Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.Ein junger Afroamerikaner besucht den mysteriösen Familiensitz seiner weißen Freundin.
- 1 Oscar gewonnen
- 154 Gewinne & 214 Nominierungen insgesamt
Caren L. Larkey
- Emily Greene
- (as Caren Larkey)
Julie Ann Jones
- April Dray
- (as Julie Ann Doan)
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Handlung
WUSSTEST DU SCHON:
- WissenswertesDaniel Kaluuya was given the lead role on the spot after nailing his audition. Writer, co-producer, and director Jordan Peele said Kaluuya did about five takes of a key scene, in which his character needs to cry, and each was so perfect that the single tear came down at the exact same time for each take.
- PatzerWhen Rod searches for information on Andre Hayworth, the second result is a page titled "How to report a missing person." However, in the close-up, the excerpt from the page shows instructions on how to feed a dog.
- Zitate
[last lines]
Rod Williams: I mean, I told you not to go in that house. I mean...
Chris Washington: How you find me?
Rod Williams: I'm TS-motherfuckin'-A. We handle shit. That's what we do. Consider this situation fuckin' handled.
- SoundtracksRun Rabbit Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
Ausgewählte Rezension
'Get Out' was very highly recommended by a friend, also a fellow film enthusiast, and the subject matter of the film really interested me. Add to that a very promising trailer, the award nominations and wins and mostly positive word of mouth (even with the very vocal detractors), and interest was higher.
High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.
It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.
That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.
Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.
Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.
While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.
My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.
Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox
High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.
It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.
That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.
Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.
Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.
While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.
My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.
Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox
- TheLittleSongbird
- 6. März 2018
- Permalink
Top-Auswahl
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Details
Box Office
- Budget
- 4.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 176.196.665 $
- Eröffnungswochenende in den USA und in Kanada
- 33.377.060 $
- 26. Feb. 2017
- Weltweiter Bruttoertrag
- 255.751.443 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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