IMDb-BEWERTUNG
7,6/10
36.242
IHRE BEWERTUNG
Ein Paar, das in Scheidung lebt, muss sich zusammenraufen, um den gemeinsamen Sohn zu finden, der während einer ihrer erbitterten Auseinandersetzungen verschwunden ist.Ein Paar, das in Scheidung lebt, muss sich zusammenraufen, um den gemeinsamen Sohn zu finden, der während einer ihrer erbitterten Auseinandersetzungen verschwunden ist.Ein Paar, das in Scheidung lebt, muss sich zusammenraufen, um den gemeinsamen Sohn zu finden, der während einer ihrer erbitterten Auseinandersetzungen verschwunden ist.
- Für 1 Oscar nominiert
- 28 Gewinne & 49 Nominierungen insgesamt
Andris Keiss
- Anton
- (as Andris Keysh)
Natalya Potapova
- Zhenya's Mother
- (as Nataliya Potapova)
Handlung
WUSSTEST DU SCHON:
- WissenswertesOfficial submission of Russia for the 'Best Foreign Language Film' category of the 90th Academy Awards in 2018. However, the movie lost out to the Chilean transgender drama, Eine fantastische Frau (2017).
- PatzerWhile the plot sets in late 2012, Sleepwalking by Bring Me The Horizon, that was released in 2013, plays in the car.
- VerbindungenFeatured in 75th Golden Globe Awards (2018)
- SoundtracksSilouans Song
Composed by Arvo Pärt
Ausgewählte Rezension
Moscow, 2012: Zhenya (Maryana Spivak) and Boris (Aleksey Rozin) are a miserably married couple preparing for a divorce as they try to sell their apartment. Each has a new lover as they prepare for their new lives but both are negligent of their tormented twelve-year old son, Alyosha (Matvey Novikov) - thus causing a major twist in the story.
Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).
Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.
Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.
He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.
The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic
Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).
Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.
Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.
He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.
The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic
- proud_luddite
- 23. Apr. 2018
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Нелюбов
- Drehorte
- Shodnenskiy Kovsh, Yuzhnoye Tushino District, Moskau, Russland(woods and river)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 566.356 $
- Eröffnungswochenende in den USA und in Kanada
- 30.222 $
- 18. Feb. 2018
- Weltweiter Bruttoertrag
- 3.928.358 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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