Never-Ending Man: Hayao Miyazaki
Originaltitel: Owaranai hito: Miyazaki Hayao
IMDb-BEWERTUNG
6,8/10
962
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA look at famous Japanese animator Hayao Miyazaki following his retirement in 2013.A look at famous Japanese animator Hayao Miyazaki following his retirement in 2013.A look at famous Japanese animator Hayao Miyazaki following his retirement in 2013.
Handlung
WUSSTEST DU SCHON:
- VerbindungenFeatured in Top 10 Best Animated Films of the 2010 Decade (2019)
Ausgewählte Rezension
Feeling a little like a sequel to 2013's The Kingdom of Dreams and Madness, Never-Ending Man: Hayao Miyazaki is another behind-the-scenes look at Studio Ghibli and Hayao Miyazaki, effectively taking the view that Ghibli is Miyazaki, and vice-versa. It sees the legendary filmmaker coming out of retirement - kind of - to make a short film that incorporates CGI animation, and how he struggles with that and occasionally finds it interesting... still, he probably complains about it more often than not, and that can also be entertaining in its own way.
Miyazaki comes across as even more of a doomer in this than usual, but I guess it's interesting to watch in the wake of The Boy and the Heron being released; it feels a little less downbeat, knowing Miyazaki found the drive post-2016 to work on another feature film. The personal nature of this documentary really gets to the core of how creatively driven this man is, even while he constantly battles feelings of self-doubt and even self-hatred.
Never-Ending Man: Hayao Miyazaki can never go too in-depth, given its 70-minute runtime, and I think it's also a little repetitive in parts. I still found it largely engaging throughout, and it's easy to recommend to fans of Studio Ghibli/Hayao Miyazaki; any behind-the-scenes documentaries about such subjects feel vital and interesting by default.
Miyazaki comes across as even more of a doomer in this than usual, but I guess it's interesting to watch in the wake of The Boy and the Heron being released; it feels a little less downbeat, knowing Miyazaki found the drive post-2016 to work on another feature film. The personal nature of this documentary really gets to the core of how creatively driven this man is, even while he constantly battles feelings of self-doubt and even self-hatred.
Never-Ending Man: Hayao Miyazaki can never go too in-depth, given its 70-minute runtime, and I think it's also a little repetitive in parts. I still found it largely engaging throughout, and it's easy to recommend to fans of Studio Ghibli/Hayao Miyazaki; any behind-the-scenes documentaries about such subjects feel vital and interesting by default.
- Jeremy_Urquhart
- 5. März 2024
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Owaranai hito: Miyazaki Hayao
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 187.320 $
- Eröffnungswochenende in den USA und in Kanada
- 10.238 $
- 16. Dez. 2018
- Weltweiter Bruttoertrag
- 187.320 $
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Oberste Lücke
By what name was Never-Ending Man: Hayao Miyazaki (2016) officially released in Canada in English?
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