Ein zu Hause unterrichteter Teenager beginnt zu vermuten, dass ihre Mutter ein dunkles Geheimnis vor ihr verbirgt.Ein zu Hause unterrichteter Teenager beginnt zu vermuten, dass ihre Mutter ein dunkles Geheimnis vor ihr verbirgt.Ein zu Hause unterrichteter Teenager beginnt zu vermuten, dass ihre Mutter ein dunkles Geheimnis vor ihr verbirgt.
- Auszeichnungen
- 3 Gewinne & 5 Nominierungen insgesamt
Tony Revolori
- Brooklyn Boy
- (Synchronisation)
Carter Heintz
- Nivea Boy
- (Nicht genannt)
Conan Hodgkinson
- Winner
- (Nicht genannt)
Erica Jenkins
- Hannah
- (Nicht genannt)
Emma Jonnz
- Elizabeth
- (Nicht genannt)
Steve Pacaud
- Doctor
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesKiera Allen (Chloe) has used a wheelchair since 2014. The filmmakers wanted to cast a disabled actress, stating that Hollywood rarely casts disabled actors for disabled roles. [Variety Magazine]
- PatzerAs a suicide risk, Chloe should have a 1:1 sitter at all times- a staff member, or at the least, a video monitor, to make sure she doesn't try to harm herself. The room should have been cleared of any sharp objects, as well as wires, ties, cords, hospital linens, etc, that could be used to make a noose. The nurse/doctor even acknowledges this risk by not allowing Chloe to use her pen, but commits a grave error leaving her alone in the room.
- Zitate
Chloe Sherman: I... don't... need you.
Diane Sherman: You will.
- SoundtracksDo Me Like
Performed by Beatnet
Written by Brandon Stewart
Courtesy of The Math Club
Ausgewählte Rezension
From the writer-director of Searching comes another neatly crafted, briskly paced & delightfully atmospheric mystery-thriller that makes fab use of its genre elements to deliver the chills. Run steadily ratchets up the tension & only gets more suspenseful as plot progresses but the story also loses its sure footing in the final act and fails to separate itself from the crowd.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
Co-written & directed by Aneesh Chaganty, where his feature film debut dazzled us with its originality, unpredictability & edge-of-the-seat storytelling, this sophomore effort only gets bogged down by our own familiarity with the setup. Still, there are several tense & thrilling scenarios in store here and the plot sustains its grip on the viewers for the most part. However, the payoff isn't rewarding enough.
It doesn't take long for the main plot to surface. It actually does a tad too early when more time should've been devoted to make the mother-daughter bonding feel real & authentic before sowing the seeds of doubt & suspicion in our protagonist. Acting is impressive from both Sarah Paulson & Kiera Allen, for the former is believable as the crazy mom while the latter renders every facet of her character's physicality with precision to steal the show.
Overall, Run is a competently constructed example of its genre(s) that manages to keep us invested in the outcome despite the predictable storyline but unfortunately fails to stick the landing in the final moments to wrap up on a fulfilling note. The finale still works, albeit in a formulaic & generic way. Underwhelming when compared to Chaganty's previous feature, Run is still far from a disaster and a slight adjustment in expectations should yield a satisfying enough experience for most, if not all.
- CinemaClown
- 25. Nov. 2020
- Permalink
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Details
Box Office
- Weltweiter Bruttoertrag
- 5.184.368 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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