seems more of a Queen than a mother, a wife, a daughter or a sister. The ending of the book left me thirsting for more. Another point I would like to mention is the occasional indecisive phases Draupadi has gone through in the book. Throughout the Mahabharata, she had been very clear to herself about what she wanted whether the decision was always wise or not. Regardless, it has been an enjoyable read. Go for it without a hesitation if you love The Mahabharata and its heroine.
PS. Koral Dasgupta's portrayal of Kunti in this book also impressed me a lot. Absolutely loved Kunti in here (even more that Draupadi herself :-p). Most authors now a days does such an injustice to her that it felt like a breeze of fresh air. Having a mother -in-law like Kunti and a friend like Krishna were probably the two greatest blessings Draupadi had in her life full of sufferings.
October 11, 2022
Draupadi by Koral Dasgupta sheds light on the life of Draupadi from a narrative which is not really intangible to be seen or heard of, but rather is mostly neglected. It's the call to put forth what, why and when changed within her when the universe on the outside changed.
Draupadi, Yagnaseni, Panchali, Krishnaa - these names aren't merely just names but to what I understand are her personalities or identities that she carries with her with utmost grace, obligated to her duties and land.
I'm stunned by how crisp this book is and at the same time how the past and the present in the storyline is intertwined. And hats off to the author for writing the book in the form of "I".
This book not only makes you know who she was but also who she finally became to be. From a daughter, a wife, a Queen, a mother and finally as the prophecy had declared a weapon to the destruction, but amidst of this she was always searching for who was she really and by the end she realises that all of this that she was or wanted to know of once didn't matter now.
"𝙎𝙖𝙩𝙞, 𝙩𝙝𝙚 𝙤𝙣𝙚 𝙬𝙝𝙤 𝙞𝙨 𝙥𝙪𝙧𝙚 𝙖𝙣𝙙 𝙧𝙚𝙨𝙤𝙡𝙪𝙩𝙚, 𝙛𝙚𝙖𝙧𝙡𝙚𝙨𝙨 𝙖𝙣𝙙 𝙡𝙞𝙗𝙚𝙧𝙖𝙩𝙚𝙙, 𝙡𝙤𝙮𝙖𝙡 𝙮𝙚𝙩 𝙨𝙤𝙫𝙚𝙧𝙚𝙞𝙜𝙣."
Draupadi was a Sati and her relationships made her who she was to be. The relationship that Draupadi and Kunti shared was no less than that of bestfriends even though Kunti was her Mother-in-law. They had their differences and yet, Kunti had her wisdom rubbed on Draupadi. While there is one more relation that I was really fascinated to know, it was the bond Bhishma (Devavrat) shared with Draupadi, there's subtle calmness and innocence in the way these come together and how their conversations unfold. And with that being said, she was Arjun's beloved and Krishna's muse and for everyone else, she was a fantasy.
Honestly, after completing the book I was taken a back to something that the author has put forth in the prologue where Draupadi says, "I sympathize with these storytellers. Innumerable words would fill up their blank pages in a rigorous attempt to affix my identity." And I still wonder whether was it really Draupadi refering to her identity or was it the identity of the any women in the world back then or today, just trying to figure out who they are meant to be.
Honestly, after completing the book I was taken a back to something that the author has put forth in the prologue where Draupadi says, "I sympathize with these storytellers. Innumerable words would fill up their blank pages in a rigorous attempt to affix my identity." And I still wonder whether was it really Draupadi refering to her identity or was it the identity of the any women in the world back then or today, just trying to figure out who they are meant to be.
I will highly vouch for this book to be read!
Draupadi, Yagnaseni, Panchali, Krishnaa - these names aren't merely just names but to what I understand are her personalities or identities that she carries with her with utmost grace, obligated to her duties and land.
I'm stunned by how crisp this book is and at the same time how the past and the present in the storyline is intertwined. And hats off to the author for writing the book in the form of "I".
This book not only makes you know who she was but also who she finally became to be. From a daughter, a wife, a Queen, a mother and finally as the prophecy had declared a weapon to the destruction, but amidst of this she was always searching for who was she really and by the end she realises that all of this that she was or wanted to know of once didn't matter now.
"𝙎𝙖𝙩𝙞, 𝙩𝙝𝙚 𝙤𝙣𝙚 𝙬𝙝𝙤 𝙞𝙨 𝙥𝙪𝙧𝙚 𝙖𝙣𝙙 𝙧𝙚𝙨𝙤𝙡𝙪𝙩𝙚, 𝙛𝙚𝙖𝙧𝙡𝙚𝙨𝙨 𝙖𝙣𝙙 𝙡𝙞𝙗𝙚𝙧𝙖𝙩𝙚𝙙, 𝙡𝙤𝙮𝙖𝙡 𝙮𝙚𝙩 𝙨𝙤𝙫𝙚𝙧𝙚𝙞𝙜𝙣."
Draupadi was a Sati and her relationships made her who she was to be. The relationship that Draupadi and Kunti shared was no less than that of bestfriends even though Kunti was her Mother-in-law. They had their differences and yet, Kunti had her wisdom rubbed on Draupadi. While there is one more relation that I was really fascinated to know, it was the bond Bhishma (Devavrat) shared with Draupadi, there's subtle calmness and innocence in the way these come together and how their conversations unfold. And with that being said, she was Arjun's beloved and Krishna's muse and for everyone else, she was a fantasy.
Honestly, after completing the book I was taken a back to something that the author has put forth in the prologue where Draupadi says, "I sympathize with these storytellers. Innumerable words would fill up their blank pages in a rigorous attempt to affix my identity." And I still wonder whether was it really Draupadi refering to her identity or was it the identity of the any women in the world back then or today, just trying to figure out who they are meant to be.
Honestly, after completing the book I was taken a back to something that the author has put forth in the prologue where Draupadi says, "I sympathize with these storytellers. Innumerable words would fill up their blank pages in a rigorous attempt to affix my identity." And I still wonder whether was it really Draupadi refering to her identity or was it the identity of the any women in the world back then or today, just trying to figure out who they are meant to be.
I will highly vouch for this book to be read!
July 16, 2024
3.5
Mixed feelings.
The positive relationship with Kunti, Subhadra, Abhimanyu is nicely documented.
The extended discussion with Maayaasur is fun, unique.
all the characters display distinctively modern outlooks. The patriarchy is the of the level practised in the 1990s India, not consistent with a culture where not only are daughters tokens of political alliance, but also offspring, both son & daughter, been brought into existence for the sole aim of forwarding political vendetta.
Every prominent character seems to be a 21st century woman or man, transplanted into the settings of the Mahabharat. In such a situation, all the wrongdoings have to be explained away as simply personal quirks, till halfway into the book.
the book is imaginative & perky, but at the same time, excessively revisionist & unconvincingly improbable.
Dasgupta seems to have written it with an urban, globalized, & insecure-about-unfamiliar concepts sort of readership in mind.
D is personally free of any personality flaws at all! Kunti, Bheeshm, Drupad all make random nasty decisions "just because" & not because of being unkind, jealous, rigid, vindictive etc, & most definitely not because the social structure at the time puts power play above everything & so ingrained that every man, & many women feel power play to be not just survival instinct, but their own sacred duty! But no. Every character is mysterious & magical, & inscrutable, thus no need to analyse anyone's motives. The situation, strangeness & experience of being "shared" by brothers is inadequately addressed. K gives D old-age mumbo-jumbo about it, & D is not impressed ,but there is no further dialogue, or even introspection!
The book takes a turn for immensely better halfway.
The woke D described by Dasgupta successfully gives voice to the outrage that every woman reading the Mahabharat has felt on behalf of Draupadi.
The vigil of the women again feels 21st century & flowery, but the valiant defender Kunti is welcome.
The way Krishn is depicted makes more sense in the later part of the book & is well developed & cleverly employed. & the conversation with Indra is innovative too.
This is def a book to be read by those who are familiar with an image of Draupadi, & is a very specific & focused view. The starting portion could still have been done better. A mother could have been in picture. Kunti (dealt with in another book), Bheeshm, Arjun, Yudhisthir, most of all, Drupad, never explain themselves & their excesses, (not dealt with anywhere by Dasgupta) & are never confronted by D. D could not have confronted Karn anyway.
Mixed feelings.
The positive relationship with Kunti, Subhadra, Abhimanyu is nicely documented.
The extended discussion with Maayaasur is fun, unique.
all the characters display distinctively modern outlooks. The patriarchy is the of the level practised in the 1990s India, not consistent with a culture where not only are daughters tokens of political alliance, but also offspring, both son & daughter, been brought into existence for the sole aim of forwarding political vendetta.
Every prominent character seems to be a 21st century woman or man, transplanted into the settings of the Mahabharat. In such a situation, all the wrongdoings have to be explained away as simply personal quirks, till halfway into the book.
the book is imaginative & perky, but at the same time, excessively revisionist & unconvincingly improbable.
Dasgupta seems to have written it with an urban, globalized, & insecure-about-unfamiliar concepts sort of readership in mind.
D is personally free of any personality flaws at all! Kunti, Bheeshm, Drupad all make random nasty decisions "just because" & not because of being unkind, jealous, rigid, vindictive etc, & most definitely not because the social structure at the time puts power play above everything & so ingrained that every man, & many women feel power play to be not just survival instinct, but their own sacred duty! But no. Every character is mysterious & magical, & inscrutable, thus no need to analyse anyone's motives. The situation, strangeness & experience of being "shared" by brothers is inadequately addressed. K gives D old-age mumbo-jumbo about it, & D is not impressed ,but there is no further dialogue, or even introspection!
The book takes a turn for immensely better halfway.
The woke D described by Dasgupta successfully gives voice to the outrage that every woman reading the Mahabharat has felt on behalf of Draupadi.
The vigil of the women again feels 21st century & flowery, but the valiant defender Kunti is welcome.
The way Krishn is depicted makes more sense in the later part of the book & is well developed & cleverly employed. & the conversation with Indra is innovative too.
This is def a book to be read by those who are familiar with an image of Draupadi, & is a very specific & focused view. The starting portion could still have been done better. A mother could have been in picture. Kunti (dealt with in another book), Bheeshm, Arjun, Yudhisthir, most of all, Drupad, never explain themselves & their excesses, (not dealt with anywhere by Dasgupta) & are never confronted by D. D could not have confronted Karn anyway.
June 3, 2023
In the mesmerizing tapestry of "Draupadi," author Koral Dasgupta weaves a spellbinding tale that brings to life the beloved character from the epic Mahabharata. Published by Pan Macmillan India, this literary gem effortlessly merges history, mythology, and contemporary sensibilities to create a captivating retelling that will enrapture readers from start to finish.
Dasgupta's masterful storytelling transports us to the ancient world of the Mahabharata, where Draupadi, a pivotal figure in Indian mythology, emerges as a complex and fiercely independent heroine. Through her deft pen, Dasgupta breathes new life into this iconic character, bestowing upon her a voice that resonates with strength, vulnerability, and unwavering determination.
One of the standout features of "Draupadi" is Dasgupta's ability to delve into the emotional depths of her characters, providing a rich and nuanced portrayal of their inner turmoil. Draupadi's struggles, desires, and resilience are palpable, rendering her a relatable and multifaceted protagonist. As readers become intimately acquainted with her hopes, dreams, and fears, they are compelled to accompany her on her arduous journey, forging an unbreakable bond. This blending of the ancient and the modern adds a compelling layer of depth and invites readers to explore the timeless relevance of the Mahabharata in their own lives.
As readers traverse the pages of "Draupadi," they are treated to Dasgupta's lyrical prose, which flows with grace and elegance. Her command over language evokes a myriad of emotions, from the raw intensity of Draupadi's anguish to the quiet moments of introspection that permeate the narrative.
"Draupadi" is a must-read for enthusiasts of mythology, historical fiction, and those seeking a compelling narrative that transcends time and cultural boundaries. Koral Dasgupta's magnum opus is a tour de force that will leave readers enthralled, enlightened, and inspired long after they turn the final page .
Dasgupta's masterful storytelling transports us to the ancient world of the Mahabharata, where Draupadi, a pivotal figure in Indian mythology, emerges as a complex and fiercely independent heroine. Through her deft pen, Dasgupta breathes new life into this iconic character, bestowing upon her a voice that resonates with strength, vulnerability, and unwavering determination.
One of the standout features of "Draupadi" is Dasgupta's ability to delve into the emotional depths of her characters, providing a rich and nuanced portrayal of their inner turmoil. Draupadi's struggles, desires, and resilience are palpable, rendering her a relatable and multifaceted protagonist. As readers become intimately acquainted with her hopes, dreams, and fears, they are compelled to accompany her on her arduous journey, forging an unbreakable bond. This blending of the ancient and the modern adds a compelling layer of depth and invites readers to explore the timeless relevance of the Mahabharata in their own lives.
As readers traverse the pages of "Draupadi," they are treated to Dasgupta's lyrical prose, which flows with grace and elegance. Her command over language evokes a myriad of emotions, from the raw intensity of Draupadi's anguish to the quiet moments of introspection that permeate the narrative.
"Draupadi" is a must-read for enthusiasts of mythology, historical fiction, and those seeking a compelling narrative that transcends time and cultural boundaries. Koral Dasgupta's magnum opus is a tour de force that will leave readers enthralled, enlightened, and inspired long after they turn the final page .
September 27, 2023
"A part of the Sati series, the book delves into the life of one of the most illustrious characters in mythical India. Dasgupta’s portrayal of Draupadi is fearless; it is a piercing voice cutting across the glaring eyes of a steady patriarchal society.
Married to Arjun after a pompous Swayamvar, Draupadi’s life as a new bride was shattered in seconds after her mother-in-law Kunti advised the Pandavas to "share whatever they brought." The demotion from being Arjun’s beloved to being married to five men was the first blow to Draupadi’s spirit.
With time and a few more chapters, the evolution of Draupadi’s character is fiercely visible. As a woman plagued with questions, Draupadi’s inquisitive nature made her question everything. Though she never got answers that quenched her queries, the book’s narrative explains how people around her considered her naïve, except Krishna and Bhishma.
The book describes Krishna as Draupadi’s conscience - a friend with whom she could bare her soul and ask all questions. Krishna was someone who listened to her and advised her. Whether it was a war of words with Kunti or explaining her ‘cruel’ fate, Krishna played a major role in charting Draupadi’s transformation from a newly-wed shy bride to a strong woman standing in the middle of a packed courtroom, promising to bring doom to the clan that humiliated her in public.
Another striking aspect of Draupadi’s story was her relationship with Bhishma. For her, Bhishma was barely the great warrior regarded as one of the most learned men in the land. The narrative continues to trace Draupadi’s thoughts during different situations: meeting Angaraj Karna, standing beside her husbands during the war of Kurukshetra, and understanding the underlying character of all those she misunderstood in the beginning.
Abiding by Krishna’s words of wisdom and patience, Draupadi’s character trajectory has been perfectly captured in the book, and the work is a precious addition to the Sati series."
Married to Arjun after a pompous Swayamvar, Draupadi’s life as a new bride was shattered in seconds after her mother-in-law Kunti advised the Pandavas to "share whatever they brought." The demotion from being Arjun’s beloved to being married to five men was the first blow to Draupadi’s spirit.
With time and a few more chapters, the evolution of Draupadi’s character is fiercely visible. As a woman plagued with questions, Draupadi’s inquisitive nature made her question everything. Though she never got answers that quenched her queries, the book’s narrative explains how people around her considered her naïve, except Krishna and Bhishma.
The book describes Krishna as Draupadi’s conscience - a friend with whom she could bare her soul and ask all questions. Krishna was someone who listened to her and advised her. Whether it was a war of words with Kunti or explaining her ‘cruel’ fate, Krishna played a major role in charting Draupadi’s transformation from a newly-wed shy bride to a strong woman standing in the middle of a packed courtroom, promising to bring doom to the clan that humiliated her in public.
Another striking aspect of Draupadi’s story was her relationship with Bhishma. For her, Bhishma was barely the great warrior regarded as one of the most learned men in the land. The narrative continues to trace Draupadi’s thoughts during different situations: meeting Angaraj Karna, standing beside her husbands during the war of Kurukshetra, and understanding the underlying character of all those she misunderstood in the beginning.
Abiding by Krishna’s words of wisdom and patience, Draupadi’s character trajectory has been perfectly captured in the book, and the work is a precious addition to the Sati series."
February 27, 2024
There are very few books that you read and feel like you are reading poetry instead of prose. If you're diving into "Draupadi: The Sati Series III" by Koral Dasgupta, you are reading one such gem. Dasgupta has created a story telling style where you may feel like you are standing with Draupadi and seeing the world of such times, with your own eyes. You will feel as if you are not reading but seeing the story. That is one of the strongest points of the book. This book shares the rollercoaster ride through the complex layers of Draupadi's life.
One of the standout features of this book is its exploration of human emotion dynamics. Dasgupta fearlessly delves into the challenges faced by Draupadi as a woman as well as a princess/queen. From her forced polyandrous marriage to her fierce defiance in the face of injustice, Draupadi emerges as a symbol of strength and resilience. Whether it's Draupadi's relationship with her husbands or her complex bond with Krishna, Dasgupta weaves together multiple character plotlines, keeping the interest going till the very last page.
Dasgupta is a zen when it comes to writing such a powerful character. Her writing is lyrical most of the times and yet accessible every time. Whether her description of the grandeur of Hastinapur or the emptiness of exile, Dasgupta takes you on a journey that is so immense that you can feel the smell of dust and heat of the sun. To top it, she masterfully takes you to the world of Draupadi through vivid imagery and artistic usage of language.
In conclusion "Draupadi: The Sati Series III" is a book that demands to be read and reread. It really doesn’t matter if you are a fan of mythology or fiction or any other genre, this book is sure to captivate your imagination. So grab a copy and start, you won’t be disappointed.
One of the standout features of this book is its exploration of human emotion dynamics. Dasgupta fearlessly delves into the challenges faced by Draupadi as a woman as well as a princess/queen. From her forced polyandrous marriage to her fierce defiance in the face of injustice, Draupadi emerges as a symbol of strength and resilience. Whether it's Draupadi's relationship with her husbands or her complex bond with Krishna, Dasgupta weaves together multiple character plotlines, keeping the interest going till the very last page.
Dasgupta is a zen when it comes to writing such a powerful character. Her writing is lyrical most of the times and yet accessible every time. Whether her description of the grandeur of Hastinapur or the emptiness of exile, Dasgupta takes you on a journey that is so immense that you can feel the smell of dust and heat of the sun. To top it, she masterfully takes you to the world of Draupadi through vivid imagery and artistic usage of language.
In conclusion "Draupadi: The Sati Series III" is a book that demands to be read and reread. It really doesn’t matter if you are a fan of mythology or fiction or any other genre, this book is sure to captivate your imagination. So grab a copy and start, you won’t be disappointed.
October 30, 2022
Title: Draupadi
Author: Koral Dasgupta
Publisher: PanMacmillan India
No. Of Pages: 236
Cover Design: Misha Oberoi
Rating: 🌟🌟🌟🌟.5/5
Draupadi, the third book of the Sati Series by Koral Dasgupta is a retelling of Draupadi's story from a different perspective.
Mahabharata, one of the greatest epics of India, which is also known as "the longest epic poem" and has been described as "the longest poem ever written": the greatest war between Kaurava and Pandava. But what about the women of Mahabharata? The women who were always affected by this conflict?
Draupadi is one of the main female protagonists of Mahabharata and played a significant role. The Panchal princess and Drupad kanya Draupadi who was born from fire, later became the queen of Indraprastha. She has fulfilled all her responsibilities as a daughter, as a wife, as a queen, as a mother and so on. She has embraced all her identities with extreme elegance. But fate was not always fair to her. She was not blessed with all the things she wanted from her life, instead she had to go through humiliation and brutality. Yet, no evil could take away her honour and wisdom from her and that's what makes her heroic and timeless.
The author has portrayed the pious bonding between Draupadi and Mother Kunti magnificently, which is often misunderstood. She has also depicted the authenticity of Krishna and Draupadi relationship elegantly.
This book is a piece of art I must say. I'm mesmerized by the narration as it's so lyrical and poetic. I'm grateful to the author for presenting us with this exquisite book. The phenomenal journey of reading this book will be cherished forever in my heart. And the cover! It looks stunning!
I will be looking forward to Koral Dasgupta's upcoming works!
Author: Koral Dasgupta
Publisher: PanMacmillan India
No. Of Pages: 236
Cover Design: Misha Oberoi
Rating: 🌟🌟🌟🌟.5/5
Draupadi, the third book of the Sati Series by Koral Dasgupta is a retelling of Draupadi's story from a different perspective.
Mahabharata, one of the greatest epics of India, which is also known as "the longest epic poem" and has been described as "the longest poem ever written": the greatest war between Kaurava and Pandava. But what about the women of Mahabharata? The women who were always affected by this conflict?
Draupadi is one of the main female protagonists of Mahabharata and played a significant role. The Panchal princess and Drupad kanya Draupadi who was born from fire, later became the queen of Indraprastha. She has fulfilled all her responsibilities as a daughter, as a wife, as a queen, as a mother and so on. She has embraced all her identities with extreme elegance. But fate was not always fair to her. She was not blessed with all the things she wanted from her life, instead she had to go through humiliation and brutality. Yet, no evil could take away her honour and wisdom from her and that's what makes her heroic and timeless.
The author has portrayed the pious bonding between Draupadi and Mother Kunti magnificently, which is often misunderstood. She has also depicted the authenticity of Krishna and Draupadi relationship elegantly.
This book is a piece of art I must say. I'm mesmerized by the narration as it's so lyrical and poetic. I'm grateful to the author for presenting us with this exquisite book. The phenomenal journey of reading this book will be cherished forever in my heart. And the cover! It looks stunning!
I will be looking forward to Koral Dasgupta's upcoming works!
February 26, 2023
I'm usually not a big fan of reading Mythological fiction but oh boy this book truly changed my mind!!
THIS IS THE 3RD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
We all have heard about the greatest epic of all time the Mahabharata. I have also read a couple of retellings of this epic And honestly most of them didn't stand out to me because I didn't find them that interesting and also the thing that you know captured my mind was how beautifully it is crafted a women driven, women centric plot is exhibited so creatively that it makes the readers read more and more..
I have always gotten fascinated by Draupadi's Character I have found her character exceedingly compelling in the Mahabharata.
What an extremely beautiful knowledgeable,intelligent and Virtuous woman. She is considered as the first feminist of Hindu mythology at that time.
The language is marvellous ,price and elegant.
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend Yet what do we really know of the fire-born queen's dreams? What were her true desires?
In Koral Dasgupta's thrilling new interpretation, Draupadi's interior story, often relegated to the margins, is vividly foregrounded from her unique friendship with Krishna, unconventional manage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home Bold intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
If you are someone who wants to start reading Mythological fiction then I would highly recommend to start with this one.
THIS IS THE 3RD BOOK IN THE EXCEPTIONAL FIVE-PART SATI SERIES BY KORAL DASGUPTA
We all have heard about the greatest epic of all time the Mahabharata. I have also read a couple of retellings of this epic And honestly most of them didn't stand out to me because I didn't find them that interesting and also the thing that you know captured my mind was how beautifully it is crafted a women driven, women centric plot is exhibited so creatively that it makes the readers read more and more..
I have always gotten fascinated by Draupadi's Character I have found her character exceedingly compelling in the Mahabharata.
What an extremely beautiful knowledgeable,intelligent and Virtuous woman. She is considered as the first feminist of Hindu mythology at that time.
The language is marvellous ,price and elegant.
Draupadi is immortalized as the beloved princess of Panchal and the queen of Indraprastha in Indian myth and legend Yet what do we really know of the fire-born queen's dreams? What were her true desires?
In Koral Dasgupta's thrilling new interpretation, Draupadi's interior story, often relegated to the margins, is vividly foregrounded from her unique friendship with Krishna, unconventional manage to the Pandav brothers, to her quirky relationships with Kunti and Bhishma, and her deep passion for building a loving home Bold intimate and immersive, it thrusts the reader straight into the heart and mind of an unforgettable heroine from the Mahabharat, who remains both contemporary and timeless.
If you are someone who wants to start reading Mythological fiction then I would highly recommend to start with this one.
November 19, 2022
Mahabharata, the great Indian epic is one such theme which has been written over and over again by numerous authors. So many POVs have been shared, and so many retellings have been composed. I too have read multiple fiction tales from different viewpoints but it's always Draupadi's character that captivates me.
As a sucker for Indian mythology and a fan of Koral's writing, I was bound to read Draupadi as soon as possible.
Koral is set on a mission to explore the characters of Pancha Kanyas which are scarcely talked about.
In her latest book, Koral explores the character of Draupadi and shares her journey, desires, and relationships with her five husbands, mother-in-law, Granduncle Bhishma and Krishna. And among all the relationships shared, I like the one with Kunti. In almost every retelling, you will find the relationship between the two ladies daunting, they never go parallel with each other but in Koral's retelling, the relationship between the two was harmonious and it was Kunti who provided strength to Draupadi in her hard time.
No matter how many times, I read Mahabharata's retelling, the scene where Draupadi was ripped off in front of the entire court always makes me cry and left me wondering why this world is this cruel, why it's always a woman who has to pay for the wrongdoings of a man?
If I have to talk about the writing style or narration then I'll only say that Koral's lyrical narration left me mesmerized and I love this book more than the previous two.
If you too are a mythological fiction fan and want to read Draupadi's story from a different angle then do give this book a read.
As a sucker for Indian mythology and a fan of Koral's writing, I was bound to read Draupadi as soon as possible.
Koral is set on a mission to explore the characters of Pancha Kanyas which are scarcely talked about.
In her latest book, Koral explores the character of Draupadi and shares her journey, desires, and relationships with her five husbands, mother-in-law, Granduncle Bhishma and Krishna. And among all the relationships shared, I like the one with Kunti. In almost every retelling, you will find the relationship between the two ladies daunting, they never go parallel with each other but in Koral's retelling, the relationship between the two was harmonious and it was Kunti who provided strength to Draupadi in her hard time.
No matter how many times, I read Mahabharata's retelling, the scene where Draupadi was ripped off in front of the entire court always makes me cry and left me wondering why this world is this cruel, why it's always a woman who has to pay for the wrongdoings of a man?
If I have to talk about the writing style or narration then I'll only say that Koral's lyrical narration left me mesmerized and I love this book more than the previous two.
If you too are a mythological fiction fan and want to read Draupadi's story from a different angle then do give this book a read.
November 22, 2024
When we think of Draupadi, the first image that often comes to mind is her *Chirharan*, a moment of humiliation that defines much of her story. However, Koral Das Gupta's *Draupadi* reveals so much more about this remarkable woman. Beyond being a daughter, a wife to the Pandavas, and a daughter-in-law, the book showcases her fierce intelligence and strength.
The author explores various facets of Draupadi's character, including her deep friendship with Bhishma and her loving yet candid relationship with Kunti. She is portrayed not just as a victim of her circumstances but as a fierce warrior who stands up for herself and those she loves. We also get to know Draupadi’s thoughts and feelings, revealing her insecurities and desires as she grapples with her identity.
From her extraordinary birth to her *swayamvar*, her feelings towards Karna, and her intuition about the Kauravas' sinister intentions, every aspect of her life is beautifully woven together. The book thoughtfully examines themes of gender, power, and resilience, highlighting the struggles women faced in ancient times and Draupadi's defiance against societal norms. Her journey is about not just surviving hardships but also discovering her voice and strength, making her a symbol of courage for modern readers.
The standout moments for me were her conversations with Krishna, her friendship with Bhishma, and her bittersweet relationship with Karna. The lush writing immerses readers in ancient times with vivid descriptions.
Having started with this book, I’m now excited to explore the rest of the Sati series.
The author explores various facets of Draupadi's character, including her deep friendship with Bhishma and her loving yet candid relationship with Kunti. She is portrayed not just as a victim of her circumstances but as a fierce warrior who stands up for herself and those she loves. We also get to know Draupadi’s thoughts and feelings, revealing her insecurities and desires as she grapples with her identity.
From her extraordinary birth to her *swayamvar*, her feelings towards Karna, and her intuition about the Kauravas' sinister intentions, every aspect of her life is beautifully woven together. The book thoughtfully examines themes of gender, power, and resilience, highlighting the struggles women faced in ancient times and Draupadi's defiance against societal norms. Her journey is about not just surviving hardships but also discovering her voice and strength, making her a symbol of courage for modern readers.
The standout moments for me were her conversations with Krishna, her friendship with Bhishma, and her bittersweet relationship with Karna. The lush writing immerses readers in ancient times with vivid descriptions.
Having started with this book, I’m now excited to explore the rest of the Sati series.
October 17, 2022
Paperback
Pages- 236 pages
Author- Koral Dasgupta
Genre- #mythology
Draupadi is the 3rd book of Sati Series after Ahalya & Kunti by Koral Dasgupta.
The Series is meant to draw attention of readers towards a part of the journey if these legendary women, which are always grossly overlooked. The books presents an inclusive overview not only of protagonists story but also dives deep into supresed pain of those around them.
Draupadi was the heroic, bold & impressive princess of Hindu epic, the Mahabharata.
Draupadi has also been refereed to as Krishnaa, Panchali, Yagnaseni in this book.
The story of Draupadi is far more complicated as it also shines light on the social reactions from generations regarding crimes against women.
From a daughter, a wife, a Queen, a mother & finally as the prophecy she carried utmost grace, obligated to her duties & land.
Here, in this book many a things about Draupadi which aren't focused are described by the author. This book unfolds some warm reactions of Draupadi too, friendship between Draupadi & Krishna & a formal yet a warm relationship with Kunti, her mother-in-law, who taught wisdom to Draupadi, & another relation Bhishma, Grandfather shared with Draupadi.
All throughout process Draupadi remained both contemporary & timeless.
Would anyone ever know that Draupadi wanted from her life was home & happiness.?
If you're in mythology, this book is a must to grab, as it unfolds many a things about Draupadi.
Can't wait to read other books of this series.!!!
Pages- 236 pages
Author- Koral Dasgupta
Genre- #mythology
Draupadi is the 3rd book of Sati Series after Ahalya & Kunti by Koral Dasgupta.
The Series is meant to draw attention of readers towards a part of the journey if these legendary women, which are always grossly overlooked. The books presents an inclusive overview not only of protagonists story but also dives deep into supresed pain of those around them.
Draupadi was the heroic, bold & impressive princess of Hindu epic, the Mahabharata.
Draupadi has also been refereed to as Krishnaa, Panchali, Yagnaseni in this book.
The story of Draupadi is far more complicated as it also shines light on the social reactions from generations regarding crimes against women.
From a daughter, a wife, a Queen, a mother & finally as the prophecy she carried utmost grace, obligated to her duties & land.
Here, in this book many a things about Draupadi which aren't focused are described by the author. This book unfolds some warm reactions of Draupadi too, friendship between Draupadi & Krishna & a formal yet a warm relationship with Kunti, her mother-in-law, who taught wisdom to Draupadi, & another relation Bhishma, Grandfather shared with Draupadi.
All throughout process Draupadi remained both contemporary & timeless.
Would anyone ever know that Draupadi wanted from her life was home & happiness.?
If you're in mythology, this book is a must to grab, as it unfolds many a things about Draupadi.
Can't wait to read other books of this series.!!!
October 5, 2022
𝘿𝙧𝙖𝙪𝙥𝙖𝙙𝙞 𝙗𝙮 𝙆𝙤𝙧𝙖𝙡 𝘿𝙖𝙨𝙜𝙪𝙥𝙩𝙖
Day 8, Book Tour of "Draupadi" 3ʳᵈ Book in the series
🔶 Draupadi - Innumerable words would fill up their blank pages in a rigorous attempt to affix her identity. The queen of Indraprastha. Princess of Panchal. Daughter of Dhrupad. Arjun's beloved. Kunti's protege. Bhishma's darling. Krishna's muse. An ultimatum for Evil. A fantasy for everyone else.
What's the truth !? I guess we never know as it happened when we weren't there so it's all ancient to us now. Though as time passes the flow of information gets influenced by a lot of people and their prejudice, that is how it ends up various getting narratives in each era and that's how it is.
🔶 Throughout this series Koral Dasgupta draws attention towards a part of the journey of these legendary women, which has been grossly overlooked. The identities that have been imposed by people through their own bias, resulting in various narrations of their stories.
📌 I really loved the feel of this book in my hand. It's over 200 pages but doesn't really feel lengthy. I admire the way the ancient tale is presented with a unique approach of characters and aspects of the person in focus here, and also the strong message to see things with an unaltered perception.
📌A short yet significant read with a bit poetic and philosophical touch. If the above suits you well and you want to see things with an unadulterated lens then this is your cue.
Day 8, Book Tour of "Draupadi" 3ʳᵈ Book in the series
🔶 Draupadi - Innumerable words would fill up their blank pages in a rigorous attempt to affix her identity. The queen of Indraprastha. Princess of Panchal. Daughter of Dhrupad. Arjun's beloved. Kunti's protege. Bhishma's darling. Krishna's muse. An ultimatum for Evil. A fantasy for everyone else.
What's the truth !? I guess we never know as it happened when we weren't there so it's all ancient to us now. Though as time passes the flow of information gets influenced by a lot of people and their prejudice, that is how it ends up various getting narratives in each era and that's how it is.
🔶 Throughout this series Koral Dasgupta draws attention towards a part of the journey of these legendary women, which has been grossly overlooked. The identities that have been imposed by people through their own bias, resulting in various narrations of their stories.
📌 I really loved the feel of this book in my hand. It's over 200 pages but doesn't really feel lengthy. I admire the way the ancient tale is presented with a unique approach of characters and aspects of the person in focus here, and also the strong message to see things with an unaltered perception.
📌A short yet significant read with a bit poetic and philosophical touch. If the above suits you well and you want to see things with an unadulterated lens then this is your cue.
December 27, 2023
"A great war doesn't take place on an opportune day because a troupe of gallant warriors are waiting for an assignment. It builds over time, involving dynasties with overlapping obstacles that lead to a deadlock."
Book - Draupadi
Author - Koral Dasgupta
Pages - 226
Published - September 22 2022
⭐⭐⭐⭐⭐/5
One of the most important characters of the Mahabharata, Draupadi is often depicted as to what happened to her in the game of dice. In Koral Dasgupta's version, Draupadi is more: she is her friendship with Krishna, her relationship with Kunti and Bhishma, her love for Arjun.
Writing about a character who has had so much representation in retellings isn't easy but Dasgupta makes it look like child's play. She treads upon carefully the life of Draupadi, her shock to being revealed that she would have to marry the five Pandav brothers, and what she seeks in Hastinapur.
The writing is beautiful, something I've been saying for Koral Dasgupta in all of her previous works.
The story builds up in its own sweet time and just like the rest of the books of Sari series, end with a revelation of the protagonist. Here too, Indra plays a major role and it makes me think that Indra is the actual one Koral Dasgupta is writing about, these women being the common link with him throughout Yugas.
Another beautiful installment of the Sari series, Draupadi by Koral Dasgupta brings out the rage Panchali has held within her, as well as her confusion, love, and calm.
Book - Draupadi
Author - Koral Dasgupta
Pages - 226
Published - September 22 2022
⭐⭐⭐⭐⭐/5
One of the most important characters of the Mahabharata, Draupadi is often depicted as to what happened to her in the game of dice. In Koral Dasgupta's version, Draupadi is more: she is her friendship with Krishna, her relationship with Kunti and Bhishma, her love for Arjun.
Writing about a character who has had so much representation in retellings isn't easy but Dasgupta makes it look like child's play. She treads upon carefully the life of Draupadi, her shock to being revealed that she would have to marry the five Pandav brothers, and what she seeks in Hastinapur.
The writing is beautiful, something I've been saying for Koral Dasgupta in all of her previous works.
The story builds up in its own sweet time and just like the rest of the books of Sari series, end with a revelation of the protagonist. Here too, Indra plays a major role and it makes me think that Indra is the actual one Koral Dasgupta is writing about, these women being the common link with him throughout Yugas.
Another beautiful installment of the Sari series, Draupadi by Koral Dasgupta brings out the rage Panchali has held within her, as well as her confusion, love, and calm.
Displaying 1 - 30 of 65 reviews