IMDb-BEWERTUNG
5,1/10
12.065
IHRE BEWERTUNG
Die legendärsten und beliebtesten Feiertage aller Zeiten werden auf eine originelle Weise in Szene gesetzt und so unsere Folklore, Traditionen und Annahmen in Frage gestellt.Die legendärsten und beliebtesten Feiertage aller Zeiten werden auf eine originelle Weise in Szene gesetzt und so unsere Folklore, Traditionen und Annahmen in Frage gestellt.Die legendärsten und beliebtesten Feiertage aller Zeiten werden auf eine originelle Weise in Szene gesetzt und so unsere Folklore, Traditionen und Annahmen in Frage gestellt.
- Auszeichnungen
- 3 Nominierungen insgesamt
Art Campion
- The Man (segment: "Saint Patrick's Day")
- (as Peter Campion)
Norma Sheahan
- The Voice (segment: Saint Patrick's Day)
- (Synchronisation)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSeth Green and Clare Grant play a married couple and are also married to each other in real life.
- VerbindungenReferenced in Minty Comedic Arts: 10 Things You Didn't Know About Cat's Eye (2018)
- SoundtracksGone Back Home Today
Written by Henry Stone
Courtesy of Henry Stone Music USA, Inc.
Ausgewählte Rezension
Horror anthologies are always a risky business. With multiple writers and directors, there's bound to be an inconsistency in quality throughout. At least with this, given that the shorts, all based on a different holiday, are consistently bad, there is a consistent level of quality throughout.
Valentine: (2.5/5) A blatant Carrie rip-off with some dangling plot threads and a lack of explanation, but at least it gets the black comedy angle of the anthology right and has a clever ending.
St Patrick's Day: (1/5) A laughably stupid dud in every sense. What were they thinking?
Easter: (1.5/5) One good jump scare aside, this is tedious, tasteless and toothless.
Mother's Day: (1/5) A terrible body horror short where pretty much nothing happens. Oh, and then just when something is happening, it ends.
Father's Day: (3.5/5) A cleverly constructed and told short story which is arguably the best of the bunch in many ways, but it's still too open-ended and vague to satisfy.
Halloween: (3.5/5) An effective, squirm-inducing dark comedy that is both amusing and uncomfortable, although it is complete nonsense.
Christmas: (2.5/5) They had a great idea here... which they did absolutely nothing with and once again it ends just as it's starting to get interesting.
New Year's Eve: (2.5/5) More formulaic stuff which is mildly entertaining but just too predictable.
These films aren't scary, but they're not meant to be. They're meant to be dark, uncomfortable comedies. Sadly, the stories are weak and just lack any true meaning or point. I learnt something important in Film Studies: when you make a short film, the story should start when the film ends in a way. That's a good thing to remember if you're making a short film and that is basically what all these shorts do. But... don't forget to get the audience interested and actually give them enough information to leave them satisfied! Evidently, these writers and directors forgot that.
4/10
Valentine: (2.5/5) A blatant Carrie rip-off with some dangling plot threads and a lack of explanation, but at least it gets the black comedy angle of the anthology right and has a clever ending.
St Patrick's Day: (1/5) A laughably stupid dud in every sense. What were they thinking?
Easter: (1.5/5) One good jump scare aside, this is tedious, tasteless and toothless.
Mother's Day: (1/5) A terrible body horror short where pretty much nothing happens. Oh, and then just when something is happening, it ends.
Father's Day: (3.5/5) A cleverly constructed and told short story which is arguably the best of the bunch in many ways, but it's still too open-ended and vague to satisfy.
Halloween: (3.5/5) An effective, squirm-inducing dark comedy that is both amusing and uncomfortable, although it is complete nonsense.
Christmas: (2.5/5) They had a great idea here... which they did absolutely nothing with and once again it ends just as it's starting to get interesting.
New Year's Eve: (2.5/5) More formulaic stuff which is mildly entertaining but just too predictable.
These films aren't scary, but they're not meant to be. They're meant to be dark, uncomfortable comedies. Sadly, the stories are weak and just lack any true meaning or point. I learnt something important in Film Studies: when you make a short film, the story should start when the film ends in a way. That's a good thing to remember if you're making a short film and that is basically what all these shorts do. But... don't forget to get the audience interested and actually give them enough information to leave them satisfied! Evidently, these writers and directors forgot that.
4/10
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Kì Nghỉ Kinh Hoàng
- Drehorte
- Dublin, Irland(on location: segment "St. Patrick's Day")
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 55.621 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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