Die Liebe ist eine schwierige Herzensangelegenheit

Karan Johar has lost it. This guy at least knew how to make crowd pleasing commercial dramas but this film has no chemistry between the actors, bad acting, bad dialogues and one single theme of one sided love inadequately explored. A great disappointment.

I found Ae Dil Hai Mushkil thoroughly disappointing. Nothing about this movie connected to me. In my opinion, Karan Johar's Kabhi Alvida Na Kehna was the worst. However, ADHM manages to top even that!

Ranbir Kapoor and Anushka Sharma spend the first half imitating characters from Johar's previous movies and movies from the 80s while the second half looks like a retelling of Ranbir's own Rockstar (what with Ranbir eventually becoming a singer and the terminal illness track of Anushka)! Just disappointing! I think anyone could have played the role of Aishwarya Rai-Bachchan's Saba. There was nothing spectacular about her performance. However, I think she lets her eyes do most of the talking which is why Johar picked her for the role. She has this incredible talent of emoting with her eyes without saying a word which most actresses of today fail to do. Even her shayaris had no depth whatsoever. Not to mention she struggles with the Urdu portions. I don't think her role was even necessary as she appears in a 15 minuteish role. Ditto for Fawad Khan whose presence in this movie created such a furor prior to its release! Fawad is wasted in a role with which he could have done wonders with. Fawad lets himself to be overshadowed by Ranbir in some of the scenes that they share.

Performance-wise, it's Ranbir and Anushka's film. They own every scene that they have. However, it's the script that lets them down that they find themselves imitating characters from various old Hindi films! It's Ranbir Kapoor who rises over an inane script, leaving his own stamp in each scene which could have fallen flat in a lesser actor's hands. But then he has experience from his own movie, Rockstar where he also played a similar role, playing a lovelorn boy to the hilt. Anushka Sharma is good but finds herself trapped in a role that was done-to-death before a billion times in Bollywood!

On a final note, ADHM is just a one-time watch for Karan Johar and Ranbir Kapoor's fans. I felt like Johar cheated us by creating suspense about the plot of the film before its release. There's nothing novel about the plot of ADHM!

It's a movie for the heart broken or the poem lovers. Some of the lines are hilarious, witty, poetic, and has the depth of Oscar Wilde's quote. It is to the extent that I cohered with one dialogue in the movie, "did you rehearse those lines …" This movie has dealt with human emotions with near perfection, with each character having its degree. None of the characters were written naively; they had their gray shades, marred with resistance and vulnerability. The chemistry was extraordinary, in particular between Anushka & Ranbir. I doubt young ones would be able to absorb such nuanced seepage of emotions.

However, the plot is weak. No doubt about it. Also, this movie is awfully feminist. Here a private-jet rich kid is being used by two women, err three women, with Aishwarya being the third. And Aishwarya's ex-husband doesn't have a problem with her relation with Ranbir. He goes on to justify it with cheesy one-liners.

Having stated above; the movie had his heart in the right place. It's nowhere near 500 days of summer, but if you are a heartbroken person, you might reckon to add it to your library.

As a technician director Mr. Karan Johar, work is good but as a creative person nothing is good. There is very convenient and out dated story. Screenplay offers only a few just worth smile scenes in first half. Basic drawback in this seemingly love story movie is there is no love. Makers point of view of love is just few kissing scenes and looks a like love making scene. They didn't feel need of exploring or establishing love with new perspective. First half approach of love and film is ahead of time and second half belongs to gone era in dialogues as second female lead is a 'Shayera' but behaviors and dresses wise again ultra modern, who doesn't blink for a second to be intimate with a person just in second meet!! There is not a single clear cut character. Initially first pair is established very rich but then there was no any further need of this thing. All characters are confused. Even pre climax cause is very stale and looks funny rather than projecting any high octane emotions but actors shed tears now and then with loud gesture. Open end climax in a love story is just unbearable. You remain seated and think what was it? Performance wise Ranbir Kapoor is good. Anushka Sgarma is impressive. Aishwaraya Rai Bachchan is fine. Music wise " Achchha Chalta Hun Dua Mein Yaad Rakhna' is well placed, written and composed, credit goes to Music director Preetam and lyricist Amitabh Bhattachrya.

Watch this movie only for that 2 minutes in which Shah Rukh Khan comes to screen and mouths the dialogue " the power of unrequited love " (main promo dialogue) " believe me he perfectly emotes the pain of one sided love and emptiness you feel when you knew that somebody will never love you and instead of that you have to love him/her because you can't do anything else. And one more line that SRK says that stands out that " I don't even need him/her to love him/her " i:e - I don't even need X to love X . This movie is cliché and Karan Johar didn't offer anything new , all the things in this particular movie is million times seen and repetitive. Ranbir is alright , Aishwarya does justice to her character and Anushka is over the top and annoying you can't feel the attachment to her character. Her love and longing with Ali is so weak that it almost felt irrelevant . Supporting cast is minimal and leading actors didn't provide anything to hold onto once movie ends. Music is indeed good and all the credit goes to Composer , lyricist , and singers .

Go watch SHAH RUKH KHAN doing what he does best "Romance" whether it's Mushy or Heartbreaking : even it is there only for a two minutes.