Füge eine Handlung in deiner Sprache hinzuBecause the Stanislavsky method of playing bridge has no rules, it promotes marital harmony for those who stick with it.Because the Stanislavsky method of playing bridge has no rules, it promotes marital harmony for those who stick with it.Because the Stanislavsky method of playing bridge has no rules, it promotes marital harmony for those who stick with it.
Wally Albright
- Boy Bridge Player
- (Nicht genannt)
William Bailey
- Van Dorn's Bridge Partner
- (Nicht genannt)
Reginald Barlow
- Theodore
- (Nicht genannt)
Maurice Black
- Paul
- (Nicht genannt)
Harry C. Bradley
- Bridge Match Referee
- (Nicht genannt)
Jack Byron
- Lola's Contest Escort
- (Nicht genannt)
Walter Byron
- Barney Starr
- (Nicht genannt)
Joseph Cawthorn
- Alex Alexandrovitch
- (Nicht genannt)
Jimmy Conlin
- Oscar Smelt
- (Nicht genannt)
George Cooper
- Josh
- (Nicht genannt)
Gino Corrado
- Barber
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film uses the actual cover of the November 8, 1932 (no. 2572) edition of Life magazine. At the time, the publication was a humor magazine, like Punch in the UK, with limited circulation.
- PatzerIn the newspaper article about Peter beating Van Dorn, the second paragraph of the story is unrelated gibberish.
- Zitate
Marcia Stanislavsky: How have you been?
Philip 'Speed' McCann: Okay. I've been working pretty hard. I just finished writing a book called Sex and What Causes It. It's for Bernard McGovern. I got five grand out of it.
Marcia Stanislavsky: Five grand!
Philip 'Speed' McCann: For only two weeks work. How have you been?
Marcia Stanislavsky: Oh, boy.
- Crazy CreditsOpening credits begin with bridge being played in the background. Then, closeups of cards are shown with a picture of one of the actor/actress, his/her name, and the role s/he plays in the movie; director credited also on a playing card.
Ausgewählte Rezension
The current score for grand slam is astounding for a little movie so well-directed, well-acted and so truly funny.
For those who know bridge and satire, there are some laugh-out-loud moments, particularly the vignettes of husbands and wives fighting across the tables. In fact, Stanislavsky's bridge "system" is all about keeping couples together by doing away with the rules entirely. Of course, this is a goof on the other Stanislavsky's "method" acting, which is not to act at all.
The scenes where the stuffed-shirt bridge establishment meets Stanislavsky are priceless. They just can't imagine how anybody, much less a common waiter, can make an opening bid of 7 spades, much less win. And there's the cleft between bridge players and pinochle players, who consider bridge players sissies.
A younger Paul Lukas is charming as Stanislavsky, a Russian emigré who is not an aristocrat, not a general, but rather "a genius". His wife, the key to his fame, is Loretta Young at her loveliest. They and a great supporting cast are handled, and the scenes expertly paced, by A-list director William Dieterle.
The crucial match is fought as if it were a heavyweight title fight, complete with breathless play-by-play, complete with climactic moment where the whole world stops -- literally! Of course, all of this is over-the-top, and all of it works, if you get the bridge craze that had swept America for the first half of the 20th century to ridiculous extremes.
In fact, it's still going on. Did you know that the 2008 financial meltdown and recession we're still feeling can arguably be put to bridge? One of the key players in the meltdown was investment bank Bear Stearns. There was a run on this bank, while its CEO was out of the loop...playing bridge.
Grand Slam is a good-natured dig at pop fame and enthusiasms. As Stanislavsky said to the microphone as he was being carried of the field of play, "Hello, Ma!"
In fact, the more I think of how delightful this comedy of manners is, the more frustrated I am by the score. This movie deserves at least a 7. I give it an 8.
For those who know bridge and satire, there are some laugh-out-loud moments, particularly the vignettes of husbands and wives fighting across the tables. In fact, Stanislavsky's bridge "system" is all about keeping couples together by doing away with the rules entirely. Of course, this is a goof on the other Stanislavsky's "method" acting, which is not to act at all.
The scenes where the stuffed-shirt bridge establishment meets Stanislavsky are priceless. They just can't imagine how anybody, much less a common waiter, can make an opening bid of 7 spades, much less win. And there's the cleft between bridge players and pinochle players, who consider bridge players sissies.
A younger Paul Lukas is charming as Stanislavsky, a Russian emigré who is not an aristocrat, not a general, but rather "a genius". His wife, the key to his fame, is Loretta Young at her loveliest. They and a great supporting cast are handled, and the scenes expertly paced, by A-list director William Dieterle.
The crucial match is fought as if it were a heavyweight title fight, complete with breathless play-by-play, complete with climactic moment where the whole world stops -- literally! Of course, all of this is over-the-top, and all of it works, if you get the bridge craze that had swept America for the first half of the 20th century to ridiculous extremes.
In fact, it's still going on. Did you know that the 2008 financial meltdown and recession we're still feeling can arguably be put to bridge? One of the key players in the meltdown was investment bank Bear Stearns. There was a run on this bank, while its CEO was out of the loop...playing bridge.
Grand Slam is a good-natured dig at pop fame and enthusiasms. As Stanislavsky said to the microphone as he was being carried of the field of play, "Hello, Ma!"
In fact, the more I think of how delightful this comedy of manners is, the more frustrated I am by the score. This movie deserves at least a 7. I give it an 8.
- jacksflicks
- 29. Juni 2015
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- La gran jugada
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- Budget
- 164.000 $ (geschätzt)
- Laufzeit1 Stunde 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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