Little Chrysia is not made up as a hideous spinster or stupid charwoman in this one. She is a charming woman who suspects her husband of carrying on an affair. She follows him, of course, but when he goes into a restaurant at lunch, she cannot follow -- in those days, women who entered joints like that by themselves were deemed to be looking for a man to leave with. So she settles on another scheme to dissuade him from outside attachments.
The Cunegonde slapstick comedies that Little Chrysia starred in, as well as the Arabella ones produced in the United Kingdom, were primitive affairs, consisting of set-up and well-executed gag, all over in half a reel. For what they are and the era they were produced in, they ranged from adequate to quite good, but they offered little that other series did not.
