George Stevens(1904-1975)

As a cinematographer at Hal Roach Studios, he is credited with saving the film career of young British comic Stan Laurel. Laurel's pale blue eyes would register as an unnatural white on orthochromatic film, the standard film in use at that time. Stevens knew of panchromatic film and was able to get a supply of it from Chicago. This film was sensitive to blue so that Laurel's eyes would photograph more naturally. Laurel would use Stevens for his short films at Roach. When Stan Laurel was teamed up with Oliver Hardy, the team make Stevens their cameraman of choice.

[on CinemaScope] It's fine if you want a system that shows a boa constrictor to better advantage than a man.