"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence.
Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."
Works of American playwright Arthur Asher Miller include Death of a Salesman (1949), for which he won a Pulitzer Prize, and The Crucible (1953).
This essayist, a prominent figure in literature and cinema for over 61 years, composed a wide variety, such as celebrated A View from the Bridge and All My Sons, still studied and performed worldwide. Miller often in the public eye most famously refused to give evidence to the un-American activities committee of the House of Representatives, received award for drama, and married Marilyn Monroe. People at the time considered the greatest Miller.
Ne vem. To je ena tistih, ki bi jih moral večkrat prebrat in videt na odru. Mestoma je polna lepega jezika, čudovitih dialogov, pretresljivih samogovorv. Če ne bi poznala ozadja in Millerjeve motivacije, bi popolnoma zanemarila širšo sliko in secirala Proctorja v prafaktorje. Na vseh 127 straneh nam Miller moli pod nos, da je John Proctor dober človek, ki je storil napako, zaradi katere trpi v dno duše. Ampak Miller ni bil ženska, ker če bi bil, bi vedel, da si Proctor zasluži (z lepimi pozdravi od žene) najprej eno pošteno na gobec, šele potem lahko filozofiramo o tem, kaj se v drami dogaja: histerija, čarovnice, zloba, obtožbe.