IMDb-BEWERTUNG
5,8/10
12.665
IHRE BEWERTUNG
Kobolde, Elfen, Feen und Kobolde und ihre Missgeschicke, die durch den Kampf um einen mächtigen Trank ausgelöst wurden.Kobolde, Elfen, Feen und Kobolde und ihre Missgeschicke, die durch den Kampf um einen mächtigen Trank ausgelöst wurden.Kobolde, Elfen, Feen und Kobolde und ihre Missgeschicke, die durch den Kampf um einen mächtigen Trank ausgelöst wurden.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Evan Rachel Wood
- Marianne
- (Synchronisation)
Elijah Kelley
- Sunny
- (Synchronisation)
Kristin Chenoweth
- Sugar Plum Fairy
- (Synchronisation)
Maya Rudolph
- Griselda
- (Synchronisation)
Alan Cumming
- Bog King
- (Synchronisation)
Meredith Anne Bull
- Dawn
- (Synchronisation)
Sam Palladio
- Roland
- (Synchronisation)
Alfred Molina
- Fairy King
- (Synchronisation)
Bob Einstein
- Stuff
- (Synchronisation)
Peter Stormare
- Thang
- (Synchronisation)
Kevin Michael Richardson
- Brutus
- (Synchronisation)
Llou Johnson
- Pare
- (Synchronisation)
Robbie Daymond
- Fairy Cronies
- (Synchronisation)
Brenda Chapman
- Imp
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe Fairy King is modeled after George Lucas.
- PatzerThe moon appears accurate at 49:00 and 54:00, but is flipped horizontally while it is setting at 1:06:30.
- Crazy CreditsEnd of credit scene: Thang is listening as the mushrooms pass on information. He shares that information with the audience: "Tea Blend" (as in "The End").
- VerbindungenFeatured in Animation Lookback: Top 5 Best & Worst Animated Films of 2014 (2014)
- SoundtracksCan't Help Falling In Love
Written by Hugo Peretti, Luigi Creatore and George David Weiss
Performed by Evan Rachel Wood & Sam Palladio
Ausgewählte Rezension
First, comment on one star ratings. I can see where children under the age of six (6) or so might not be as captivated as they would be for PBS style kids' programming: expecting simple graphics and age readability appropriate dialogue such as few syllables; short sentences; concrete familiar references; simple, not abstract concepts. Add to this mix some scary visuals. Also, some of the songs are teen and above. So
Second, for all ages (except above mentioned) the blend of straight dialogue with pop music (some oldies; some newer) dialogue to move the story forward was artfully blended. Admittedly I didn't quite get it in the beginning, but I was able to overcome some of my dumbness and learned to appreciate it. The singing vocal quality from the voice actors was surprisingly good. Third, computer hardware and graphics' programs continue to evolve and are producing scaringly realistic animations: surfaces, modeling, mattes, compositing naturalistic movement. Kudos to all involved. Fourth, the film's messages of seeing in a new way; looking under the surface; love - all make the film worth watching just for that reason.
- westsideschl
- 25. Mai 2015
- Permalink
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 12.429.583 $
- Eröffnungswochenende in den USA und in Kanada
- 5.504.441 $
- 25. Jan. 2015
- Weltweiter Bruttoertrag
- 13.603.453 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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