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The Plot Against America
In an astonishing feat of narrative invention, our most ambitious novelist imagines an alternate version of American history. In 1940 Charles A. Lindbergh, heroic aviator and rabid isolationist, is elected President. Shortly thereafter, he negotiates a cordial "understanding" with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism.
For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threatens to destroy his small, safe corner of America - and with it, his mother, his father, and his older brother.
For one boy growing up in Newark, Lindbergh's election is the first in a series of ruptures that threatens to destroy his small, safe corner of America - and with it, his mother, his father, and his older brother.
391 pages, Paperback
First published October 5, 2004
About the author
Philip Roth
245 books6,984 followersPhilip Milton Roth was an American novelist and short-story writer. Roth's fiction—often set in his birthplace of Newark, New Jersey—is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its "sensual, ingenious style" and for its provocative explorations of American identity. He first gained attention with the 1959 short story collection Goodbye, Columbus, which won the U.S. National Book Award for Fiction. Ten years later, he published the bestseller Portnoy's Complaint. Nathan Zuckerman, Roth's literary alter ego, narrates several of his books. A fictionalized Philip Roth narrates some of his others, such as the alternate history The Plot Against America.
Roth was one of the most honored American writers of his generation. He received the National Book Critics Circle award for The Counterlife, the PEN/Faulkner Award for Operation Shylock, The Human Stain, and Everyman, a second National Book Award for Sabbath's Theater, and the Pulitzer Prize for American Pastoral. In 2005, the Library of America began publishing his complete works, making him the second author so anthologized while still living, after Eudora Welty. Harold Bloom named him one of the four greatest American novelists of his day, along with Cormac McCarthy, Thomas Pynchon, and Don DeLillo. In 2001, Roth received the inaugural Franz Kafka Prize in Prague.
Roth was one of the most honored American writers of his generation. He received the National Book Critics Circle award for The Counterlife, the PEN/Faulkner Award for Operation Shylock, The Human Stain, and Everyman, a second National Book Award for Sabbath's Theater, and the Pulitzer Prize for American Pastoral. In 2005, the Library of America began publishing his complete works, making him the second author so anthologized while still living, after Eudora Welty. Harold Bloom named him one of the four greatest American novelists of his day, along with Cormac McCarthy, Thomas Pynchon, and Don DeLillo. In 2001, Roth received the inaugural Franz Kafka Prize in Prague.
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Displaying 1 - 30 of 5,542 reviews
February 15, 2020
Breathtaking and highly realistic, The Plot Against America is Philip Roth's vision of an alternative path history could have taken had Charles Lindbergh have not kept his anti-Semitism as a private matter, but (like Mr Trump) brought it into the political arena. In it, Roth features himself as the 6-8 year old narrator seeing the events from a Jewish kid's eyes in Newark. The scenario is Interesting, but what Roth does best is describe the terror and uncertainty of the days during this fictive version of 1940-1942 where the US President proudly wears a medal from Hitler (and in real life, Lindbergh did have one from Göring as Roth points out in the fascinating and exhaustive "real history" postscript) and introduces seemingly innocuous programs that are aimed at destroying the Jewish community. I will not give any spoilers because - even if it is too late before Election Day 2016 to read this - it is an excellent book and I would not want someone to read this review and pass it over. I did not give it five stars because as much as I liked it, it was not the narrative, gorgeous masterpiece that American Pastoral or The Human Stain were. Nonetheless, it is in the high end of the Roth oeuvre which I have discovered over the last few months to be endlessly full of surprises and variety - perhaps more so than most of the other writers I have read. Perhaps the Nobel committee would have gotten a callback had Roth been picked over Zimmerman this year?
I cannot insist enough that this is a critical book to read NOW.
The renaming of Inauguration Day by Drumpf is particularly chilling...and the promotion of Bannon to the National Security Council should scare the shit out of you. And things have just gotten worse over the last nearly three endless painful years.
Here is a recent article from the New Yorker where Roth says that Trump is actually far worse than what he had imagined with Lindbergh. Resist, we must resist.
The clock continues its inexorable ticking towards a devolution of American democracy. Putin is wringing his hands in delight much like Hitler does in Roth's book. However, it looks more like we are heading into a civil war with two sides that have opposing and irreconcilable views of reality. Let's hope we get a happy ending like that of Plot Against America rather than the dismal end of It Can't Happen Here. Time continues to slip by and the world continues to ressemble the hell in Roth's book.
RIP (1933-2018). One of America's literary giants has left us.
I cannot insist enough that this is a critical book to read NOW.
The renaming of Inauguration Day by Drumpf is particularly chilling...and the promotion of Bannon to the National Security Council should scare the shit out of you. And things have just gotten worse over the last nearly three endless painful years.
Here is a recent article from the New Yorker where Roth says that Trump is actually far worse than what he had imagined with Lindbergh. Resist, we must resist.
The clock continues its inexorable ticking towards a devolution of American democracy. Putin is wringing his hands in delight much like Hitler does in Roth's book. However, it looks more like we are heading into a civil war with two sides that have opposing and irreconcilable views of reality. Let's hope we get a happy ending like that of Plot Against America rather than the dismal end of It Can't Happen Here. Time continues to slip by and the world continues to ressemble the hell in Roth's book.
RIP (1933-2018). One of America's literary giants has left us.
March 28, 2024
Israel didn’t exist yet, six million European Jews hadn’t yet ceased to exist, and the local relevance of distant Palestine (under British mandate since the 1918 dissolution by the victorious Allies of the last far-flung provinces of the defunct Ottoman Empire) was a mystery to me…I pledged allegiance to the flag of our homeland every morning at school. I sang of its marvels with my classmates at assembly programs. I eagerly observed its national holidays, and without giving second thought to my affinity for Fourth of July fireworks or the Thanksgiving turkey or the Decoration Day double-header. Our Homeland was America.The three most important things in real estate may be location, location, and location, but when it comes to book reviewing, an argument can certainly be made that the three most important things are timing, timing and timing. A review of this book written in 2004, when the book was published, would have been a lot different from a review written in May, 2017, when Philip Roth’s frightening description of the arrival of fascism in the USA seems to be coming to fruition before our eyes.
Then the Republicans nominated Lindbergh and everything changed.
Philip Roth - image from Salon.com
Since the election of one Donald J Trump, there has been a booming business in books about fascism, with a particular interest in what it might look like here in the USA. There are plenty out there that deal with post apocalypse landscapes, and there is certainly the possibility that those might offer a glimpse into our future. But until Swamp Thing opts to launch, there are somewhat lesser scenarios to be considered. Orwell’s 1984 saw a huge boost in sales after the election. Sinclair Lewis’s ironically titled satire, It Can’t Happen Here, also found a new generation of readers. A more recent addition to the group is Philip Roth’s The Plot Against America. This 2004 tale has a lot of creepy resonance with extant conditions in the USA of 2017. Substitute an Islamic family today for the Jewish one in Roth’s alt-world to make it really vibrate.
John Turturro as Rabbi Lionel Bengelsdorf - image from IMDB
Roth was inspired to write the book when he read in Arthur Schlesinger’s autobiography that the more lunatic fringe of the Republican Party had wanted Lindbergh to run. The Plot Against America is an alternate reality scenario in which the GOP does indeed nominate the wildly popular Charles Lindbergh to run against FDR in Roosevelt’s 1940 attempt to gain a third term. Flogging a simplistic isolationist policy (Vote for Lindbergh or Vote for War), Lucky Lindy is elected. [One could argue that Hilary was running for Obama’s third term, so there is a bit of match-up there. And you can’t get much more isolationist than promising to build a wall, so a larger matchup in that.]
As with the real Lindbergh, the fictional one has a soft spot for the new regime in Germany. [See Trumpian affection for Putin] President Lindbergh does all he can to back the USA away from involvement in the European War, refusing to provide aid to Britain in its existential struggle. [See Trump withdrawing Republican support for protecting Ukrainian independence in return for help with getting elected] Lindy promotes the America First slogan as part of his isolationist inclinations. [Swamp Thing, tone deaf to the fascistic DNA of the expression, repurposed it to a less focused general feel-good chant, encompassing, ironically, military expansion and intervention, and a rash of trade policies.] Lindbergh even sees that laws are passed to encourage non-Christians to relocate from their urban concentrations to locations where they would again be in decided minorities. [We’re not there yet. But give it time. Trump is still trying to get past the courts to install a Muslim ban. But the notion of setting up camps is definitely on his mind.] This is not a wonderful thing for the Roth family of Newark, living in a largely Jewish community.
Azhy Robertson as young Philip Levin (renamed from the Roths)
Our narrator is a fictionalized young Philip, commenting on the goings on from a family perspective. How do the changes affect his father, his friends, his relations, his brother, Sandy, his aunt, Evelyn, neighbors and others? Dad is a die-hard American patriot, who happens to be Jewish. (See the introductory quote at top) He insists that the madness of the new regime is a passing thing, and that the more sober leaders of state will rein in the new demagogic leader. [I expect there are many who believed that DJT would be calmly managed by the more establishment sorts in Washington, as there were many in Germany who believed young Adolph might be managed. How’s that workin’ out for ya?]
One thing Roth’s view of the 1940s has that we do not is a central media voice calling out the beast. Walter Winchell is the spoil to Lindy’s autocracy. While there are many voices rising up against Trump in the media, no one has gained the sort of center-stage of opposition that Winchell does here. [Trump tries his best to lump them all together as Fake Media, and they, particularly the Washington Post and NY Times are having a field day exposing DJT’s innumerable screwups and crimes. Well, they used to, anyway. These days (2024) they are both more interested in normalizing outrageous behavior, staying in the both-siderism lane, while alway seeming to find in innocuous news bits omens of a Biden demise. ]
People talk about the possibility of leaving the country for Canada. [Ok, show of hands. How many have given at least some thought to the possible appeal of our great northern neighbor, particularly residents of possible nuke-strike targets, like, say NYC, LA, San Diego, Honolulu? Ok, not so many as I expected, but still a fair number. Brings back warm memories of being subject to the draft during those good old Viet Nam War days.] Some in the story manage to get out.
Roth the author uses the Roth family as his window into various aspects of the national tip rightward. A young relation leaves for Canada, not to flee, but to join up and fight Hitler, to the delight of the Jewish community. Mom’s sister becomes involved with a power-hungry rabbi, a sort of megachurch media-savvy cleric, who aligns with Lindy and allows himself to be used as a shield for the dictator against claims of anti-Semitism. This is, as one might expect, not received warmly in the Roth household. Philip’s older brother, Sandy, is selected by the notorious aunt to participate in a program that places urban (Jewish) youth in distant (Kentucky) farms to give them more of a feel for real America. This was likely inspired by the Nazi Landjahr program in which teens were brought to country camps for a bracing experience of the outdoors, and heavy doses of propaganda. Our friends in Mao’s China did something similar, forcing intellectuals to work on farms as a way of encouraging them to become closer to manual laborers. Sandy comes back tanned and muscled and is made into a poster boy for the program, again, to the family’s dismay. [Maybe the Donald’s version will send kids to R/E developers to learn how to stiff contractors and refuse to house minorities?] We also see many of the elements of fascism that have graced the world’s past; people being kicked out of their jobs for being Jewish; access to services like hotels being denied for the same reason; mindless adoration of the vaunted leader [see any Trump rally, or persistent support from his base in the face of relentless exposure of his traitorous dealings with Russia, and incredibly dishonest dealings with pretty much everyone.] At least Lindbergh had done something worthwhile in his pre-presidential life.
It is easier to comprehend the election of an imaginary President like Charles Lindbergh than an actual President like Donald Trump. Lindbergh, despite his Nazi sympathies and racist proclivities, was a great aviation hero who had displayed tremendous physical courage and aeronautical genius in crossing the Atlantic in 1927. He had character and he had substance and, along with Henry Ford, was, worldwide, the most famous American of his day. Trump is just a con artist. The relevant book about Trump’s American forebear is Herman Melville’s ‘The Confidence-Man,’ the darkly pessimistic, daringly inventive novel—Melville’s last—that could just as well have been called ‘The Art of the Scam.’ ” - Philip Roth from the New Yorker articleBut back to the story itself. It is a novel and if we are not engaged, all the parallels in the world will not matter. So, will it grab you and hold on? Would I tell you it did if it did not? Ok, answering a question with a question. Who does that? Who doesn’t? Fine, whatever. Young Phil is an appealing sort, although not without his self-serving, even criminal flaws, indulging as he does in some decidedly reprehensible behavior. Despite Phil’s shortcomings, Sandy’s cooptation, and Evelyn’s collaboration, the family is shown as decent people, real, relatable, struggling to cope with the creeping horrors of fascism on top of the usual struggles of working class people. Another great strength of the novel is the rich portrait Roth paints of the community in Newark in which the family lives, the neighborhood people, merchants, and plenty of colorful characters. A powerful central image of the story was Phil’s stamp collection, an example of a pure appreciation of something beautiful, that is subjected in his dreams to unspeakable treatment.
My only gripe with the book is that I found the wind-down at the end disappointing, as if, having accomplished what he had set out to do, show what fascism might look like here in the USA and how a Jewish family in America might be affected, there was no need to spend excess energy on plot. But then, he did accomplish what he set out to do, so I guess that counts as a quibble.
Bottom line is that The Plot Against America is a very engaging novel for its characters and plot. But the political resonance with America today gives it a particular zing. And if you still think it can’t happen here, consider that the current president of the USA has systematically fired the US Attorney who was looking into his business dealings, the Acting Attorney General who delivered to him damning intel about his National Security Advisor, and the head of the FBI, the man in charge of investigating DJT’s involvement with Russian hacking of the 2016 presidential election. At some point he will probably fire Robert Mueller, special counsel newly appointed to take over the Russia-gate investigation from former FBI head Comey. And who knows how many more heads will roll before it is all done? Oh, year, and then there was that small matter of directing an insurrection. If you think it can’t happen here, consider the very real question of whether there is any action he can take that will force GOP members of the House of Representatives to vote to impeach Trump. NY Times columnist Thomas Friedman, for one, believes that such a line does not exist, that today’s GOP members have grown so calloused in their partisanship, in their preference for party over country, that they will go along with whatever DJT wants, whatever the cost to our democratic institutions and values. Of course, even when Trump was finally impeached Republican Senators refused to face up to reality and convict. The fascists in Roth’s tale are more ethnically-driven than today’s version, who worship at the altar of business, see tax cuts as a form of Eucharist, and use ethnic hatred and fear of the other as a cynical tool to rev up support for their medieval inclinations. It bloody well can happen here, and it will take national effort and involvement by the American people to keep Philip Roth’s dark vision from becoming reality. Sadly, it has already part-way arrived.
Review first posted – 5/19/17
Published - 10/5/2004
The HBO series was released 3/16/20
5/23/2018 - Philip Roth passed away today, at 85. Here is his obit in the New York Times
=============================EXTRA STUFF
Roth on “Has it Happened Here?” in a January 2017 article in The New Yorker - Philip Roth E-Mails on Trump - by Judith Thurman
Roth on how his love of American literature and America shaped him as a writer - I Have Fallen in Love with American Names
How does Donald Trump stack up against American literature’s fictional dictators? Pretty well, actually.
– By Carlos Lozada
First It’s the Muslims: An Evolution to Dictatorship – by David Crane
The Bund was a German organization in America that supported Hitler. They staged a huge rally in Madison Square Garden and ran Nazi youth camps that were like the LandJahr program being run in Germany
Here is wiki on Landjahr – it is in German but Google translates it nicely to English
Madeline Albright’s book, Fascism: A Warning, is definitely worth a look
-----October 15, 2018 - A nice short video that puts the current danger into historical context - If You’re Not Scared About Fascism in the U.S., You Should Be
-----February 24, 2019 - NY Times - Putin’s One Weapon: The ‘Intelligence State’ - by John Sipher - a former CIA station chief points out the long history of political interference in the West by Moscow
November 19, 2018
Counter-factual historical fiction, in the manner of Robert Harris' Fatherland. In it, Charles Lindbergh, the anti-Semitic aviator and admirer of the Nazis, wins the U.S. presidency by campaigning against FDR on a platform of non-intervention in the European war. I think the novel has special resonance now that a certain demagogic New York "billionaire," known primarily for his nattering narcissism and pathological lying, is licking his mid-term wounds in the Oval Office.
Though at times intricate and compelling, this is not Roth's best work. It's a somewhat uneven performance from the man who gave us the astonishing American Pastoral and the hilarious through-the-roof masterpiece, The Counterlife. But I'd argue that because the result is flatter and more straightforward than usual, one is able to see more plainly the book's structural devices. In his more dazzling works, the technique tends to vanish within the beguiling magic of his prose.
Though at times intricate and compelling, this is not Roth's best work. It's a somewhat uneven performance from the man who gave us the astonishing American Pastoral and the hilarious through-the-roof masterpiece, The Counterlife. But I'd argue that because the result is flatter and more straightforward than usual, one is able to see more plainly the book's structural devices. In his more dazzling works, the technique tends to vanish within the beguiling magic of his prose.
November 12, 2024
I repost this because The New York Times has two of Philip Roth's (RIP) novels on their list of 100 best novels of the 21st century, at the one quarter-century mark: The Human Stain and The Plot Against America. Many Roth fans do not think this is one of his top books, but I do, and it remains very relevant to the rise of fascism in the US and everywhere else.
I have not see the Netflix series based on this book yet.
“Anything can happen to anyone, but it usually doesn't. Except when it does”—Philip Roth, The Plot Against America
The Plot Against America is a must read for our times. A tour de force (and also sort of tour de [dark] farce) that is at turns funny and scary and moving, it is an alternate history novel exploring “what if” isolationist and anti-Semitic aviation hero Charles Lindbergh had actually defeated FDR in 1940, running as he did on an anti-war platform, and had made a pact with Hitler [I know! Why would a major American politician cheer for Hitler?!), whose tyranny—unimpeded by the USA as its new key ally—then continued unabated. Specifically, Roth wonders what effects Lindbergh’s presidency might have had on one (his) actual decidedly Jewish family.
Young Philip, 7, is inspired by his father’s opposition to both Hitler and Lindbergh, as is his cousin Alvy, who actually enlists with The Canadian Army (because Lindbergh fulfills his promise of America First—that nationalism and isolationism—and doesn’t let the US fight Germany) and loses his leg in France, thereby getting Philip’s rich uncles to blame Philip’s father for that, for his even wanting to fight Hitler’s fascism in Europe. Alvy, having fought with Canada, is increasingly harassed as anti-American, for choosing to fight Hitler, who becomes, thanks to Lindbergh, a kind of ally of the US!
One way Lindbergh gets elected is that a prominent New Jersey rabbi argues for Lindbergh and against the war. Lindbergh's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." The focus here is on the better assimilation of Jews in particular. The OAA also later develops the Homestead Act, which helps relocate Jews and other minorities. Sound familiar, Indigenous Americans? Or does it sound a little like deportation or travel bans, in principle? Anyway, Phil’s brother Sandy goes to a farm in Kentucky for the summer, and loves it, becoming for a time aligned with Lindbergh and a spokesperson for the program.
“To have enslaved America with this hocus pocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!”—Philip’s Dad
Sound ridiculous and possibly paranoid? Well, that’s what I initially thought. But it is one storytelling feat to make the basis for the story outlandish, even screwy, and yet on some level make it darkly reasonable and frightening. Could an isolationist, racist fascist become President of the US of A?! Nah, it can’t happen here.
But as Philip’s father says, “What do you mean it can’t happen here? It is happening here!”
Roth weaves in actual forties historical characters throughout. For instance, Walter Winchell, the liberal journalist, remains just as anti-fascist as he was in real life in this version of American forties reality. With the help of Eleanor Roosevelt, Winchell actually becomes the Democratic candidate for President. But when Winchell takes his act on the road to (anti-Semitic) Father Coughlin’s Detroit, America’s Kristallnacht begins, and all hell breaks loose, especially for Jews in America. Fascism reigns, though that’s not the end of the story.
Maybe ultimately this novel is a reminder or rejoinder to Jewish (and other pacifists) who might have once opposed any war against fascism or dictatorships elsewhere. Roth is saying that sometimes war is justified, and the war against Hitler was for him surely justified. And Roth doesn’t really care about Lindbergh. What he cares about is an electorate he sees as awed by media darlings, and moved by simple slogans like America First (both Lindbergh’s and 45's slogan; huh, isn't that interesting?) that allow him to demonize and scapegoat particular minority groups. Disinformation campaigns founded on lies, which we now know were hugely funded by the likes of actual American hero Henry Ford, though none of probably read this in high school history.
The main focus of this tale is really Roth’s Dad, raging against the rise of fascism in America. As Philip says, “There were two types of strong men: those like Uncle Monty and Abe Steinheim, remorseless about their making money, and those like my father, ruthlessly obedient to their idea of fair play.” Roth’s mother is also just as admirable in steadfastly clinging to goodness and caring regardless of what craziness happens. This book has political targets, but it is also a love letter to his good, liberal, working-class parents and other parents like them.
“How can this be happening in America?”—Philip’s mother
Did Roth in 2004 (when the book was published) have in mind a cautionary tale for America’s future? He says no. Here is Roth emailing with The New Yorker that the Lindbergh nightmare fantasy he wrote about is nothing compared to what Trump could be for this country:
http://www.newyorker.com/magazine/201...
“How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination”—Philip’s mother
Related to the possible rise of fascism in this or other countries (take your choice), also read It Can't Happen Here. Read The Resistible Rise of Arturo Ui, which posits a ridiculous clownish, crude and rude Hitler-like gangster rising to power in Chicago, ready to take over the country. Read Rachel Maddow's Prequel. It can’t really happen here, can it?! Who are the crazies rising to or already in power?
I have not see the Netflix series based on this book yet.
“Anything can happen to anyone, but it usually doesn't. Except when it does”—Philip Roth, The Plot Against America
The Plot Against America is a must read for our times. A tour de force (and also sort of tour de [dark] farce) that is at turns funny and scary and moving, it is an alternate history novel exploring “what if” isolationist and anti-Semitic aviation hero Charles Lindbergh had actually defeated FDR in 1940, running as he did on an anti-war platform, and had made a pact with Hitler [I know! Why would a major American politician cheer for Hitler?!), whose tyranny—unimpeded by the USA as its new key ally—then continued unabated. Specifically, Roth wonders what effects Lindbergh’s presidency might have had on one (his) actual decidedly Jewish family.
Young Philip, 7, is inspired by his father’s opposition to both Hitler and Lindbergh, as is his cousin Alvy, who actually enlists with The Canadian Army (because Lindbergh fulfills his promise of America First—that nationalism and isolationism—and doesn’t let the US fight Germany) and loses his leg in France, thereby getting Philip’s rich uncles to blame Philip’s father for that, for his even wanting to fight Hitler’s fascism in Europe. Alvy, having fought with Canada, is increasingly harassed as anti-American, for choosing to fight Hitler, who becomes, thanks to Lindbergh, a kind of ally of the US!
One way Lindbergh gets elected is that a prominent New Jersey rabbi argues for Lindbergh and against the war. Lindbergh's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." The focus here is on the better assimilation of Jews in particular. The OAA also later develops the Homestead Act, which helps relocate Jews and other minorities. Sound familiar, Indigenous Americans? Or does it sound a little like deportation or travel bans, in principle? Anyway, Phil’s brother Sandy goes to a farm in Kentucky for the summer, and loves it, becoming for a time aligned with Lindbergh and a spokesperson for the program.
“To have enslaved America with this hocus pocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!”—Philip’s Dad
Sound ridiculous and possibly paranoid? Well, that’s what I initially thought. But it is one storytelling feat to make the basis for the story outlandish, even screwy, and yet on some level make it darkly reasonable and frightening. Could an isolationist, racist fascist become President of the US of A?! Nah, it can’t happen here.
But as Philip’s father says, “What do you mean it can’t happen here? It is happening here!”
Roth weaves in actual forties historical characters throughout. For instance, Walter Winchell, the liberal journalist, remains just as anti-fascist as he was in real life in this version of American forties reality. With the help of Eleanor Roosevelt, Winchell actually becomes the Democratic candidate for President. But when Winchell takes his act on the road to (anti-Semitic) Father Coughlin’s Detroit, America’s Kristallnacht begins, and all hell breaks loose, especially for Jews in America. Fascism reigns, though that’s not the end of the story.
Maybe ultimately this novel is a reminder or rejoinder to Jewish (and other pacifists) who might have once opposed any war against fascism or dictatorships elsewhere. Roth is saying that sometimes war is justified, and the war against Hitler was for him surely justified. And Roth doesn’t really care about Lindbergh. What he cares about is an electorate he sees as awed by media darlings, and moved by simple slogans like America First (both Lindbergh’s and 45's slogan; huh, isn't that interesting?) that allow him to demonize and scapegoat particular minority groups. Disinformation campaigns founded on lies, which we now know were hugely funded by the likes of actual American hero Henry Ford, though none of probably read this in high school history.
The main focus of this tale is really Roth’s Dad, raging against the rise of fascism in America. As Philip says, “There were two types of strong men: those like Uncle Monty and Abe Steinheim, remorseless about their making money, and those like my father, ruthlessly obedient to their idea of fair play.” Roth’s mother is also just as admirable in steadfastly clinging to goodness and caring regardless of what craziness happens. This book has political targets, but it is also a love letter to his good, liberal, working-class parents and other parents like them.
“How can this be happening in America?”—Philip’s mother
Did Roth in 2004 (when the book was published) have in mind a cautionary tale for America’s future? He says no. Here is Roth emailing with The New Yorker that the Lindbergh nightmare fantasy he wrote about is nothing compared to what Trump could be for this country:
http://www.newyorker.com/magazine/201...
“How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination”—Philip’s mother
Related to the possible rise of fascism in this or other countries (take your choice), also read It Can't Happen Here. Read The Resistible Rise of Arturo Ui, which posits a ridiculous clownish, crude and rude Hitler-like gangster rising to power in Chicago, ready to take over the country. Read Rachel Maddow's Prequel. It can’t really happen here, can it?! Who are the crazies rising to or already in power?
June 24, 2023
Alternative history that almost happened and maybe did happened to some extent. Important but quite boring book. At least for me: I don't like reading such "historical textbook style". And it was hard to comprehend sometimes probably because it's a very American. It was easy to get lost in dozens political names and events. The best thing here is a suspense or perpetual fear, like one of the chapters were titled. The lives and position of this particular Jewish family didn't change in a day and we can see how dictatorship and totalitarizm slowly crawling in everyday lives stealing freedom by small pieces. Very realistic and therefore extremely horrifying.
February 1, 2020
2020 UPDATE The first trailer is out. The miniseries is arriving 16 March.
HBO orders six episodes in November 2018, after almost a year of negotiations.
Damnably timely today, 27 October 2018, after the Tree of Life shooting.
This book should be as high on your TBR as 1984, Animal Farm, Snowball's Chance, and Christian Nation are already. I hope they are, anyway.
2018 UPDATE The book is going to be a miniseries! Huzzah. Now go read the article, because Philip Roth does a 45 takedown that made me guffaw in agony.
Rating: 4* of five
In my quest for article-fodder, I reread this book. I'd forgotten how much I dislike Roth's use of "Philip Roth" as a character, it still feels like a cutesy-poo arched eyebrow and crooked little finger at a tea party given by That Cousin *pursed lips and tiny warning shakes of the head* of Your Father's.
But the election of President Lindbergh didn't so much as raise a hair in my truth-sensitive eyebrows. The slow descent into thuggish public behavior as the new norm, the collective "meh, so what" from those not affected, the disbelieving helplessness of the affected...Roth nailed it. Look around you.
HBO orders six episodes in November 2018, after almost a year of negotiations.
Damnably timely today, 27 October 2018, after the Tree of Life shooting.
This book should be as high on your TBR as 1984, Animal Farm, Snowball's Chance, and Christian Nation are already. I hope they are, anyway.
2018 UPDATE The book is going to be a miniseries! Huzzah. Now go read the article, because Philip Roth does a 45 takedown that made me guffaw in agony.
Rating: 4* of five
In my quest for article-fodder, I reread this book. I'd forgotten how much I dislike Roth's use of "Philip Roth" as a character, it still feels like a cutesy-poo arched eyebrow and crooked little finger at a tea party given by That Cousin *pursed lips and tiny warning shakes of the head* of Your Father's.
But the election of President Lindbergh didn't so much as raise a hair in my truth-sensitive eyebrows. The slow descent into thuggish public behavior as the new norm, the collective "meh, so what" from those not affected, the disbelieving helplessness of the affected...Roth nailed it. Look around you.
May 13, 2019
An alternative blip in history, it melds a terrifying possibility with the timeline of WWII. It’s worth reading and, I liked it. The ending made me think of the sound a phonograph needle would make if you drug it to the right track.
February 7, 2017
My preparedness for the regime change taking place in the United States--with elements of the Electoral College, the Kremlin and the FBI helping to install a failed business promoter who the majority of American voters did not support in the election--ends with The Plot Against America by Philip Roth, an elaborately woven and eerily prognostic alternate history. Published in 2004, the Pulitzer Prize winner supposes that aviator, dinner party anti-Semite and Nazi Party favorite Charles A. Lindbergh wins the Republican Party nomination in 1940. On a platform of "America First" and keeping the U.S.A. out of war, Lindy defies pollsters and denies President Franklin D. Roosevelt a third term. His regime targets a religious minority, in this case, Jews.
The audacious story is the first person account of Philip Roth, who in 1940 really was a seven-year-old postage stamp collector growing up in the Jewish enclave of Weequahic in Newark, New Jersey, where the novel is set. The alternate history Philip has a twelve year old brother named Sandy, a prodigious artist. Their father Herman is a thirty-nine year old insurance agent whose fifty-dollar per week salary pays the bills and little more. Their thirty-six-year-old mother Bess is a tiny woman who manages the household. She shares her husband's ardor for the United States, the Constitution, President Roosevelt, the New Deal and the Democratic Party.
Philip recounts how Charles Lindbergh was once a hero in his neighborhood, following the aviator's historic flight from Long Island to Paris aboard the Spirit of St. Louis in 1927. Eleven years later, Germany's mounting terror campaign against Jews is underway across Europe and Lindbergh accepts a Service Cross of the German Eagle during a visit to Berlin. A stoic celebrity who reaps public sympathy following the mysterious kidnapping and murder of his son in 1932, Lindy strides into a deadlocked Republican National Convention in Philadelphia in 1940. Philip and Sandy are wakened by the exclamation of their mother, father and older cousin Alvin as they listen by radio.
The anger that night was the real roaring forge, the furnace that takes you and twists you like steel. And it didn't subside--not while Lindbergh stood silently at the Philadelphia rostrum and heard himself being cheered once again as the nation's savoir, nor when he gave the speech accepting his party's nomination and with it the mandate to keep America out of the European war. We all waited in terror to hear him repeat to the convention his malicious vilification of the Jews, but that he didn't made no difference to the mood that carried every last family on the block out into the street at nearly five in the morning. Entire families known to me previously only fully dressed in daytime clothing were wearing pajamas and nightdresses under their bathrobes and milling around in their slippers at dawn as if driven from their homes by an earthquake.
In the short term, the Roths' spirits are raised by their national heroes. President Roosevelt welcomes a celebrity opponent in Lindbergh with no political experience who is on record for supporting foreign dictators and disparaging Jews. Bombastic muckracker Walter Winchell minces no words in assailing Lindbergh in his weekly radio broadcast. They join luminaries such as New York mayor Fiorello LaGuardia, United Mine Workers president John L. Lewis and journalist Dorothy Thompson pronouncing Lindbergh as unfit for office. Philip's cousin Alvin, however, predicts that America is going fascist. He departs for Canada to join the fight against Hitler.
Polls two weeks before the election show FDR comfortably ahead in both the popular vote and the Electoral College. Republican officials reportedly grouse at Lindbergh's insistence to steer his own campaign, piloting the Spirit of St. Louis from state to state and offering nil about his potential administration. His platform is simple: Your choice is Lindbergh or war. His campaign gets an assist from Rabbi Lionel Bengelsdorf of Newark's B'nai Moshe temple when he vouches for Lindbergh at a rally in Madison Square Garden. The rabbi's message to gentiles that a vote for Lindy is not a vote for antisemitism spurs a landslide victory for the challenger.
President Lindbergh meets Adolf Hitler in Iceland to sign an "understanding" of non-aggression, as well as with emissaries of Emperor Hirohito in Hawaii. The deals ignite protests in a dozen U.S. cities, but most of the country rejoices at peace. In an attempt to show Philip and Sandy that America has not gone fascist, the Roths undertake a vacation to Washington D.C. Returning to their hotel, the Roths discover that their reservation has been canceled and they've been evicted. Bess is skittish to the point of tipping over into paranoia. Her husband is unable to keep his antipathy for the new president quiet, drawing remarks of "loudmouth Jew" from two tourists at the Lincoln Memorial.
But my father could see nothing. "You think you'd hear that here if Roosevelt was president? People wouldn't dare, they wouldn't dream, in Roosevelt's day ...," my father said. "But now that our great ally is Adolf Hitler, now that the best friend of the president of the United States is Adolf Hitler--why, now they think they can get away with anything. It's disgraceful. It starts with the White House ..."
Whom was he talking to other than me? My brother was trailing after Mr. Taylor, asking about the mural, and my mother was trying to prevent herself from saying or doing anything, struggling against the very emotions that had overpowered her earlier in the car--and back then without anything like this much justification.
"Read that,"my father said, alluding to the tablet bearing the Gettysburg Address. "Just read it. 'All men are created equal.'"
While the president praises Hitler as the world's safeguard against the spread of Communism and Germany pushes the Russians east, the Lindbergh administration hits close to home for the Roths by forming the Office of American Absorption and the Just Folks campaign, a "mentoring" program for select Jewish boys aged twelve to eighteen offering eight weeks with a sponsor family to learn farming. Bess' younger sister Evelyn, secretary and mistress to Rabbi Bengelsdorf, helps Sandy qualify for the program, which his father sees through as a fifth column intended to set Jewish boys against their elders and fracture the community.
Alvin loses his left leg below the knee in battle and returns to Newark. Philip assists his cousin with his bandaged stump and tries to keep his brother Sandy's admiration for Lindbergh a secret from his cousin, who feels like a chump for going off to fight Hitler for the benefit of Philip's father. He learns to walk again using a prosthetic and takes a job at a grocer owned by another uncle, but when an FBI agent shows up asking questions about Alvin, his uncle buckles under pressure and fires his nephew, who disappears to work in a numbers-running racket. When Sandy is invited to the White House by his Aunt Evelyn, his mother and father refuse, devastating Philip's brother.
Shepsie Tirschwell, a projectionist at the Newsreel Theater, sees what's going on in current events and tells Herman that he's moving his family to Montreal. Bess takes a seasonal job at a department store and opens a savings account in Canada in case they too need to leave in a hurry. Her husband refuses to be driven from his country, offering that it is the fascists who should get out. In May 1942, his employer complies with Homestead 42, an initiative by the OAA to thin ethnic minorities from the cities and resettle them in rural areas, purportedly to homogenize the nation. His decision to quit his job turns out to be prescient, while his refusal to leave for Canada is perilous. Bess is livid.
"And just where do they get the gall to do this to people?" my mother asked. "I am dumbfounded, Herman. Our families are here. Our lifelong friends are here. The children's friends are here. We have lived in peace and harmony here all of our lives. We are only a block from the best elementary school in Newark. We are a block from the best high school in New Jersey. Our boys have been raised among Jews. They go to school with other Jewish children. There is no friction with the other children. There is no name-calling. There are no fights. They have never had to feel left out and lonely the way I did as a child. I cannot believe the company is doing this to you. The way you have worked for these people, the hours that you put in, the effort--and this," she said angrily, "is the reward."
Like many of Philip Roth's books, The Plot Against America has a clunky title that indicates non-fiction or a symposium, anything but a compelling novel. And before this year, it might not have been. It seems as if half the book is a riff on Roth's boyhood in Newark--his family relations, his odd friendships, his search for his identity. The autobiographical detail grows self-indulgent and my eyes even started to glaze over paragraphs wandering away from President Lindbergh or his destructive impact on the Roths. The author favors marathon sentences and can spend two paragraphs describing nuns, which does not lend itself to a tense dystopian read.
The marvel of the novel is how seamlessly it blends historical fact and devastating fantasy, as well as how accurately it predicts a regime change in the United States. Given his era and his military bent, Lindbergh is stoic where our current president is emotionally unstable, but Lindy is as great a celebrity, cruising through his first election campaign (against a heavily favored Democrat) by appealing to the country's best intentions as well as its base hatreds, against politicians, the media and an ethnic minority. The fear Lindbergh's statements and policies strike in Jews is analogous to that felt by immigrants in our country today and laid out for all its repulsive fascism by Roth.
If there was a novel that utilizes fantasy elements to address the very real fear and hatred being stoked right now, and why none of us are going to like where "America First" leads, The Plot Against America is it. The autobiographical material that serves as a bedrock did grow long in the tooth, but at the same time, the overall effect grounds the novel in reality in a way that science fiction cannot when tackling authoritarian dystopia. Roth's approach is highly effective, personal and chilling the deeper he takes us into Lindbergh's presidency. He includes a handy postscript that offers a true chronology of the historical figures who play a role in this eerie alternate history. The novel offers a warning, which Mayor LaGuardia voices memorably:
"There's a plot afoot all right, and I'll gladly name the forces propelling it--hysteria, ignorance, malice, stupidity, hatred, and fear. What a repugnant spectacle our country has become! Falsehood, cruelty, and madness everywhere, and brute force in the wings waiting to finish us off. Now we read in the Chicago Tribune that all these years clever Jewish bakers have been using the blood of the kidnapped Lindbergh child for making Passover matzohs in Poland--a story as nutty today as when it was first concocted by anti-Semitic maniacs five hundred years ago. How it must please the Führer to be poisoning our country with this sinister nonsense. Jewish interests. Jewish elements. Jewish usurers. Jewish retaliation. Jewish conspiracies. A Jewish war against the world. To have enslaved America with this hocus-pocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!"
The audacious story is the first person account of Philip Roth, who in 1940 really was a seven-year-old postage stamp collector growing up in the Jewish enclave of Weequahic in Newark, New Jersey, where the novel is set. The alternate history Philip has a twelve year old brother named Sandy, a prodigious artist. Their father Herman is a thirty-nine year old insurance agent whose fifty-dollar per week salary pays the bills and little more. Their thirty-six-year-old mother Bess is a tiny woman who manages the household. She shares her husband's ardor for the United States, the Constitution, President Roosevelt, the New Deal and the Democratic Party.
Philip recounts how Charles Lindbergh was once a hero in his neighborhood, following the aviator's historic flight from Long Island to Paris aboard the Spirit of St. Louis in 1927. Eleven years later, Germany's mounting terror campaign against Jews is underway across Europe and Lindbergh accepts a Service Cross of the German Eagle during a visit to Berlin. A stoic celebrity who reaps public sympathy following the mysterious kidnapping and murder of his son in 1932, Lindy strides into a deadlocked Republican National Convention in Philadelphia in 1940. Philip and Sandy are wakened by the exclamation of their mother, father and older cousin Alvin as they listen by radio.
The anger that night was the real roaring forge, the furnace that takes you and twists you like steel. And it didn't subside--not while Lindbergh stood silently at the Philadelphia rostrum and heard himself being cheered once again as the nation's savoir, nor when he gave the speech accepting his party's nomination and with it the mandate to keep America out of the European war. We all waited in terror to hear him repeat to the convention his malicious vilification of the Jews, but that he didn't made no difference to the mood that carried every last family on the block out into the street at nearly five in the morning. Entire families known to me previously only fully dressed in daytime clothing were wearing pajamas and nightdresses under their bathrobes and milling around in their slippers at dawn as if driven from their homes by an earthquake.
In the short term, the Roths' spirits are raised by their national heroes. President Roosevelt welcomes a celebrity opponent in Lindbergh with no political experience who is on record for supporting foreign dictators and disparaging Jews. Bombastic muckracker Walter Winchell minces no words in assailing Lindbergh in his weekly radio broadcast. They join luminaries such as New York mayor Fiorello LaGuardia, United Mine Workers president John L. Lewis and journalist Dorothy Thompson pronouncing Lindbergh as unfit for office. Philip's cousin Alvin, however, predicts that America is going fascist. He departs for Canada to join the fight against Hitler.
Polls two weeks before the election show FDR comfortably ahead in both the popular vote and the Electoral College. Republican officials reportedly grouse at Lindbergh's insistence to steer his own campaign, piloting the Spirit of St. Louis from state to state and offering nil about his potential administration. His platform is simple: Your choice is Lindbergh or war. His campaign gets an assist from Rabbi Lionel Bengelsdorf of Newark's B'nai Moshe temple when he vouches for Lindbergh at a rally in Madison Square Garden. The rabbi's message to gentiles that a vote for Lindy is not a vote for antisemitism spurs a landslide victory for the challenger.
President Lindbergh meets Adolf Hitler in Iceland to sign an "understanding" of non-aggression, as well as with emissaries of Emperor Hirohito in Hawaii. The deals ignite protests in a dozen U.S. cities, but most of the country rejoices at peace. In an attempt to show Philip and Sandy that America has not gone fascist, the Roths undertake a vacation to Washington D.C. Returning to their hotel, the Roths discover that their reservation has been canceled and they've been evicted. Bess is skittish to the point of tipping over into paranoia. Her husband is unable to keep his antipathy for the new president quiet, drawing remarks of "loudmouth Jew" from two tourists at the Lincoln Memorial.
But my father could see nothing. "You think you'd hear that here if Roosevelt was president? People wouldn't dare, they wouldn't dream, in Roosevelt's day ...," my father said. "But now that our great ally is Adolf Hitler, now that the best friend of the president of the United States is Adolf Hitler--why, now they think they can get away with anything. It's disgraceful. It starts with the White House ..."
Whom was he talking to other than me? My brother was trailing after Mr. Taylor, asking about the mural, and my mother was trying to prevent herself from saying or doing anything, struggling against the very emotions that had overpowered her earlier in the car--and back then without anything like this much justification.
"Read that,"my father said, alluding to the tablet bearing the Gettysburg Address. "Just read it. 'All men are created equal.'"
While the president praises Hitler as the world's safeguard against the spread of Communism and Germany pushes the Russians east, the Lindbergh administration hits close to home for the Roths by forming the Office of American Absorption and the Just Folks campaign, a "mentoring" program for select Jewish boys aged twelve to eighteen offering eight weeks with a sponsor family to learn farming. Bess' younger sister Evelyn, secretary and mistress to Rabbi Bengelsdorf, helps Sandy qualify for the program, which his father sees through as a fifth column intended to set Jewish boys against their elders and fracture the community.
Alvin loses his left leg below the knee in battle and returns to Newark. Philip assists his cousin with his bandaged stump and tries to keep his brother Sandy's admiration for Lindbergh a secret from his cousin, who feels like a chump for going off to fight Hitler for the benefit of Philip's father. He learns to walk again using a prosthetic and takes a job at a grocer owned by another uncle, but when an FBI agent shows up asking questions about Alvin, his uncle buckles under pressure and fires his nephew, who disappears to work in a numbers-running racket. When Sandy is invited to the White House by his Aunt Evelyn, his mother and father refuse, devastating Philip's brother.
Shepsie Tirschwell, a projectionist at the Newsreel Theater, sees what's going on in current events and tells Herman that he's moving his family to Montreal. Bess takes a seasonal job at a department store and opens a savings account in Canada in case they too need to leave in a hurry. Her husband refuses to be driven from his country, offering that it is the fascists who should get out. In May 1942, his employer complies with Homestead 42, an initiative by the OAA to thin ethnic minorities from the cities and resettle them in rural areas, purportedly to homogenize the nation. His decision to quit his job turns out to be prescient, while his refusal to leave for Canada is perilous. Bess is livid.
"And just where do they get the gall to do this to people?" my mother asked. "I am dumbfounded, Herman. Our families are here. Our lifelong friends are here. The children's friends are here. We have lived in peace and harmony here all of our lives. We are only a block from the best elementary school in Newark. We are a block from the best high school in New Jersey. Our boys have been raised among Jews. They go to school with other Jewish children. There is no friction with the other children. There is no name-calling. There are no fights. They have never had to feel left out and lonely the way I did as a child. I cannot believe the company is doing this to you. The way you have worked for these people, the hours that you put in, the effort--and this," she said angrily, "is the reward."
Like many of Philip Roth's books, The Plot Against America has a clunky title that indicates non-fiction or a symposium, anything but a compelling novel. And before this year, it might not have been. It seems as if half the book is a riff on Roth's boyhood in Newark--his family relations, his odd friendships, his search for his identity. The autobiographical detail grows self-indulgent and my eyes even started to glaze over paragraphs wandering away from President Lindbergh or his destructive impact on the Roths. The author favors marathon sentences and can spend two paragraphs describing nuns, which does not lend itself to a tense dystopian read.
The marvel of the novel is how seamlessly it blends historical fact and devastating fantasy, as well as how accurately it predicts a regime change in the United States. Given his era and his military bent, Lindbergh is stoic where our current president is emotionally unstable, but Lindy is as great a celebrity, cruising through his first election campaign (against a heavily favored Democrat) by appealing to the country's best intentions as well as its base hatreds, against politicians, the media and an ethnic minority. The fear Lindbergh's statements and policies strike in Jews is analogous to that felt by immigrants in our country today and laid out for all its repulsive fascism by Roth.
If there was a novel that utilizes fantasy elements to address the very real fear and hatred being stoked right now, and why none of us are going to like where "America First" leads, The Plot Against America is it. The autobiographical material that serves as a bedrock did grow long in the tooth, but at the same time, the overall effect grounds the novel in reality in a way that science fiction cannot when tackling authoritarian dystopia. Roth's approach is highly effective, personal and chilling the deeper he takes us into Lindbergh's presidency. He includes a handy postscript that offers a true chronology of the historical figures who play a role in this eerie alternate history. The novel offers a warning, which Mayor LaGuardia voices memorably:
"There's a plot afoot all right, and I'll gladly name the forces propelling it--hysteria, ignorance, malice, stupidity, hatred, and fear. What a repugnant spectacle our country has become! Falsehood, cruelty, and madness everywhere, and brute force in the wings waiting to finish us off. Now we read in the Chicago Tribune that all these years clever Jewish bakers have been using the blood of the kidnapped Lindbergh child for making Passover matzohs in Poland--a story as nutty today as when it was first concocted by anti-Semitic maniacs five hundred years ago. How it must please the Führer to be poisoning our country with this sinister nonsense. Jewish interests. Jewish elements. Jewish usurers. Jewish retaliation. Jewish conspiracies. A Jewish war against the world. To have enslaved America with this hocus-pocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!"
May 29, 2010
I don't usually do this, but I'm halfway through this book and I want to write a review of my progress so far. For a couple of reasons:
1. The thought has crossed my mind a couple times in the first 200 pages to put the book down. If I don't finish it, I'll probably never write a full review.
2. As I near the midsection of the book, it becomes clearer that things might be about to turn upside down. If so, by the time I finish it I probably will have erased from memory everything I'm thinking about this book now.
Anyway, this book is nothing like I thought it would be. With the title of The Plot Against America and a giant swastika on the cover, I expected it to be some sort of post-apocalyptic political thriller. Especially after just finishing, The Handmaid's Tale, I had high hopes. Well, it turns out to not be so much about Charles Lindbergh's fascist takeover of the USA. Instead it's a [fabricated:] autobiography of Philip Roth, then a 9-year-old Jewish boy growing up in Newark, set in an America where Republican Lindbergh defeated FDR in the 1940 election. Lindbergh is an anti-semite who, instead of entering World War II, signs a Memorandum of Understanding with Hitler's Germany--which would lead the reader to believe something ominous is in the works. But for 200 pages, it's just a droll account of Roth's childhood. The most excitement so far is Roth's older cousin who joins up with the Canadian military only to lose a leg fighting in France. One sinister thing the Lindbergh administration has done is introduce the Office of American Absorption [OAA:], which sounds like it belongs in the alphabet soup of FDR's New Deal. Though benign on its face, the OAA seeks to assimilate "minority" [i.e., Jewish:] youth into rural American life, thus driving a wedge between them and their parents. Roth's brother Sandy spent a summer in Kentucky with a pro-Lindbergh family and now he's back home in Newark and moody. It's not exactly Hitler Jugend, but it's what passes for drama in this book. That's my report so far. We'll see what the final 200 pages hold.
------------------------------------
Well, I finished the book. I don't really have the time or the inclination to give any more of an in-depth review, so I'll just say this. The rise AND the defeat of a fascist American government happened in all of EIGHT (8) pages. The entire escapade was condensed into a short newsreel blurb. It turns out that Roth is supposed to be one of the greatest living writers of our age, but I didn't see it. This book was a literary cock-tease. The emotional tension built up by the Lindbergh administration's machinations was betrayed by a fizzling, easily forgettable climax.
1. The thought has crossed my mind a couple times in the first 200 pages to put the book down. If I don't finish it, I'll probably never write a full review.
2. As I near the midsection of the book, it becomes clearer that things might be about to turn upside down. If so, by the time I finish it I probably will have erased from memory everything I'm thinking about this book now.
Anyway, this book is nothing like I thought it would be. With the title of The Plot Against America and a giant swastika on the cover, I expected it to be some sort of post-apocalyptic political thriller. Especially after just finishing, The Handmaid's Tale, I had high hopes. Well, it turns out to not be so much about Charles Lindbergh's fascist takeover of the USA. Instead it's a [fabricated:] autobiography of Philip Roth, then a 9-year-old Jewish boy growing up in Newark, set in an America where Republican Lindbergh defeated FDR in the 1940 election. Lindbergh is an anti-semite who, instead of entering World War II, signs a Memorandum of Understanding with Hitler's Germany--which would lead the reader to believe something ominous is in the works. But for 200 pages, it's just a droll account of Roth's childhood. The most excitement so far is Roth's older cousin who joins up with the Canadian military only to lose a leg fighting in France. One sinister thing the Lindbergh administration has done is introduce the Office of American Absorption [OAA:], which sounds like it belongs in the alphabet soup of FDR's New Deal. Though benign on its face, the OAA seeks to assimilate "minority" [i.e., Jewish:] youth into rural American life, thus driving a wedge between them and their parents. Roth's brother Sandy spent a summer in Kentucky with a pro-Lindbergh family and now he's back home in Newark and moody. It's not exactly Hitler Jugend, but it's what passes for drama in this book. That's my report so far. We'll see what the final 200 pages hold.
------------------------------------
Well, I finished the book. I don't really have the time or the inclination to give any more of an in-depth review, so I'll just say this. The rise AND the defeat of a fascist American government happened in all of EIGHT (8) pages. The entire escapade was condensed into a short newsreel blurb. It turns out that Roth is supposed to be one of the greatest living writers of our age, but I didn't see it. This book was a literary cock-tease. The emotional tension built up by the Lindbergh administration's machinations was betrayed by a fizzling, easily forgettable climax.
July 23, 2018
I cannot tell a lie. George Washington
WE'VE COME A LONG WAY, BABY!
1 star bonus (lifting it from 4 stars) in 2018 { козырь }
From The Plot Against America
Roth's convincing tale of an alternate U.S. history has been made all the more plausible by recent events. I mean, look again at these quotes. In this 1940 America, the heroic Charles Lindbergh, known as an isolationist and admirer of Hitler in his early years, is elected U.S. President in a landslide over FDR by voters fearful of becoming involved in another European war. The U.S. does not get involved in WWII and the election unleashes a swelling tide of anti-Semitism resulting, ultimately, in assignments of Jewish citizens to certain areas designated by the U.S. government's new Office of American Absorption.
Roth impressively paints this tense fictional world in the Newark, New Jersey in which he himself was raised. He narrates through his early teen, fictional self providing an absorbing read made more captivating by recent Russian interference with the U.S. Presidential election and even more timely and chilling with this week's announcement that U.S. law enforcement agencies are investigating possible collusion between Russia and Trump campaign leaders/associates as well as possible covert Kremlin aid to Trump's campaign.
____________________________________
Update 3/14/17: Great podcast discussion of Novel
Trumpcast: Discussion of The Plot Against America and what Roth's 2004 novel can tell us about the current state of affairs
[3/14/17: White House officials admit no evidence to backup his latest Twitter claim {that former President Obama wiretapped Trump Towers campaign HQ} intended to distract attention from legislative and FBI investigation into Trump campaign ties to Russia and its attempt to influence Americans' election of President of the United States]
It is now life and not art that requires the willing suspension of disbelief."
Lionel Trilling
“Falsehood flies, and the Truth comes limping after it, so that when Men come to be undeceiv’d, it is too late; the Jest is over, and the Tale has had its Effect.”
Jonathan Swift
WE'VE COME A LONG WAY, BABY!
1 star bonus (lifting it from 4 stars) in 2018 { козырь }
From The Plot Against America
“The pompous son of a bitch knows everything. It's too bad he doesn't know anything else.”
"--nor had I understood til then how the shameless vanity of utter fools can so strongly determine the fate of others”
“How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination.”
Philip Roth, The Plot Against America
Roth's convincing tale of an alternate U.S. history has been made all the more plausible by recent events. I mean, look again at these quotes. In this 1940 America, the heroic Charles Lindbergh, known as an isolationist and admirer of Hitler in his early years, is elected U.S. President in a landslide over FDR by voters fearful of becoming involved in another European war. The U.S. does not get involved in WWII and the election unleashes a swelling tide of anti-Semitism resulting, ultimately, in assignments of Jewish citizens to certain areas designated by the U.S. government's new Office of American Absorption.
Roth impressively paints this tense fictional world in the Newark, New Jersey in which he himself was raised. He narrates through his early teen, fictional self providing an absorbing read made more captivating by recent Russian interference with the U.S. Presidential election and even more timely and chilling with this week's announcement that U.S. law enforcement agencies are investigating possible collusion between Russia and Trump campaign leaders/associates as well as possible covert Kremlin aid to Trump's campaign.
____________________________________
Update 3/14/17: Great podcast discussion of Novel
Trumpcast: Discussion of The Plot Against America and what Roth's 2004 novel can tell us about the current state of affairs
[3/14/17: White House officials admit no evidence to backup his latest Twitter claim {that former President Obama wiretapped Trump Towers campaign HQ} intended to distract attention from legislative and FBI investigation into Trump campaign ties to Russia and its attempt to influence Americans' election of President of the United States]
It is now life and not art that requires the willing suspension of disbelief."
Lionel Trilling
“Falsehood flies, and the Truth comes limping after it, so that when Men come to be undeceiv’d, it is too late; the Jest is over, and the Tale has had its Effect.”
Jonathan Swift
This entire review has been hidden because of spoilers.
February 21, 2018
"And how long will the American people stand for this treachery perpetrated by their elected president? How long will Americans remain asleep while their cherished Constitution is torn to shreds?"
Not a big fan of alternative history at all, even though thought experiments like Harris' Fatherland create an atmosphere of chilling excitement, I was skeptical when I started on this bestseller. Being a big fan of Roth in general, I was suspicious of both the genre he had chosen and the success it had - it didn't bode well.
What can I say?
Seeing America in the hypnotised grip of a fascist leader seems less and less like an "alternative history" to me, and I have to acknowledge Roth's political instincts. The story of Charles Lindbergh winning a landslide victory against Roosevelt during the Second World War could definitely have happened in the divisive political climate of today, so the "What if?"-effect of the novel has turned into a sigh of frustration: "That's it! - Only worse!"
So as a prophesy of the current developments in America, I will give the novel all the credit it deserves. It is well-written and exciting, and has some vintage Rothisms.
BUT.
It is not as good as his other novels, unfortunately, and compared with himself, Roth loses ground in this story which would be a less talented writer's masterpiece. It is a bit too simplistic, bowing too much to sensationalist, bestselling writing techniques, to be a true critical study of America in decline.
Roth can do better than this, and that says more about him than about the novel. It is a good read, whereas he can be brilliant!
Not a big fan of alternative history at all, even though thought experiments like Harris' Fatherland create an atmosphere of chilling excitement, I was skeptical when I started on this bestseller. Being a big fan of Roth in general, I was suspicious of both the genre he had chosen and the success it had - it didn't bode well.
What can I say?
Seeing America in the hypnotised grip of a fascist leader seems less and less like an "alternative history" to me, and I have to acknowledge Roth's political instincts. The story of Charles Lindbergh winning a landslide victory against Roosevelt during the Second World War could definitely have happened in the divisive political climate of today, so the "What if?"-effect of the novel has turned into a sigh of frustration: "That's it! - Only worse!"
So as a prophesy of the current developments in America, I will give the novel all the credit it deserves. It is well-written and exciting, and has some vintage Rothisms.
BUT.
It is not as good as his other novels, unfortunately, and compared with himself, Roth loses ground in this story which would be a less talented writer's masterpiece. It is a bit too simplistic, bowing too much to sensationalist, bestselling writing techniques, to be a true critical study of America in decline.
Roth can do better than this, and that says more about him than about the novel. It is a good read, whereas he can be brilliant!
June 16, 2017
The Plot Against America by Philip Roth is a 2004 Houghton Mifflin Harcourt publication.
It goes without saying that Pulitzer prize winner, Phillip Roth, is a prolific writer. While I have appreciated the books of his I have read, they are often very heavy, and I can only take them in small doses. But, I don’t know if I would have tried this one, if it had not been for Professor Snyder recommending it, in his book, ‘On Tyranny’.
I was a little concerned about the ‘alternate’ history format, because for it to make sense, the reader needs to know the real history well enough to understand what does or does not work in the speculative world.
‘Their being Jews issued from their being themselves, as did their being American. It was as it was, the nature of things, as fundamental as having arteries and veins, and they never manifested the slightest desire to change it.”
In this case, a simple basic knowledge of the era is sufficient, but I did find it helpful to know a little more personal history about Charles Lindbergh. Understanding the small nuances of his character gave this book an even more sinister quality.
But, of course, the most chilling aspect of this novel is that Roth might have had accessto a crystal ball, foreseeing what could happen, might happen, and actually did happen.
‘The terror of the unforeseen is what the science of history hides, turning a disaster into an epic’
The sad, honest, truth is, if I had read this book two years ago, I would have viewed it as genius, as eerily believable, as a coming of age tale, or who knows what other feelings I may have expressed about it, but reading it today, in our current political climate, the book takes on an entirely different tone. It no longer feels like clever speculative or alternative fiction, but instead, it feels too realistic, hits too close to home, and basically left me with a feeling of impending doom, turning, tossing, and fretting.
I do urge everyone to read this book, if you haven’t already. If you have, read it again, because I think living through these dark days, the book will make a deeper impression on you.
As to the writing, pacing, and all the usual things we mention in reviews, I don’t think that it’s necessary to delve into all that. It’s Phillip Roth. Enough said.
But, what does bear mentioning is, for me, next to ‘The Human Stain’ this book is the best Roth novel, I have read, to date.
5 stars
It goes without saying that Pulitzer prize winner, Phillip Roth, is a prolific writer. While I have appreciated the books of his I have read, they are often very heavy, and I can only take them in small doses. But, I don’t know if I would have tried this one, if it had not been for Professor Snyder recommending it, in his book, ‘On Tyranny’.
I was a little concerned about the ‘alternate’ history format, because for it to make sense, the reader needs to know the real history well enough to understand what does or does not work in the speculative world.
‘Their being Jews issued from their being themselves, as did their being American. It was as it was, the nature of things, as fundamental as having arteries and veins, and they never manifested the slightest desire to change it.”
In this case, a simple basic knowledge of the era is sufficient, but I did find it helpful to know a little more personal history about Charles Lindbergh. Understanding the small nuances of his character gave this book an even more sinister quality.
But, of course, the most chilling aspect of this novel is that Roth might have had accessto a crystal ball, foreseeing what could happen, might happen, and actually did happen.
‘The terror of the unforeseen is what the science of history hides, turning a disaster into an epic’
The sad, honest, truth is, if I had read this book two years ago, I would have viewed it as genius, as eerily believable, as a coming of age tale, or who knows what other feelings I may have expressed about it, but reading it today, in our current political climate, the book takes on an entirely different tone. It no longer feels like clever speculative or alternative fiction, but instead, it feels too realistic, hits too close to home, and basically left me with a feeling of impending doom, turning, tossing, and fretting.
I do urge everyone to read this book, if you haven’t already. If you have, read it again, because I think living through these dark days, the book will make a deeper impression on you.
As to the writing, pacing, and all the usual things we mention in reviews, I don’t think that it’s necessary to delve into all that. It’s Phillip Roth. Enough said.
But, what does bear mentioning is, for me, next to ‘The Human Stain’ this book is the best Roth novel, I have read, to date.
5 stars
July 5, 2019
My One 4th of July, Apple Pie, Patriotic, Love America and Truly Make Sure it doesn't get flushed down the fascist toilet book for 2019:
“Anything can happen to anyone, but it usually doesn't. Except when it does.”—Philip Roth, The Plot Against America
The Plot Against America is a must read for our times. A tour de force (and also sort of tour de [dark] farce) that is at turns funny and scary and moving, it is an alternate history novel exploring “what if” isolationist and anti-Semitic aviation hero Charles Lindberg had actually defeated FDR in 1940, running on an anti-war platform, and had made a pact with Hitler, whose tyranny—unimpeded by the USA as a key ally—then continued unabated. Specifically, Roth wonders what effects Lindberg’s presidency might have had on his actual decidedly Jewish family, somewhat fictionalized in this novel.
Young Philip, 7, is inspired by his father’s opposition to both Hitler and Lindberg, as is his cousin Alvy, who actually enlists with The Canadian Army (because Lindberg fulfills his promise of America First—with a focus on isolationism—and doesn’t allow the US military to fight Germany) and loses his leg in France, thereby getting Philip’s rich uncles to blame Philip’s father for that, for even wanting to fight Hitler’s fascism in Europe. Alvy, having fought for Canada, is increasingly harassed as anti-American, for choosing to fight Hitler, who becomes, thanks to Lindberg, a kind of ally of the US! Yikes.
One way Lindberg gets elected is that a prominent New Jersey rabbi argues for Lindberg and against the war. Lindberg's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." The focus here is on the better assimilation of Jews in particular. The OAA also later develops the Homestead Act, which helps relocate Jews and other minorities. Sound familiar, Native Americans? Or does it sound a little like deportation or travel bans, in principle? Anyway, Phil’s brother Sandy goes to a farm in Kentucky for the summer, and loves it, becoming for a time aligned with Lindberg and a spokesperson for the OAA program.
“To have enslaved America with this hocuspocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!”—Philip’s Dad, actually speaking of Lindberg, and not you-know-who
Sound ridiculous and possibly paranoid? Well, that’s what I initially thought. But it is one storytelling feat to make the basis for the story outlandish, even screwy, and yet on some level make it darkly reasonable and frightening. Could an isolationist fascist become President of the US of A?! Nah, it can’t happen here.
But as Philip’s father says, “What do you mean it can’t happen here? It is happening here!”
Roth works in actual forties historical characters throughout. For instance, Walter Winchell, the liberal journalist, remains just as anti-fascist as he was in real life in this version of American forties reality. With the help of Eleanor Roosevelt, Winchell actually becomes the Democratic candidate for President. But when Winchell takes his act on the road to (anti-Semitic) Father Coughlin’s Detroit, America’s Kristallnacht begins, and all hell breaks loose, especially for Jews in America. Fascism reigns, though that’s not the end of the story.
Maybe ultimately this novel is a reminder or rejoinder to Jewish (and other pacifists) who might have once opposed any war against fascism or dictatorships elsewhere. Roth is saying that sometimes war is justified, and the war against Hitler was for him surely justified. And Roth doesn’t really care about Lindberg. What he cares about is an electorate he sees as awed by media darlings, and moved by simple slogans like America First (both Lindberg’s and Trump’s actual slogan), Big Business Types who promise us riches and scare us about threats to security and demonize and scapegoat particular minority groups in the process.
But the main hero of this tale is really Roth’s Dad, raging against the rise of fascism in America. As Philip says, “There were two types of strong men: those like Uncle Monty and Abe Steinheim, remorseless about their making money, and those like my father, ruthlessly obedient to their idea of fair play.” Roth’s mother is also admirable in steadfastly clinging to goodness and caring regardless of what craziness happens. This book, written decades before Trump, has political targets, but it is also a love letter to his good, liberal, working-class parents.
“How can this be happening in America?”—Philip’s mother
Did Roth in 2005 have in mind a cautionary tale for America’s future? He says no. But here is Roth emailing with The New Yorker that the Lindberg nightmare fantasy he wrote about is nothing compared to what Trump could be for this country:
http://www.newyorker.com/magazine/201...
“How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination.” –Philip’s mother
I also just read The Resistible Rise of Arturo Ui, which posits a ridiculous clownish, crude and rude Hitler-like gangster rising to power in Chicago, ready to take over the country. It can’t really happen here, can it?! I’m just paranoid, right?
“Anything can happen to anyone, but it usually doesn't. Except when it does.”—Philip Roth, The Plot Against America
The Plot Against America is a must read for our times. A tour de force (and also sort of tour de [dark] farce) that is at turns funny and scary and moving, it is an alternate history novel exploring “what if” isolationist and anti-Semitic aviation hero Charles Lindberg had actually defeated FDR in 1940, running on an anti-war platform, and had made a pact with Hitler, whose tyranny—unimpeded by the USA as a key ally—then continued unabated. Specifically, Roth wonders what effects Lindberg’s presidency might have had on his actual decidedly Jewish family, somewhat fictionalized in this novel.
Young Philip, 7, is inspired by his father’s opposition to both Hitler and Lindberg, as is his cousin Alvy, who actually enlists with The Canadian Army (because Lindberg fulfills his promise of America First—with a focus on isolationism—and doesn’t allow the US military to fight Germany) and loses his leg in France, thereby getting Philip’s rich uncles to blame Philip’s father for that, for even wanting to fight Hitler’s fascism in Europe. Alvy, having fought for Canada, is increasingly harassed as anti-American, for choosing to fight Hitler, who becomes, thanks to Lindberg, a kind of ally of the US! Yikes.
One way Lindberg gets elected is that a prominent New Jersey rabbi argues for Lindberg and against the war. Lindberg's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." The focus here is on the better assimilation of Jews in particular. The OAA also later develops the Homestead Act, which helps relocate Jews and other minorities. Sound familiar, Native Americans? Or does it sound a little like deportation or travel bans, in principle? Anyway, Phil’s brother Sandy goes to a farm in Kentucky for the summer, and loves it, becoming for a time aligned with Lindberg and a spokesperson for the OAA program.
“To have enslaved America with this hocuspocus! To have captured the mind of the world's greatest nation without uttering a single word of truth! Oh, the pleasure we must be affording the most malevolent man on earth!”—Philip’s Dad, actually speaking of Lindberg, and not you-know-who
Sound ridiculous and possibly paranoid? Well, that’s what I initially thought. But it is one storytelling feat to make the basis for the story outlandish, even screwy, and yet on some level make it darkly reasonable and frightening. Could an isolationist fascist become President of the US of A?! Nah, it can’t happen here.
But as Philip’s father says, “What do you mean it can’t happen here? It is happening here!”
Roth works in actual forties historical characters throughout. For instance, Walter Winchell, the liberal journalist, remains just as anti-fascist as he was in real life in this version of American forties reality. With the help of Eleanor Roosevelt, Winchell actually becomes the Democratic candidate for President. But when Winchell takes his act on the road to (anti-Semitic) Father Coughlin’s Detroit, America’s Kristallnacht begins, and all hell breaks loose, especially for Jews in America. Fascism reigns, though that’s not the end of the story.
Maybe ultimately this novel is a reminder or rejoinder to Jewish (and other pacifists) who might have once opposed any war against fascism or dictatorships elsewhere. Roth is saying that sometimes war is justified, and the war against Hitler was for him surely justified. And Roth doesn’t really care about Lindberg. What he cares about is an electorate he sees as awed by media darlings, and moved by simple slogans like America First (both Lindberg’s and Trump’s actual slogan), Big Business Types who promise us riches and scare us about threats to security and demonize and scapegoat particular minority groups in the process.
But the main hero of this tale is really Roth’s Dad, raging against the rise of fascism in America. As Philip says, “There were two types of strong men: those like Uncle Monty and Abe Steinheim, remorseless about their making money, and those like my father, ruthlessly obedient to their idea of fair play.” Roth’s mother is also admirable in steadfastly clinging to goodness and caring regardless of what craziness happens. This book, written decades before Trump, has political targets, but it is also a love letter to his good, liberal, working-class parents.
“How can this be happening in America?”—Philip’s mother
Did Roth in 2005 have in mind a cautionary tale for America’s future? He says no. But here is Roth emailing with The New Yorker that the Lindberg nightmare fantasy he wrote about is nothing compared to what Trump could be for this country:
http://www.newyorker.com/magazine/201...
“How can people like these be in charge of our country? If I didn’t see it with my own eyes, I’d think I was having a hallucination.” –Philip’s mother
I also just read The Resistible Rise of Arturo Ui, which posits a ridiculous clownish, crude and rude Hitler-like gangster rising to power in Chicago, ready to take over the country. It can’t really happen here, can it?! I’m just paranoid, right?
October 6, 2014
Some said Philip Roth is the new messiah of modern writers. Philip Roth is overrated, said others.
So I read a couple of Roth's books, Exit Ghost and Everyman. With only those to go on, to me, Roth seemed like your typical aging curmudgeon. Nothing special, just an old man venting through literature his disgruntled annoyance at no longer being able to get an erection. I was ready to call it quits on him, but felt like maybe I should try one more.
So I read The Plot Against America. Boy, am I glad I did. What a joy!
Indeed, I enjoyed everything about this "what if", coming-of-age tale where horrors, both real and imagined, feed into and upon the novel's building tension. Horrors and the heart of a child. Childhood and the heart of a family. This is war vs. peace. The good, the bad and all that falls in between.
This is the story of a young Jewish boy growing up as American as can be in the New Jersey suburbs of the early 1940s. Germany is at war with the world. Hitler and his Nazis are at war with the Jews. President Roosevelt is campaigning for a 3rd term in office.
Then Roth throws a monkey wrench into the works, presenting an alternative universe where, instead of facing off with and defeating Wendell Willkie, FDR is confronted with and defeated by the intensely popular Charles Lindbergh. With their flyboy hero at America's helm, the isolationist Republicans as well as the Nazis themselves can use Lindbergh as a tool to meet their ends.
Aside from some fiddling with the Lindbergh baby history, that's about where the historical fiction ends. Lindbergh was an isolationist. He did occasionally let slip with an antisemitic remark. He did receive a medal from Goring on behalf of Hitler, and he did refuse to give it up. FDR did believe Charles Lindbergh to be a Nazi. Lindbergh's wife did privately wonder in her diary what the *bleeep!* her Swedish, Arian husband was thinking when he spouted anti Jewish nonsense.
There's so very much more that truly did happen, whether you believe it or not, which Roth includes in his novel, but I won't spoil the glorious tapestry that lavishly drapes the background of what is actually Philip Roth's childhood autobiography, at least a fictionalized recounting.
Much of The Plot Against America feels just like the movie Stand By Me. Boys being boys, having fun, experiencing life through youthful eyes, making mountains out of mole hills, and nearly getting buried beneath the true mountains. As a coming-of-age tale, you'll find few finer. Prior to reading this, I would've described Roth's work as Vonnegut-esque but without the humor. Here though, the humor - on occasions a bit dark - is in full throat and fine form. I love nothing more than connecting with human behavior via the stories of our interconnect childhoods. We were all young once and it is a pleasure to share that common ground. Roth shares his suburban American-Jewish upbringing at the height of Jewish persecution in the modern age and it is a joy to read.
So I read a couple of Roth's books, Exit Ghost and Everyman. With only those to go on, to me, Roth seemed like your typical aging curmudgeon. Nothing special, just an old man venting through literature his disgruntled annoyance at no longer being able to get an erection. I was ready to call it quits on him, but felt like maybe I should try one more.
So I read The Plot Against America. Boy, am I glad I did. What a joy!
Indeed, I enjoyed everything about this "what if", coming-of-age tale where horrors, both real and imagined, feed into and upon the novel's building tension. Horrors and the heart of a child. Childhood and the heart of a family. This is war vs. peace. The good, the bad and all that falls in between.
This is the story of a young Jewish boy growing up as American as can be in the New Jersey suburbs of the early 1940s. Germany is at war with the world. Hitler and his Nazis are at war with the Jews. President Roosevelt is campaigning for a 3rd term in office.
Then Roth throws a monkey wrench into the works, presenting an alternative universe where, instead of facing off with and defeating Wendell Willkie, FDR is confronted with and defeated by the intensely popular Charles Lindbergh. With their flyboy hero at America's helm, the isolationist Republicans as well as the Nazis themselves can use Lindbergh as a tool to meet their ends.
Aside from some fiddling with the Lindbergh baby history, that's about where the historical fiction ends. Lindbergh was an isolationist. He did occasionally let slip with an antisemitic remark. He did receive a medal from Goring on behalf of Hitler, and he did refuse to give it up. FDR did believe Charles Lindbergh to be a Nazi. Lindbergh's wife did privately wonder in her diary what the *bleeep!* her Swedish, Arian husband was thinking when he spouted anti Jewish nonsense.
There's so very much more that truly did happen, whether you believe it or not, which Roth includes in his novel, but I won't spoil the glorious tapestry that lavishly drapes the background of what is actually Philip Roth's childhood autobiography, at least a fictionalized recounting.
Much of The Plot Against America feels just like the movie Stand By Me. Boys being boys, having fun, experiencing life through youthful eyes, making mountains out of mole hills, and nearly getting buried beneath the true mountains. As a coming-of-age tale, you'll find few finer. Prior to reading this, I would've described Roth's work as Vonnegut-esque but without the humor. Here though, the humor - on occasions a bit dark - is in full throat and fine form. I love nothing more than connecting with human behavior via the stories of our interconnect childhoods. We were all young once and it is a pleasure to share that common ground. Roth shares his suburban American-Jewish upbringing at the height of Jewish persecution in the modern age and it is a joy to read.
December 2, 2022
I need more Philip Roth in my life. If Toni Morrison and James Baldwin are the quintessential purveyors of primo black American lit, then Roth is their Semitic doppelgänger.
“I pledged allegiance to the flag of our homeland every morning at school. I sang of its marvels with my classmates at assembly programs. I eagerly observed its national holidays, and without giving a second thought to my affinity for the Fourth of July fireworks or the Thanksgiving turkey or the Decoration Day double-header. Our homeland was America. Then the Republicans nominated Lindbergh and everything changed.”
fas·cism | \ ˈfa-ˌshi-zəm : a political philosophy, movement, or regime that stands for a centralized autocratic government headed by a dictatorial leader, severe economic and social regimentation, and forcible suppression of opposition
What was entertaining historical fiction in 2004 now reads like astute post-2016 prophecy. I’m not sure I could have read this a year ago because it falls into that ‘disturbingly familiar dystopia’ category (see also: The Handmaid’s Tale) that stokes my anxiety to unbearable levels of gastro-intestinal distress.
“…he could have announced that the First Lady would be inviting Adolf Hitler and his girlfriend to spend the Fourth of July weekend as vacation guests in the Lincoln bedroom of the White House and still have been cheered by his countrymen as democracy’s savior.” ~Philip Roth, The Plot Against America, 2004
“I could stand in the middle of 5th Avenue and shoot somebody and I wouldn’t lose voters.” ~Donald Trump, 2016
“I pledged allegiance to the flag of our homeland every morning at school. I sang of its marvels with my classmates at assembly programs. I eagerly observed its national holidays, and without giving a second thought to my affinity for the Fourth of July fireworks or the Thanksgiving turkey or the Decoration Day double-header. Our homeland was America. Then the Republicans nominated Lindbergh and everything changed.”
fas·cism | \ ˈfa-ˌshi-zəm : a political philosophy, movement, or regime that stands for a centralized autocratic government headed by a dictatorial leader, severe economic and social regimentation, and forcible suppression of opposition
What was entertaining historical fiction in 2004 now reads like astute post-2016 prophecy. I’m not sure I could have read this a year ago because it falls into that ‘disturbingly familiar dystopia’ category (see also: The Handmaid’s Tale) that stokes my anxiety to unbearable levels of gastro-intestinal distress.
“…he could have announced that the First Lady would be inviting Adolf Hitler and his girlfriend to spend the Fourth of July weekend as vacation guests in the Lincoln bedroom of the White House and still have been cheered by his countrymen as democracy’s savior.” ~Philip Roth, The Plot Against America, 2004
“I could stand in the middle of 5th Avenue and shoot somebody and I wouldn’t lose voters.” ~Donald Trump, 2016
November 8, 2024
Edit: 11/6/2024 12:15am. Jesus Fucking Christ, it's 2016 again.
How can this be happening in America? How can people like these be in charge of our country? If I didn't see it with my own eyes, I'd think I was having a hallucination.
There's a plot afoot all right, and I'll gladly name the forces propelling it - hysteria, ignorance, malice, stupidity, hatred, and fear. What a repugnant spectacle our country has become! Falsehood, cruelty, and madness everywhere, and brute force in the wings waiting to finish us off.
How can this be happening in America? How can people like these be in charge of our country? If I didn't see it with my own eyes, I'd think I was having a hallucination.
There's a plot afoot all right, and I'll gladly name the forces propelling it - hysteria, ignorance, malice, stupidity, hatred, and fear. What a repugnant spectacle our country has become! Falsehood, cruelty, and madness everywhere, and brute force in the wings waiting to finish us off.
November 4, 2022
I have had a lot of very rude, mean things to say about Philip Roth here on Goodreads but this one was compelling and like Maxwell House coffee good to the last drop. In the rare cases where Philip Roth could drag his attention away from his withering penis he could come up with something well worth our time (Nemesis is another one). As you know this is an alternative history* novel in which the USA ditches Roosevelt in 1940 and elects the tall blond flyboy adventurer Hitler-loving Charles Lindbergh. After which, for Jews, things fall apart rapidly.
My GR friend Dave Schaafsma summed it up :
Could an isolationist, racist fascist become president of the US of A? Nah, it can’t happen here.
In 1935 Sinclair Lewis indeed wrote It Can’t Happen Here which sounds very like an early version of this one. (You know, I read Main Street and Babbitt, both great, and I thought that was enough of Sinclair Lewis – I think that might have been rash!) So the idea of the USA taking a Wrong Turn is not a new one.
Some reviewers boggled at the idea of American voters in 1940 switching from the immensely popular democrat FDR to the glamorous media star Charles Lindbergh and his one solitary policy ("A vote for me is a vote for peace, a vote for Roosevelt is a vote for war" repeat repeat repeat). Whether you find this plausible or ridiculous might relate to exactly when you read this book – pre-Trump or post-Trump? Pre-6th January last year or post? TPAA presents American democracy being tossed aside in one fell swoop, as the Enabling Act did in Germany. The current version of the attack on democracy is more bewildering, more like an army of soldier ants munching away at things like voter registration, local election laws, TikTok conspiracy channels, and the insidious rise of the concept that we have no shared reality, that instant scepticism is the only reaction to all news, and that the need for proof of any assertion is something only a child would ask for.
Roth, through the eyes of a 7 to 9 year old boy called Philip Roth, takes us on an enormous journey of just over 2 years (1940 to 1942). A lot of things happen. This review could be very long. So just a couple of last observations :
1) It’s true that TPAA presents us with a version of the American non-Jewish people who are gagging to be let loose on those Jews to teach them a lesson. The cavalier disregard of democratic values is one thing but the wholesale onslaught of violence against a specific racial minority is another thing. It could be seen as way too bleak a picture. And in the very raggedy end of the book, (spoiler alert) Pandora’s box is shown to be able to be crammed shut again, with all the devils shoved back inside. It was a little neat and hasty.
2) African Americans might possibly read this account of Jews fearing and then suffering simmering then violently erupting antisemitism and say well, our community has been suffering ten times worse than this for centuries. Let me tell you about the Black Wall Street Massacre of 1921…
Still, a most interesting read for 2022.
***
*Some reviewers say that this makes The Plot Against America science fiction, and that mainstream authors should not loftily condescend to write sf when the whim takes them. I agree with that last part, but alternative history isn’t science fiction. No science is involved!
My GR friend Dave Schaafsma summed it up :
Could an isolationist, racist fascist become president of the US of A? Nah, it can’t happen here.
In 1935 Sinclair Lewis indeed wrote It Can’t Happen Here which sounds very like an early version of this one. (You know, I read Main Street and Babbitt, both great, and I thought that was enough of Sinclair Lewis – I think that might have been rash!) So the idea of the USA taking a Wrong Turn is not a new one.
Some reviewers boggled at the idea of American voters in 1940 switching from the immensely popular democrat FDR to the glamorous media star Charles Lindbergh and his one solitary policy ("A vote for me is a vote for peace, a vote for Roosevelt is a vote for war" repeat repeat repeat). Whether you find this plausible or ridiculous might relate to exactly when you read this book – pre-Trump or post-Trump? Pre-6th January last year or post? TPAA presents American democracy being tossed aside in one fell swoop, as the Enabling Act did in Germany. The current version of the attack on democracy is more bewildering, more like an army of soldier ants munching away at things like voter registration, local election laws, TikTok conspiracy channels, and the insidious rise of the concept that we have no shared reality, that instant scepticism is the only reaction to all news, and that the need for proof of any assertion is something only a child would ask for.
Roth, through the eyes of a 7 to 9 year old boy called Philip Roth, takes us on an enormous journey of just over 2 years (1940 to 1942). A lot of things happen. This review could be very long. So just a couple of last observations :
1) It’s true that TPAA presents us with a version of the American non-Jewish people who are gagging to be let loose on those Jews to teach them a lesson. The cavalier disregard of democratic values is one thing but the wholesale onslaught of violence against a specific racial minority is another thing. It could be seen as way too bleak a picture. And in the very raggedy end of the book, (spoiler alert) Pandora’s box is shown to be able to be crammed shut again, with all the devils shoved back inside. It was a little neat and hasty.
2) African Americans might possibly read this account of Jews fearing and then suffering simmering then violently erupting antisemitism and say well, our community has been suffering ten times worse than this for centuries. Let me tell you about the Black Wall Street Massacre of 1921…
Still, a most interesting read for 2022.
***
*Some reviewers say that this makes The Plot Against America science fiction, and that mainstream authors should not loftily condescend to write sf when the whim takes them. I agree with that last part, but alternative history isn’t science fiction. No science is involved!
April 26, 2020
Between the beginning of 2012 and the end of 2014 I lived “three steps away” from a book shop. I don’t think I need to say how often I could be seen in there. I knew all the books on the shelves by heart. I became friends with the booksellers and I even helped them helping customers. At some point I was even offered a job which sadly I had to decline (life’s so cruel sometimes).
That was also the time I discovered Philip Roth. I first read American Pastoral, then I Married A Communist followed by The Human Stain, Portnoy’s Complaint and The Dying Animal. I didn’t unconditionally love any of them, but I couldn’t stop going back for more either.
Then, all of a sudden life changed, time sped up, and before I knew it I was in England and seven years have passed by before I picked up another Roth’s novel; this one.
Once again, there was no unconditional love. I found The Plot Against America to be too focused on politics and crowded with politicians for my liking. Of course, because I was familiar with Roth’s work when I picked this one up I was already expecting some politics, social commentary and religious controversy but in this one he really took it two thousand steps further and all of it just went straight over the top of my head.
What’s going to stay with me though, as always with Roth, is not only his brilliant writing and masterful character development but more so his descriptions about family dynamics.
Ahh, if only Roth could have focused more on family dynamics and the characters inner feelings... Because, who the hell cares about all those politics?! Definitely not me. And why, oh why, the obsession about Judaism and being a Jew? Really?! Again?!
Although there’s no unconditional love, there is some at least and a lot of admiration. Four stars, because even when Roth’s being boring and obsessive he still is (was) far better than most authors.
I’ll leave you with this big little quote:
“Today the entire globe is divided between human slavery and human freedom.”
See, still very relevant (and scary) even after all these years, don’t you think?
That was also the time I discovered Philip Roth. I first read American Pastoral, then I Married A Communist followed by The Human Stain, Portnoy’s Complaint and The Dying Animal. I didn’t unconditionally love any of them, but I couldn’t stop going back for more either.
Then, all of a sudden life changed, time sped up, and before I knew it I was in England and seven years have passed by before I picked up another Roth’s novel; this one.
Once again, there was no unconditional love. I found The Plot Against America to be too focused on politics and crowded with politicians for my liking. Of course, because I was familiar with Roth’s work when I picked this one up I was already expecting some politics, social commentary and religious controversy but in this one he really took it two thousand steps further and all of it just went straight over the top of my head.
What’s going to stay with me though, as always with Roth, is not only his brilliant writing and masterful character development but more so his descriptions about family dynamics.
Ahh, if only Roth could have focused more on family dynamics and the characters inner feelings... Because, who the hell cares about all those politics?! Definitely not me. And why, oh why, the obsession about Judaism and being a Jew? Really?! Again?!
Although there’s no unconditional love, there is some at least and a lot of admiration. Four stars, because even when Roth’s being boring and obsessive he still is (was) far better than most authors.
I’ll leave you with this big little quote:
“Today the entire globe is divided between human slavery and human freedom.”
See, still very relevant (and scary) even after all these years, don’t you think?
June 29, 2020
Il romanzo si presenta come opera di fantapolitica: le elezioni per il presidente degli Stati Uniti del 1940 sono vinte dal famoso aviatore Charles Lindbergh, filonazista ed ammiratore di Hitler. Ma lo sviluppo della storia si snoda in maniera logica e plausibile, tanto da far mettere da parte la fantasia e domandarsi fino a che punto quanto narrato non sarebbe potuto accadere veramente, se la Storia mondiale si fosse realmente svolta in quel modo. Una svolta “possibile” della Storia che viene narrata attraverso lo sguardo destabilizzato di un bambino ebreo, che vive lo smarrimento, la paura, l’angoscia, il terrore di una tranquilla famiglia ebrea americana che, dai primi segnali allarmanti di intolleranza è costretta a subire in un crescendo pregno di tragedia, con la coraggiosa ostinazione del padre e la forza data dalla maternità di una impavida madre, il passaggio fino all’antisemitismo ed a veri e propri pogrom. Il romanzo non è altro che l’osservazione diretta e partecipata con gli occhi del piccolo Phil delle reazioni di una comunità con solide radici nella società multirazziale americana alla inarrestabile tragedia.
Ritengo riduttivo classificare un romanzo in un genere, ma nel caso di specie ancor più, perché quando parliamo di Philip Roth parliamo di uno scrittore immenso, che nei suoi romanzi inserisce mille spunti ed idee su cui riflettere, di valore universale, per cui questo lo si potrebbe definire un romanzo storico, un romanzo di formazione, un inno d’amore all’America, un monito rivolto ad ognuno di noi a lottare per i propri ideali senza arrendersi, ad essere vigili perché basta un niente per trasformare la propria esistenza in una tragedia e a rendere il mondo una cosa diversa da come era prima.
Ritengo riduttivo classificare un romanzo in un genere, ma nel caso di specie ancor più, perché quando parliamo di Philip Roth parliamo di uno scrittore immenso, che nei suoi romanzi inserisce mille spunti ed idee su cui riflettere, di valore universale, per cui questo lo si potrebbe definire un romanzo storico, un romanzo di formazione, un inno d’amore all’America, un monito rivolto ad ognuno di noi a lottare per i propri ideali senza arrendersi, ad essere vigili perché basta un niente per trasformare la propria esistenza in una tragedia e a rendere il mondo una cosa diversa da come era prima.
February 28, 2023
Wow. What a novel. Once again, Roth gives us a brilliant alternate history to chill our blood. Starting from the defeat of Roosevelt during the presidential elections in favor of Lindberg (notorious anti-Semite and ready to swear allegiance to the Fuhrer), the author continues to probe America and these contradictions, and it is clear that the fiction is quite scary. The brilliant idea of the novel comes from Roth's choice to imagine what the face of the world could have been if this hypothesis had happened, to look at it through the eyes of a Jewish child, the narrator (Roth himself) in his family, in his community and more widely in this America so proud to brandish the banner of freedom in others and to be ultra protectionist towards it.
The Newark author skilfully mixes proven historical facts and fiction to give a look that is at once fascinating, abundant, and terrifying—nothing to say. Roth is one of the greats.
The Newark author skilfully mixes proven historical facts and fiction to give a look that is at once fascinating, abundant, and terrifying—nothing to say. Roth is one of the greats.
July 24, 2012
One star??!!!?? Really???!!! I gotta be kidding right? Either that or I’m on some kind of crazy drug trip.
Well, no. I really “did not like” this book. Hence, the single solitary star.
I hate it when mainstream novelists try their hand at science fiction. They usually muck it up. This is not too surprising given the disregard most of them have for science fiction in the first place. It’s even worse when the science-fiction novel in question is a thinly disguised political rant because the politics overwhelms everything else. Paul Theroux had that problem with O-Zone. Philip Roth has that problem with The Plot Against America.
This alternate history written during the presidency of Bush bis is clearly an attack against the Republican party and its supporters. Notwithstanding my personal inclinations towards such a viewpoint, I found the book deeply dislikeable.
The novel depicts an America in which a President Charles Lindberg, Republican, signs a peace treaty with Germany, Italy, and Japan, having won the election on the promise of peace. Both houses of Congress are also delivered into the hands of the Republican party by crushing majorities. The movement to war is derided as a product of a Jewish conspiracy, and programmes to integrate American Jews into the American community are launched. Given what we know of World War II, we are clearly intended to suspect that such programmes are little more than thin disguises for a later Jewish pogrom. With President Lindberg at the helm, in the space of two years, virulent anti-Semitism spreads and American undergoes its own kristallnacht. Democracy is replaced by fascism almost overnight.
As an alternate history, I found this to be pure bunkum: poorly put together and thought through. Even more damning is that it is depicted in a manner that I found entirely unconvincing.
Now, I am quite ready to believe that no country, with absolutely no exceptions, is immune from embracing totalitarianism. That was not why I found the novel unconvincing. I found it unconvincing because Roth never takes the trouble to show us how the America in his novel comes to embrace fascism. In his America, large majorities of the American citizenry are apparently in hearty support of this course. The only reason Roth gives for their adulatory approval of this trajectory is their desire not to be drawn into war.
All events are seen from the perspective of the narrator, an alternate world Philip Roth, aged nine, living with his family in a tight-knit Jewish community more or less isolated by choice from the rest of white America. From this perspective, we are only allowed to see how the programmes initiated by President Lindberg—apparently with the full support of the WASP-majority, the black minority, and the wealthy Jewish community—impact their lives and shatter the young Roth’s hitherto happy and comfortable childhood.
As I remarked, I do not believe that any society has some kind of natural anti-body against totalitarianism. However, I do believe that such ideas first require fertile ground in which to grow. A prosperous, peaceful nation is not the kind of ground that is ordinarily readily receptive to such ideas. In the novel, at the time of Lindberg’s rise, FDR’s two mandates have brought America to just such a situation. We are meant to accept that despite his success, the public would heartily reject his candidacy in favour of Lindberg’s simply because they idolize the handsome blond aviator and because they fear war.
Even then, I might have been prepared to accept this turn of events if we had been shown how the ordinary American’s thinking changes over the course of Lindberg’s presidency. But we never see this. We are never shown anyone else’s viewpoint other than the narrow view of Roth’s nine-year old protagonist. This choice of perspective is severely limiting not only because of the nine-year old child’s limited understanding of events but because it is a viewpoint confined to that of a working class family living in a wholly Jewish community. Except for a handful of token gentiles who make the occasional walk-on appearance, we are given no other view on events. As a result, we are given no access to the kind of mind set that might be won over by Lindberg’s fascist anti-Semitism or that might gradually come to embrace it.
We are instead presented with a fait accompli which seems to assume the complicit acceptance of a reader already convinced that a relatively prosperous and peaceful democratic America is inherently capable of overthrowing its founding principles in the space of less than two years for no reason other than a desire to avoid war with Hitler. No extended period of deprivation and suffering necessitates the search for a convenient scapegoat; no chaos and breakdown of government legitimacy is needed for people to turn to the illusory certainty afforded by totalitarianism; no seething long-standing community resentment barely held in check by a civil government is needed for hatreds to explode. No, apparently, the hatred of Jews is strong in the gentile. They fear and despise Jews so much that the vast majority would eagerly blind themselves to the loss of their own freedoms to see the hated kike die. Seriously, Roth?
I can see how a fringe minority of the population might be like this. But it generally takes much deeper periods of humiliation and suffering and far harsher shocks to mobilise the majority of a population to such hate. Without showing us this process at work, all we have really is an anti-gentile novel. Ironic, really, given the novel’s ostensible anti-intolerance message.
Well, no. I really “did not like” this book. Hence, the single solitary star.
I hate it when mainstream novelists try their hand at science fiction. They usually muck it up. This is not too surprising given the disregard most of them have for science fiction in the first place. It’s even worse when the science-fiction novel in question is a thinly disguised political rant because the politics overwhelms everything else. Paul Theroux had that problem with O-Zone. Philip Roth has that problem with The Plot Against America.
This alternate history written during the presidency of Bush bis is clearly an attack against the Republican party and its supporters. Notwithstanding my personal inclinations towards such a viewpoint, I found the book deeply dislikeable.
The novel depicts an America in which a President Charles Lindberg, Republican, signs a peace treaty with Germany, Italy, and Japan, having won the election on the promise of peace. Both houses of Congress are also delivered into the hands of the Republican party by crushing majorities. The movement to war is derided as a product of a Jewish conspiracy, and programmes to integrate American Jews into the American community are launched. Given what we know of World War II, we are clearly intended to suspect that such programmes are little more than thin disguises for a later Jewish pogrom. With President Lindberg at the helm, in the space of two years, virulent anti-Semitism spreads and American undergoes its own kristallnacht. Democracy is replaced by fascism almost overnight.
As an alternate history, I found this to be pure bunkum: poorly put together and thought through. Even more damning is that it is depicted in a manner that I found entirely unconvincing.
Now, I am quite ready to believe that no country, with absolutely no exceptions, is immune from embracing totalitarianism. That was not why I found the novel unconvincing. I found it unconvincing because Roth never takes the trouble to show us how the America in his novel comes to embrace fascism. In his America, large majorities of the American citizenry are apparently in hearty support of this course. The only reason Roth gives for their adulatory approval of this trajectory is their desire not to be drawn into war.
All events are seen from the perspective of the narrator, an alternate world Philip Roth, aged nine, living with his family in a tight-knit Jewish community more or less isolated by choice from the rest of white America. From this perspective, we are only allowed to see how the programmes initiated by President Lindberg—apparently with the full support of the WASP-majority, the black minority, and the wealthy Jewish community—impact their lives and shatter the young Roth’s hitherto happy and comfortable childhood.
As I remarked, I do not believe that any society has some kind of natural anti-body against totalitarianism. However, I do believe that such ideas first require fertile ground in which to grow. A prosperous, peaceful nation is not the kind of ground that is ordinarily readily receptive to such ideas. In the novel, at the time of Lindberg’s rise, FDR’s two mandates have brought America to just such a situation. We are meant to accept that despite his success, the public would heartily reject his candidacy in favour of Lindberg’s simply because they idolize the handsome blond aviator and because they fear war.
Even then, I might have been prepared to accept this turn of events if we had been shown how the ordinary American’s thinking changes over the course of Lindberg’s presidency. But we never see this. We are never shown anyone else’s viewpoint other than the narrow view of Roth’s nine-year old protagonist. This choice of perspective is severely limiting not only because of the nine-year old child’s limited understanding of events but because it is a viewpoint confined to that of a working class family living in a wholly Jewish community. Except for a handful of token gentiles who make the occasional walk-on appearance, we are given no other view on events. As a result, we are given no access to the kind of mind set that might be won over by Lindberg’s fascist anti-Semitism or that might gradually come to embrace it.
We are instead presented with a fait accompli which seems to assume the complicit acceptance of a reader already convinced that a relatively prosperous and peaceful democratic America is inherently capable of overthrowing its founding principles in the space of less than two years for no reason other than a desire to avoid war with Hitler. No extended period of deprivation and suffering necessitates the search for a convenient scapegoat; no chaos and breakdown of government legitimacy is needed for people to turn to the illusory certainty afforded by totalitarianism; no seething long-standing community resentment barely held in check by a civil government is needed for hatreds to explode. No, apparently, the hatred of Jews is strong in the gentile. They fear and despise Jews so much that the vast majority would eagerly blind themselves to the loss of their own freedoms to see the hated kike die. Seriously, Roth?
I can see how a fringe minority of the population might be like this. But it generally takes much deeper periods of humiliation and suffering and far harsher shocks to mobilise the majority of a population to such hate. Without showing us this process at work, all we have really is an anti-gentile novel. Ironic, really, given the novel’s ostensible anti-intolerance message.
February 7, 2024
Roth's American Story
In 1935, Sinclair Lewis wrote a less-than-successful novel, "It can't happen here" about how a fascist government overtook the United States. Philip Roth's 2004 novel, "The Plot Against America" seems to me a book in the tradition of Lewis's and other attempts to write novels of alternative history. I found Roth's book, gripping in places as it follows through on its premise. And on a smaller scale, the book offered a good portrayal of Jewish life in Northeast America in 1940s. The book offers a chilling picture of what might happen in any human society overtaken by fear and demagoguery. But for all its virtues, I found the book largely unconvincing.
The story is told by a narrator we are intended to think is the author -- named Philip Roth -- who, at the time book begins is 7 years old in living in Weewauken, New Jersey. His brother, Sandy, age 12 shows the makings of a talented artist and his parents are decent, hard-working people striving to arrive in America's middle class. There is much in this book about growing up Jewish in America and about Roth's and many people's ambivalences. Thus,early in the book Philip says: "It was work that identified and distinguished our neighbors for me far more than religion... The adults were no longer observant in the outward, recognizable ways, if they were observant at all."
The premise of the book is that aviation hero Charles Lindbergh captures the Republican nomination for President in 1940 and defeats President Roosevelt to become the thirty-third President of the United States. Lindbergh pursues a policy of keeping the United States out of WW II and by showing sympathy to Hitler and Nazi Germany. His vice-President is the isolationist Senator Burton Wheeler of Montana, and Henry Ford is Secretary of the Department of the Interior, which is implementing programs to move Jews from their homes, to destroy their communities, and to assimilate them into American life.
Phillip's family lives in fear with the election of Lindbergh, as do most members of their community. But even some family members are sympathetic to Lindberg. As the novel progresses, anti-semitic outbursts and violence in the United States assumes an increasing intensity, until the character of the story shifts at the end. Roth shows how Phiilp's parents, in particular, react to the fascist threat. Roth also portrays a highly diverse and secular Jewish community, some ambitious and upwardly mobile, some involved in organized crime, and many highly ambivalent about their course and life. With all their fear about violence and anti-semitism in what in the book is a fascist America, the characters strive otherwise to be Americans and to place themselves in the mainstream of American life. Thus, in a key passage late in the book, Philip says of his father after he uncharacteristically gets involved in fisticuffs: " He's like the very fathers he wants to be rid of. That's the tyranny of the problem. Trying to be faithful and to get rid of what he's faithful to at the same time." (p. 298)
In an important episode in the book, Roth's brother Sandy goes to live with a tobacco farmer in Danville, Kentucky as part of a Lindbergh administration program to weaken ties of Jewish young people to their community. Paradoxically, Sandy is well treated in Kentucky, becomes close to the Kentucky family, enjoys his experience of farm life, and learns something valuable in broadening his outlook and his understanding of people with a background different from his.
There was a substantial undercurrent of anti-semitism in the United States of the 1940s. Roth captures it well in his story and in the notes he appends to his novel. But the burden of writing a counter-factual story -- what didn't happen -- is too strong for this book. The Republicans nominated Wendell Willkie to run for president -- a highly responsible choice and no fascist. Lindbergh did not run for President, and the United States did not turn to fascism. This book is full of laceration, of the families in the book, and of American politics that is painful and largely overdone. For all the difficult times, I resisted most of the themes of the book and came away with a respect for the strength of American democracy. The book also reminded me of the freedom our country offers, as Americans may choose what to believe in the way of religion, or to practice a religion or not practice, as seems proper to them. These are great gifts offered by our country, and Roth's book reminded me of their value, almost in spite of itself.
Robin Friedman
In 1935, Sinclair Lewis wrote a less-than-successful novel, "It can't happen here" about how a fascist government overtook the United States. Philip Roth's 2004 novel, "The Plot Against America" seems to me a book in the tradition of Lewis's and other attempts to write novels of alternative history. I found Roth's book, gripping in places as it follows through on its premise. And on a smaller scale, the book offered a good portrayal of Jewish life in Northeast America in 1940s. The book offers a chilling picture of what might happen in any human society overtaken by fear and demagoguery. But for all its virtues, I found the book largely unconvincing.
The story is told by a narrator we are intended to think is the author -- named Philip Roth -- who, at the time book begins is 7 years old in living in Weewauken, New Jersey. His brother, Sandy, age 12 shows the makings of a talented artist and his parents are decent, hard-working people striving to arrive in America's middle class. There is much in this book about growing up Jewish in America and about Roth's and many people's ambivalences. Thus,early in the book Philip says: "It was work that identified and distinguished our neighbors for me far more than religion... The adults were no longer observant in the outward, recognizable ways, if they were observant at all."
The premise of the book is that aviation hero Charles Lindbergh captures the Republican nomination for President in 1940 and defeats President Roosevelt to become the thirty-third President of the United States. Lindbergh pursues a policy of keeping the United States out of WW II and by showing sympathy to Hitler and Nazi Germany. His vice-President is the isolationist Senator Burton Wheeler of Montana, and Henry Ford is Secretary of the Department of the Interior, which is implementing programs to move Jews from their homes, to destroy their communities, and to assimilate them into American life.
Phillip's family lives in fear with the election of Lindbergh, as do most members of their community. But even some family members are sympathetic to Lindberg. As the novel progresses, anti-semitic outbursts and violence in the United States assumes an increasing intensity, until the character of the story shifts at the end. Roth shows how Phiilp's parents, in particular, react to the fascist threat. Roth also portrays a highly diverse and secular Jewish community, some ambitious and upwardly mobile, some involved in organized crime, and many highly ambivalent about their course and life. With all their fear about violence and anti-semitism in what in the book is a fascist America, the characters strive otherwise to be Americans and to place themselves in the mainstream of American life. Thus, in a key passage late in the book, Philip says of his father after he uncharacteristically gets involved in fisticuffs: " He's like the very fathers he wants to be rid of. That's the tyranny of the problem. Trying to be faithful and to get rid of what he's faithful to at the same time." (p. 298)
In an important episode in the book, Roth's brother Sandy goes to live with a tobacco farmer in Danville, Kentucky as part of a Lindbergh administration program to weaken ties of Jewish young people to their community. Paradoxically, Sandy is well treated in Kentucky, becomes close to the Kentucky family, enjoys his experience of farm life, and learns something valuable in broadening his outlook and his understanding of people with a background different from his.
There was a substantial undercurrent of anti-semitism in the United States of the 1940s. Roth captures it well in his story and in the notes he appends to his novel. But the burden of writing a counter-factual story -- what didn't happen -- is too strong for this book. The Republicans nominated Wendell Willkie to run for president -- a highly responsible choice and no fascist. Lindbergh did not run for President, and the United States did not turn to fascism. This book is full of laceration, of the families in the book, and of American politics that is painful and largely overdone. For all the difficult times, I resisted most of the themes of the book and came away with a respect for the strength of American democracy. The book also reminded me of the freedom our country offers, as Americans may choose what to believe in the way of religion, or to practice a religion or not practice, as seems proper to them. These are great gifts offered by our country, and Roth's book reminded me of their value, almost in spite of itself.
Robin Friedman
March 17, 2018
I have loved every Philip Roth novel I’ve read so far: he has a way of punching me in the guts with his words, of creating such vividly real characters and putting me right in their shoes… I hesitated picking this one up because current events echo the story a little too much for my taste, but I was morbidly curious to see how Roth had imagined a fascist America. That being said, I wish I had read it a couple of years ago, because reading “The Plot Against America” right now makes it impossible to separate the story on the page from the current American political situation. The parallels between Trump and Lindbergh are chilling; from the isolationist slogans to the friendship with avowed violators of human rights, by way of complicit approval of white supremacists… It can get upsetting, even for a Canadian looking at the American train wreck from the outside, even when you tell yourself “it’s a book, it’s fiction”…
Earlier this year, I read another work of alternate-historical fiction that involved a very different WWII, but “The Plot Against America” is not really like “The Man in the High Castle” (https://www.goodreads.com/review/show...), which worked really well as a novel of ideas but did not flesh out any of its characters. Here, we see the nosedive of America into fascism through the eyes of someone directly impacted by this wind of change in so many ways. Roth weaved himself in this story, as he tries to imagine how his family would have reacted to the changing climate – from his father’s outrage, his brother’s strange but fascinating defection and his cousin’s urge to do something, even if that “something” turns out ill-advised, with tragic consequences. The way he describes the stunned disbelief, the paranoia, the feeling of surreal helplessness experienced by his loved ones is painfully vivid and familiar.
There’s something about watching the news these days that make books like this one much more frightening than they must have been when they were first published. Too bad I didn’t get my hands on this years ago, I would have probably enjoyed it more. 4 stars, because it is beautifully written and heart-wrenching – but reading it now also makes it very depressing…
Earlier this year, I read another work of alternate-historical fiction that involved a very different WWII, but “The Plot Against America” is not really like “The Man in the High Castle” (https://www.goodreads.com/review/show...), which worked really well as a novel of ideas but did not flesh out any of its characters. Here, we see the nosedive of America into fascism through the eyes of someone directly impacted by this wind of change in so many ways. Roth weaved himself in this story, as he tries to imagine how his family would have reacted to the changing climate – from his father’s outrage, his brother’s strange but fascinating defection and his cousin’s urge to do something, even if that “something” turns out ill-advised, with tragic consequences. The way he describes the stunned disbelief, the paranoia, the feeling of surreal helplessness experienced by his loved ones is painfully vivid and familiar.
There’s something about watching the news these days that make books like this one much more frightening than they must have been when they were first published. Too bad I didn’t get my hands on this years ago, I would have probably enjoyed it more. 4 stars, because it is beautifully written and heart-wrenching – but reading it now also makes it very depressing…
December 23, 2019
"There's a plot afoot all right, and I'll gladly name the forces propelling it - hysteria, ignorance, malice, stupidity, hatred, and fear. What a repugnant spectacle our country has become! Falsehood, cruelty and madness everywhere"
Could this book be any more eerily topical? And not just in the US ('America First') but here in the UK where Brexit-madness has split the country, has brought a horrific latent xenophobic and small-minded 'Little England' isolationist agenda back into public life, and where Boris Johnson has refused to reveal a security services dossier on Russian interference in electioneering just before winning a landslide election... Roth's 2004 counterfactual novel may be set in the 1940s but it has a frightening resonance with today.
What I think Roth does so well is to keep events relatively low-key and, thus, convincing - there isn't the melodrama of more popular forays into similar alternative history scenarios (Fatherland is the one that immediately comes to mind). And my edition of the book contains an excellent appendix which shows how closely Roth sticks to reality with regard to Lindbergh, Ford etc... right up to the point at which Lindbergh becomes president in place of Roosevelt in the fictional 1940.
Set against the frightening scenario of an increasingly extremist and overtly anti-Semitic America is the coming of age story of young 'Philip Roth', aged about 6-8 in the book. The extended Roth family and their neighbours add both a personal, intimate dimension to the book's politics and are also a microcosm of the wider world. There is charm here and care, but also division and tragedy.
The book isn't flawless: it's slightly strange that anti-Semitism doesn't expand to other forms of racism given the time and Nazi racial ideology, though the KKK do make a somewhat token appearance at the end. And the end itself feels like Roth wrote himself into a corner and has to pull off a 'with one bound he was free' conclusion. Nevertheless, the final image of poor Seldon being absorbed into the Roth family is the perfect juxtaposition to the external violence, brutality and hatred that drives so much of the plot, and there's a lovely irony that it's the devastation of Pearl Harbour that brings America back from the brink.
A thoughtful, clever, spookily prescient novel that perhaps gains in relevance - and serves as a warning - more today than when it was conceived and written.
December 9, 2013
Once again, Philip Roth has published a novel that you must read - now. It's not that an appreciation of his book depends on the political climate; our appreciation of the political climate depends on his book. During a bitterly contested election in a time of war against an amorphous enemy, "The Plot Against America" inspires exactly the kind of discussion we need.
With a seamless blend of autobiography, history, and speculation, Roth imagines that Charles Lindbergh ran against Franklin Roosevelt in the presidential election of 1940. Drawing on Lindbergh's writings and speeches at the time, Roth creates a campaign for the aviation hero centered on his determination to keep America out of Europe's war. While Roosevelt enunciates complex policies in his famous upper-class cadence, Lindbergh buzzes around the country in The Spirit of St. Louis declaring, "Your choice is simple. It's between Lindbergh and war." To preserve the nation, we must resist the propaganda of "the Jewish race," Lindbergh warns, "and their large ownership and influence in our motion pictures, our press, our radio, and our government."
After winning by a landslide, he immediately negotiates "understandings" with the Axis, consigning Europe to Germany in exchange for a promise to leave America alone. Political opponents rail against the president for "yielding to his Nazi friends," but everybody knows those nay-sayers are just warmongering Jews.
Lindbergh's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." In practice, this involves sending urban Jewish children to spend the summer on farms in the South - "a Jewish farm hand in the Gentile heartland." Eventually, the program expands to remove whole Jewish families from their city "ghettos" and send them to exciting, new lives in the Midwest. If their culture is dissolved in the process, well, that's OK too.
Yes, Lindbergh comes off very bad in these pages. He spouts anti-Semitic canards that sound far more shocking now than in 1938, when he accepted the Nazis' Service Cross of the German Eagle "by order of the Fuhrer." But clearly Roth's real target isn't an anti-Semitic aviation hero who died 30 years ago. It's an electorate he sees as dazzled by attractive faces, moved by simple slogans, and cowed by ominous warnings about threats to our security.
The result is a cautionary story in the tradition of "The Handmaid's Tale," a stunning work of political extrapolation about a triumvirate of hate, ignorance, and paranoia that shreds decency and overruns liberty. Roth provides brilliant analysis of political rhetoric: the way demagogues manipulate public opinion and the way responsible journalists inadvertently prop up tyrants in their devotion to objectivity and balance.
But what really gives the novel life is its narrator: a little boy named Phil Roth. He lives in Newark with his older brother, who's completely enamored with Charles Lindbergh; his righteous father, who's convinced the new president is an American Hitler; and his long- suffering mother, who struggles to hold her family together as the nation is ripped apart.
In a voice that blends the tones of the author's nostalgia with the boy's innocence, Phil describes the national crisis through its effect on his own family. It's a narrative structure fraught with risks, particularly the danger of making this 7-year-old boy look cloying or inappropriately sophisticated, but Roth keeps his bifocal vision in perfect focus. The result is a profound examination of the way children negotiate their parents' ideals and their culture's prejudices along the way to developing not just a political consciousness but a sense of safety in the world.
Soon after Lindbergh wins the election, for instance, the Roth family takes a trip to Washington, D.C., to reassure themselves of the stability of American democracy. Phil's father is full of enthusiasm, repeating the guide's patter and pointing to the sights. He also can't resist broadcasting his criticism of the new president. "That's just expressing my opinion," he protests when his wife begs him to be more discreet, but they're jeered at and thrown out of their hotel. Phil feels embarrassed and terrified, but he's also proud to have a father "ruthlessly obedient to the idea of fair play."
That conflicted response continues as young Phil struggles to keep his alliances straight in a world of baffling complexity. His brother can't say enough about Lindbergh's wonders. Their father's suspicion seems downright paranoid. When his aunt starts dating the token Jew in Lindbergh's administration, Phil can see firsthand the rich rewards of assimilation and collusion. What, after all, did his cousin gain by joining the Canadians in their fight against the Nazis, except a prosthetic leg?
By the novel's climax, the conflict tearing the world apart is violently loose in his own living room. "I was disillusioned," he writes, "by a sense that my family was slipping away from me right along with my country."
Victims of anti-Semitism will react in a special way (as will the descendants of Japanese-Americans interned by Roosevelt), but "The Plot Against America" is really a story about the loss of innocence, about that moment when it's no longer possible for "mother and father to set things right and explain away enough of the unknown to make existence appear to be rational."
This isn't the wrathful Roth of "The Human Stain" or "I Married a Communist." This narrator is too deeply unsettled to be angry, and frankly that makes him far more unsettling to us. In a surprising final chapter, after he's neatly woven his fictional history back into the historical record we all know, Roth concludes with a small, tragic story of a neighbor whose family is crushed, almost accidentally, by the fury of racial hatred. It's a stunning, deeply disturbing episode for young Phil, and one that leaves us shaken with the narrator's "perpetual fear."
http://www.csmonitor.com/2004/0928/p1...
With a seamless blend of autobiography, history, and speculation, Roth imagines that Charles Lindbergh ran against Franklin Roosevelt in the presidential election of 1940. Drawing on Lindbergh's writings and speeches at the time, Roth creates a campaign for the aviation hero centered on his determination to keep America out of Europe's war. While Roosevelt enunciates complex policies in his famous upper-class cadence, Lindbergh buzzes around the country in The Spirit of St. Louis declaring, "Your choice is simple. It's between Lindbergh and war." To preserve the nation, we must resist the propaganda of "the Jewish race," Lindbergh warns, "and their large ownership and influence in our motion pictures, our press, our radio, and our government."
After winning by a landslide, he immediately negotiates "understandings" with the Axis, consigning Europe to Germany in exchange for a promise to leave America alone. Political opponents rail against the president for "yielding to his Nazi friends," but everybody knows those nay-sayers are just warmongering Jews.
Lindbergh's first domestic initiative is the creation of the Office of American Absorption to "encourage America's religious and national minorities to become further incorporated into the larger society." In practice, this involves sending urban Jewish children to spend the summer on farms in the South - "a Jewish farm hand in the Gentile heartland." Eventually, the program expands to remove whole Jewish families from their city "ghettos" and send them to exciting, new lives in the Midwest. If their culture is dissolved in the process, well, that's OK too.
Yes, Lindbergh comes off very bad in these pages. He spouts anti-Semitic canards that sound far more shocking now than in 1938, when he accepted the Nazis' Service Cross of the German Eagle "by order of the Fuhrer." But clearly Roth's real target isn't an anti-Semitic aviation hero who died 30 years ago. It's an electorate he sees as dazzled by attractive faces, moved by simple slogans, and cowed by ominous warnings about threats to our security.
The result is a cautionary story in the tradition of "The Handmaid's Tale," a stunning work of political extrapolation about a triumvirate of hate, ignorance, and paranoia that shreds decency and overruns liberty. Roth provides brilliant analysis of political rhetoric: the way demagogues manipulate public opinion and the way responsible journalists inadvertently prop up tyrants in their devotion to objectivity and balance.
But what really gives the novel life is its narrator: a little boy named Phil Roth. He lives in Newark with his older brother, who's completely enamored with Charles Lindbergh; his righteous father, who's convinced the new president is an American Hitler; and his long- suffering mother, who struggles to hold her family together as the nation is ripped apart.
In a voice that blends the tones of the author's nostalgia with the boy's innocence, Phil describes the national crisis through its effect on his own family. It's a narrative structure fraught with risks, particularly the danger of making this 7-year-old boy look cloying or inappropriately sophisticated, but Roth keeps his bifocal vision in perfect focus. The result is a profound examination of the way children negotiate their parents' ideals and their culture's prejudices along the way to developing not just a political consciousness but a sense of safety in the world.
Soon after Lindbergh wins the election, for instance, the Roth family takes a trip to Washington, D.C., to reassure themselves of the stability of American democracy. Phil's father is full of enthusiasm, repeating the guide's patter and pointing to the sights. He also can't resist broadcasting his criticism of the new president. "That's just expressing my opinion," he protests when his wife begs him to be more discreet, but they're jeered at and thrown out of their hotel. Phil feels embarrassed and terrified, but he's also proud to have a father "ruthlessly obedient to the idea of fair play."
That conflicted response continues as young Phil struggles to keep his alliances straight in a world of baffling complexity. His brother can't say enough about Lindbergh's wonders. Their father's suspicion seems downright paranoid. When his aunt starts dating the token Jew in Lindbergh's administration, Phil can see firsthand the rich rewards of assimilation and collusion. What, after all, did his cousin gain by joining the Canadians in their fight against the Nazis, except a prosthetic leg?
By the novel's climax, the conflict tearing the world apart is violently loose in his own living room. "I was disillusioned," he writes, "by a sense that my family was slipping away from me right along with my country."
Victims of anti-Semitism will react in a special way (as will the descendants of Japanese-Americans interned by Roosevelt), but "The Plot Against America" is really a story about the loss of innocence, about that moment when it's no longer possible for "mother and father to set things right and explain away enough of the unknown to make existence appear to be rational."
This isn't the wrathful Roth of "The Human Stain" or "I Married a Communist." This narrator is too deeply unsettled to be angry, and frankly that makes him far more unsettling to us. In a surprising final chapter, after he's neatly woven his fictional history back into the historical record we all know, Roth concludes with a small, tragic story of a neighbor whose family is crushed, almost accidentally, by the fury of racial hatred. It's a stunning, deeply disturbing episode for young Phil, and one that leaves us shaken with the narrator's "perpetual fear."
http://www.csmonitor.com/2004/0928/p1...
April 2, 2020
Fear presides over these memories, a perpetual fear.
I finally picked up The Plot Against America because I wanted to read it before watching the new HBO series. I had never read anything by Philip Roth, though I’d of course heard things about his books and writing style.
The comparisons between this novel and the current political environment are so obvious as to be barely worth mentioning, though I must say, not only could you just substitute the word Trump for Lindbergh for whole sections of the book without skipping a beat, but even the similarity of some of the minor details comparing the fictional Lindbergh and actual Trump campaigns (reliance on showmanship, ignoring advisors, finding key endorsements to create a permission structure for reluctant voters) are downright eerie. The book postulates—I think correctly—that Lindbergh’s election didn’t create anti-Semitism, but created an environment in which people who had been secretly anti-Semitic all along suddenly felt comfortable letting their racist flag fly in public (think tiki torch Neo-Nazis marching through Charlottesville, and every video form the last three years of people yelling racial slurs at minorities).
So as a work of prognostication, this book gets full marks. But the story is somewhat inconsistent. It’s more a family drama than a true alternative history, which probably could have been predicted by Roth’s decisIon to tell the story through the eyes of an eight-year-old alternative version of himself named Philip Roth. Yet one of the most interesting storylines about the family—the tension between Sandy and his father as they disagree about how Jews can or should assimilate into an America governed by Lindbergh—is abruptly abandoned and not resolved in a very satisfying manner. As for the alternative history, for a book that talks a lot about the dangers of onrushing fascism, it takes a long time for the fascism to actually show up. When it does, it’s the best part of the book, in part I think because Roth tells the climax in the manner of newsreels and steps away from the family drama for that portion of the story.
As for the writing, it feels absurd to criticize a writer of Roth’s pedigree, but I must confess I thought it was ... fine. Every now and then there was a highly quotable or moving sentence or two, but I certainly wasn’t blown away by the quality of his writing, like I was by Orwell or Nabokov or Vonnegut or Cormac McCarthy. Recommended, but there are solid reasons people don’t revere this book the way they do 1984 or The Handmaid’s Tale.
April 13, 2017
Even though this alternate version of American history, written in 2003, is fiction, it eerily mirrors our situation of 2017, down to a foreign government having a say in who is America's president. What was not fiction, however, was what Philip Roth wrote in the postscript to his book. There I learned where the term "America First" came from: "...America First Committee founded at Yale Law School to oppose FDR's policies and promote American isolationism", I also learned how right wing Lindbergh was when he addressed 3,000 at Yale, advocating that America recognize "the new powers in Europe", i.e. Nazis. And also his wife who published her third book subtitled "A Confession of Faith" which immediately became the top nonfiction bestseller, despite it being coined as " the Bible of every American Nazi"
And last but not least : Henry Ford, who said, "I know who caused the war. The German-Jewish banker. I have the evidence here. Facts." FACTS!!!! This person who knew his "facts" also said, "I don't like to read books, they muss up my mind. History is more or less bunk".
And last but not least : Henry Ford, who said, "I know who caused the war. The German-Jewish banker. I have the evidence here. Facts." FACTS!!!! This person who knew his "facts" also said, "I don't like to read books, they muss up my mind. History is more or less bunk".
January 27, 2022
I have not been a fan of alternate history over the years, because real history is so interesting, and the actual stories of real events are wonderful. However, I did enjoy Philip Roth's The Plot Against America because so many of the details of the nonfiction part of the story seemed so accurate that the slight exaggerations of the fictional part weren't off base.
This is a novel of a Jewish family living in New Jersey from 1940 to 1942 and the terrible events that rocked the family because of the change of government and the policies they promulgated. The reader sees how the family dynamics evolve through the eyes of young Philip. One of the strong points of the book is the narrator who always seems to be the correct age.
The ending to me was unsatisfactory, but it would have been a much longer novel to have the whole alternate history play out to its logical conclusion, so I can see why Roth brought this family drama to a close.
This is a novel of a Jewish family living in New Jersey from 1940 to 1942 and the terrible events that rocked the family because of the change of government and the policies they promulgated. The reader sees how the family dynamics evolve through the eyes of young Philip. One of the strong points of the book is the narrator who always seems to be the correct age.
The ending to me was unsatisfactory, but it would have been a much longer novel to have the whole alternate history play out to its logical conclusion, so I can see why Roth brought this family drama to a close.
September 1, 2021
Scordatevi il Roth trasgressivo, cinico e scanzonato di tanti suoi romanzi. Questa è una storia cupa, drammatica, che di antisemitismo parla e di antisemitismo pare nutrirsi, che conduce il lettore per mano a scoprire il clima d'incertezza e terrore che ogni minoranza vittima di razzismo sperimenta sulla sua pelle giorno per giorno. Intenso. Assolutamente da leggere.
May 24, 2023
“--nor had I understood til then how the shameless vanity of utter fools can so strongly determine the fate of others”
― Philip Roth, The Plot Against America
The first time I read this book in 2009 the alternative history portrayed seemed safely implausible. On this latest reading these events seem all too believable. Except for a faltering ending this is a fantastic novel. Roth’s writing is impeccable. The slow rise of Fascism in America under the administration of a right winged Republican presidency at the beginning of WWII felt like a continuation of the Trump administration. Roth does an excellent job conveying how familial ties are increasingly strained in a lower middle class Jewish family in Newark, New Jersey during a time of building political tension. All of this is shown through the eyes of the youngest member of this family who doesn't fully understand what is going on around him.
Ron Silver, the audiobook narrator is excellent.
― Philip Roth, The Plot Against America
The first time I read this book in 2009 the alternative history portrayed seemed safely implausible. On this latest reading these events seem all too believable. Except for a faltering ending this is a fantastic novel. Roth’s writing is impeccable. The slow rise of Fascism in America under the administration of a right winged Republican presidency at the beginning of WWII felt like a continuation of the Trump administration. Roth does an excellent job conveying how familial ties are increasingly strained in a lower middle class Jewish family in Newark, New Jersey during a time of building political tension. All of this is shown through the eyes of the youngest member of this family who doesn't fully understand what is going on around him.
Ron Silver, the audiobook narrator is excellent.
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