Ein Bankräuber sieht sich außerstande, seinen Verfolgern zu entkommen.Ein Bankräuber sieht sich außerstande, seinen Verfolgern zu entkommen.Ein Bankräuber sieht sich außerstande, seinen Verfolgern zu entkommen.
- Auszeichnungen
- 6 Gewinne & 47 Nominierungen insgesamt
Taliah Webster
- Crystal
- (as Taliah Lennice Webster)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAll actors didn't read the script but were given a detailed backstory of their characters and were told to improvise every scene, while Robert Pattinson and Benny Safdie had scripts but were still told to react to the others as well as they could.
- PatzerWhen Connie drives past the Elmhurst Hospital to drop off Ray, he is actually driving past the Saint Joseph's Medical Center in Yonkers, New York.
- Zitate
Connie Nikas: I think something very important is happening and it's deeply connected to my purpose.
- Crazy CreditsExcepting the production companies and title, the opening credits begin 17 minutes into the movie.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Good Time (2017)
- SoundtracksTu Con El
(uncredited)
Written by Eduardo Franco Da Silva
Performed by Frankie Ruiz
Ausgewählte Rezension
If I could ever experience what it's like to be a neon light inside a crowded nightclub, I imagine it would feel a lot like watching Good Time.
This movie exudes intensity, electricity, and neonicity (not a real word, just roll with it). The opening scene provides the movie's blandest color scheme, but it's serious and compelling and important, so pay attention.
From there, the movie leaps fearlessly into a techno blasting, adrenaline surging, rush of mayhem and terrible decision making. Two brothers rob a bank, run from the police, and one ends up in the hospital. Then it gets worse.
Constantine (played by Robert Pattinson, in a career-making performance) lives a life of dysfunction. He struggles to maintain healthy relationships with family or friends or anyone. The one thing in his life that he's sure of is that he wants to take care of his brother, who has intellectual disabilities. He spends a majority of the film frantically (frantic accurately describes the mood for most of Good Time) attempting to save his brother from the trouble that he put him in. The problem is that Constantine can't even properly take care of himself, so helping his brother is far beyond his abilities.
Try as he may, every attempt to help backfires. Despite Constantine's good intentions, he is a powerfully negative influence in his brother's life. He sees himself as his brother's savior, but that's very far from the truth.
It's tempting to sympathize with Constantine. He has real moments of decency. But just when you may think this isn't such a bad guy, he showcases another instance of unsavory behavior. That seems to be the story of his life—fleeting moments of hope, followed by swift slaps of grim reality that are mostly brought on by his own doing.
In the end, his brother, Nick, becomes the more likable character. We want what is best for Nick, just like Constantine does. Because of this shared goal, I want Constantine to succeed. I have never rooted harder for a character that I didn't really want to root for. That's all because of Nick.
Since this is sounding deeply dramatic, let me reiterate, this isn't a plodding sob story. The frantic pace, ludicrously rousing music and color scheme will make your eyes bug out and your hair stand up. Actually, you may literally stand up at certain moments because of the intensity.
See Good Time if you're up for an intense crime thriller. Just don't forget to think while watching. There's more to this movie than neon and techno.
This movie exudes intensity, electricity, and neonicity (not a real word, just roll with it). The opening scene provides the movie's blandest color scheme, but it's serious and compelling and important, so pay attention.
From there, the movie leaps fearlessly into a techno blasting, adrenaline surging, rush of mayhem and terrible decision making. Two brothers rob a bank, run from the police, and one ends up in the hospital. Then it gets worse.
Constantine (played by Robert Pattinson, in a career-making performance) lives a life of dysfunction. He struggles to maintain healthy relationships with family or friends or anyone. The one thing in his life that he's sure of is that he wants to take care of his brother, who has intellectual disabilities. He spends a majority of the film frantically (frantic accurately describes the mood for most of Good Time) attempting to save his brother from the trouble that he put him in. The problem is that Constantine can't even properly take care of himself, so helping his brother is far beyond his abilities.
Try as he may, every attempt to help backfires. Despite Constantine's good intentions, he is a powerfully negative influence in his brother's life. He sees himself as his brother's savior, but that's very far from the truth.
It's tempting to sympathize with Constantine. He has real moments of decency. But just when you may think this isn't such a bad guy, he showcases another instance of unsavory behavior. That seems to be the story of his life—fleeting moments of hope, followed by swift slaps of grim reality that are mostly brought on by his own doing.
In the end, his brother, Nick, becomes the more likable character. We want what is best for Nick, just like Constantine does. Because of this shared goal, I want Constantine to succeed. I have never rooted harder for a character that I didn't really want to root for. That's all because of Nick.
Since this is sounding deeply dramatic, let me reiterate, this isn't a plodding sob story. The frantic pace, ludicrously rousing music and color scheme will make your eyes bug out and your hair stand up. Actually, you may literally stand up at certain moments because of the intensity.
See Good Time if you're up for an intense crime thriller. Just don't forget to think while watching. There's more to this movie than neon and techno.
- Jared_Andrews
- 18. Sept. 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Good Time: Viviendo al límite
- Drehorte
- Adventureland - 2245 Broadhollow Road, Farmingdale, Long Island, New York, USA(adventureland amusement park scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.026.499 $
- Eröffnungswochenende in den USA und in Kanada
- 125.101 $
- 13. Aug. 2017
- Weltweiter Bruttoertrag
- 3.274.936 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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