Der Mann, der die Ohrfeigen bekam

Stepping into the role created on Broadway by Richard Bennett, Lon Chaney stars in this film as a once famous scientist who chose the life of a circus clown out of shame.

At least now I know where the business with James Stewart in The Greatest Show on Earth came from. But whereas Stewart was guilty of a mercy killing, Chaney leaves because he's found that his wife's been two timing him with a titled nobleman.

Years later Chaney is a famous attraction at the circus in Paris and he's falling big time for young Norma Shearer who is a bareback rider and also a member of the nobility who has fallen on hard times. She can't see Chaney no way, no how. She's got her eyes on trapeze artist John Gilbert.

But wouldn't you know it, Marc McDermott that self same cad who took Chaney's wife from him has designs on Shearer. And her dad Tully Marshall who's a lecherous old reprobate himself wants to get back in the chips himself so he's quite willing to pawn off Shearer to the old rake.

Naturally of course Chaney has his plans for the whole lot of them and it's settled in a gruesome manner for the silent screen. The film is highly melodramatic and would be considered camp today, but for the subtle performance of Chaney. For the silent screen, with a minimum of histrionics, Chaney does get you to feel a lot of empathy for the character.

It's one of that fine collection of characters Chaney created when the screen didn't speak and should be seen.