Der geheime Roman des Monsieur Pick

The film is an essay into existentialism on people deciding what reality is. The eponymous character is someone who simply lived life. Fabrice Lucchini is brilliant as the thorny antagonist who cannot believe what other people want to believe. In the quest to speak the truth the edifice of his life crumbles away and he apparently wants to do the same with others. This surface of the film works hand in glove with the nature of mysteries. Why can some people see a mystery and others cannot? Why do other people give a blank no or just not care? The solution of the mystery can be anti-climactic due to the what now factor. The film's gentle nudge at the end that existence goes on reflects upon us all as Henri Pick.