IMDb-BEWERTUNG
6,2/10
32.551
IHRE BEWERTUNG
Ein Polizist verbindet wieder mit Menschen aus einer verdeckten Zuweisung in ihrer fernen Vergangenheit um Frieden zu machen.Ein Polizist verbindet wieder mit Menschen aus einer verdeckten Zuweisung in ihrer fernen Vergangenheit um Frieden zu machen.Ein Polizist verbindet wieder mit Menschen aus einer verdeckten Zuweisung in ihrer fernen Vergangenheit um Frieden zu machen.
- Auszeichnungen
- 3 Gewinne & 20 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesNicole Kidman stated that she got the flu during filming, but powered through and tried to use it in her performance. For the final scene in the movie with her character's daughter, Kidman said she was so sick while filming she could "barely stand."
- PatzerTwo license plates used in this movie show up on TV shows. A car waiting at an intersection when Bell tails Petra's ride to the bank heist has the plate 2FAN321. This was also used on The Rookie S5E4 on an SUV in the background, and in S5E21 on a drive-by shooter's car when Frank is having dinner with Lucy. When Petra's ride arrives at the heist and lets her and another person out, it's in front of a car with the plate 3DHI832. This was also used on SWAT S6E6 on Saint's car.
There is no continuity between props in a movie and props in unrelated TV shows.
- SoundtracksIf You with It
Written by Paul Kalayeh, James Desmond, Louis Summerville, John Eugenio
Performed by Beat Xplosion
Published by Engine Co 35 Music Publishing
Courtesy of 5 Alarm Music
Ausgewählte Rezension
My grade of B- is all for the A-list Nicole Kidman showing us she can act like Charlize Theron in Monster. Destroyer is her film, and she does her best to show us she can be badass L.A. PD detective Erin Bell with years on her face and chips on her shoulder. It's just that the vehicle for this iconic actress is a middling thriller with a jumbled plot about her being an undercover cop, a heist gone wrong, and her annoyingly disaffected daughter, Shelby (Jade Pettyjohn), for whom Erin suffers much.
Kidman is made up to look like a beaten woman, but we do get a few too many flashbacks to show us how beautiful she was as a young brunette cop with a future. Director Karyn Kusama keeps the camera close on Kidman, as if she were begging us not to forget that underneath some neat makeup beats the heart and face of a super movie star.
Beyond Kidman's overpowering presence, some solid performances emerge, for instance Sebastian Stan as Chris, her loving partner; and Beau Knapp, as the boyfriend Jay no one would want for your daughter. Myriad other minor characters reflect the complex world of LA, real and romantic. It's the best city I know for attractive crime and fetching diversity.
Perhaps the awareness of glamorous Kidman as a squinting Dirty Harry is what steers the film and her performance to mediocrity. This observation may condemn Kidman to playing courtesans and rich mothers, but the reality is that she has over the years crafted an enviable persona relying partly on her unusually good looks. Perhaps this rough detective will allow us to forget that image as she plays in more gritty roles that display, without distraction, a world-class actress.
If you are a Kidman fan (I became one after Moulin Rouge), see Destroyer, which just may pleasantly erase your picture of perfection.
Kidman is made up to look like a beaten woman, but we do get a few too many flashbacks to show us how beautiful she was as a young brunette cop with a future. Director Karyn Kusama keeps the camera close on Kidman, as if she were begging us not to forget that underneath some neat makeup beats the heart and face of a super movie star.
Beyond Kidman's overpowering presence, some solid performances emerge, for instance Sebastian Stan as Chris, her loving partner; and Beau Knapp, as the boyfriend Jay no one would want for your daughter. Myriad other minor characters reflect the complex world of LA, real and romantic. It's the best city I know for attractive crime and fetching diversity.
Perhaps the awareness of glamorous Kidman as a squinting Dirty Harry is what steers the film and her performance to mediocrity. This observation may condemn Kidman to playing courtesans and rich mothers, but the reality is that she has over the years crafted an enviable persona relying partly on her unusually good looks. Perhaps this rough detective will allow us to forget that image as she plays in more gritty roles that display, without distraction, a world-class actress.
If you are a Kidman fan (I became one after Moulin Rouge), see Destroyer, which just may pleasantly erase your picture of perfection.
- JohnDeSando
- 2. Jan. 2019
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Destrucción
- Drehorte
- 9800 S. Sepulveda Blvd., Los Angeles, Kalifornien, USA(Interiors and exteriors. SoCal Mutual Bank robbery scenes, using W 98th. st. doors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.533.324 $
- Eröffnungswochenende in den USA und in Kanada
- 55.347 $
- 30. Dez. 2018
- Weltweiter Bruttoertrag
- 5.580.940 $
- Laufzeit2 Stunden 1 Minute
- Farbe
- Seitenverhältnis
- 2.35 : 1
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