IMDb-BEWERTUNG
8,2/10
9170
IHRE BEWERTUNG
Ein Film über die Jugend und die frühe Militärkarriere des französischen Generals.Ein Film über die Jugend und die frühe Militärkarriere des französischen Generals.Ein Film über die Jugend und die frühe Militärkarriere des französischen Generals.
- Auszeichnungen
- 4 wins total
Nicolas Roudenko
- Napoléon Bonaparte enfant
- (as Vladimir Roudenko)
Max Maxudian
- Barras
- (as Maxudian)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAbel Gance remembered one scene that was removed by the censors--that of the execution of civilians by soldiers. The camera is used like a bullet, zooming towards one human target, then another, then another. The sequence is lost, although a still photograph does survive.
- PatzerJunoit makes a comment about not needing sand when an artillery shell dumps soil on the sign he is painting. This is based on an actual incident, but Junot was writing a letter for Napoleon not painting a sign.
- Alternative VersionenThere are apparently at least 19 different versions of this film, starting with the original 6-hours cut (in a "triptych" format, requiring three projectors on three screens, called Polyvision). It has been shown in various formats and different running times, including a 1934 version re-edited by director Abel Gance and featuring an added soundtrack.
- VerbindungenEdited into Napoléon Bonaparte (1935)
- SoundtracksThe Thrill of Being In Love (Love Theme of Napoleon and Josephine)
Music by Carmine Coppola
Lyrics by Italia Coppola (USA version)
UK version: score by Carl Davis (based largely on works by Beethoven)
Ausgewählte Rezension
I saw this back in '81 or '82, on the Big Screen at the Shrine Auditorium in Los Angeles, with Carmine Coppola conducting a live orchestra -- there has never been anything like that in all my movie-going experience! The closest that's come since was _Intolerance_, restored, with another live orchestra performing under the baton of the composer, Gillian Anderson (no, not the one from the X-Files). That, too, was an occasion to remember ... but where is Napoleon on DVD?
As many other reviewers have said, Napoleon was a relevatory experience. Certainly, other films to that point had used most of the devices Gance employed so brilliantly (except, of course, his three-screen-wide "Polyvision"), but then sound came in and the requirements of the microphone killed the recently mobilized camera. The camera became very static for at least the next ten years of films -- dynamic camera movements only returned when sound mixing came in to being, and scenes could be shot MOS (mit out sound), with foley and overdubbing replacing the missed sounds.
For this reason, Napoleon is important to see -- as a technical achievement. But Gance's artistry wasn't limited to gimmicks. His pacing, editing, and direction of the actors (including Dieudonne as Nappy -- looking amazingly Rod-Stewart-like) is excellent as well.
Highly recommended -- and when the DVD comes out -- hopefully, with the fuller, five-hour restoration, and Coppola's music on one track, with a reconstruction of the original music on another (and perhaps Gillian Anderson has a score of her own to share?) -- you'll owe it to yourself, as a student of Film, to see it, over and over again.
As many other reviewers have said, Napoleon was a relevatory experience. Certainly, other films to that point had used most of the devices Gance employed so brilliantly (except, of course, his three-screen-wide "Polyvision"), but then sound came in and the requirements of the microphone killed the recently mobilized camera. The camera became very static for at least the next ten years of films -- dynamic camera movements only returned when sound mixing came in to being, and scenes could be shot MOS (mit out sound), with foley and overdubbing replacing the missed sounds.
For this reason, Napoleon is important to see -- as a technical achievement. But Gance's artistry wasn't limited to gimmicks. His pacing, editing, and direction of the actors (including Dieudonne as Nappy -- looking amazingly Rod-Stewart-like) is excellent as well.
Highly recommended -- and when the DVD comes out -- hopefully, with the fuller, five-hour restoration, and Coppola's music on one track, with a reconstruction of the original music on another (and perhaps Gillian Anderson has a score of her own to share?) -- you'll owe it to yourself, as a student of Film, to see it, over and over again.
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Details
Box Office
- Budget
- 20.000.000 FRF (geschätzt)
- Weltweiter Bruttoertrag
- 39.448 $
- Laufzeit4 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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