Füge eine Handlung in deiner Sprache hinzuA young woman with a difficult past is sentenced for a murder she didn't commit, but revealing the truth could hurt people she loves.A young woman with a difficult past is sentenced for a murder she didn't commit, but revealing the truth could hurt people she loves.A young woman with a difficult past is sentenced for a murder she didn't commit, but revealing the truth could hurt people she loves.
Joseph W. Girard
- Captain of Detectives
- (as Joe Girard)
Jack Cheatham
- Policeman
- (Nicht genannt)
Rose Plumer
- Paulino's Maid
- (Nicht genannt)
Otto Yamaoka
- Kito - John Grant's Houseboy
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe painting for the movie poster is by Peruvian artist Alberto Vargas, who was working in the United States. He later became known for his images of the "Vargas Girls."
This movie's Vargas poster was ranked #2 of "The 25 Best Movie Posters Ever" by "Premiere." IndependentCritics.com named the same Vargas film poster as the #1 poster of all time in their Top 100 List.
- Zitate
District Attorney John Grant: Oh, come on now, Edith. Please, please, let's be honest with ourselves. You weren't thinking any more of Dick than i was.
- VerbindungenReferenced in Citizen Kane (1941)
Ausgewählte Rezension
The story really intrigued me on paper, and structurally 'The Sin of Nora Moran' fascinated just as much. Non-linear narratives are not for all but to me this structure has been done very well many times on film. Others have mentioned being drawn into seeing the film from its poster, and no wonder. It is definitely one eye-catching poster that has a real allure that is difficult to resist. So there were no real reservations before seeing 'The Sin of Nora Moran'.
While hopes were extremely high, there was admittedly a little doubt as to whether 'The Sin of Nora Moran' would work well. Having seen my fair share of films etc that had great potential but either doesn't fully live up to it or completely wastes it. Luckily 'The Sin of Nora Moran' did live up to expectations, if not exceeded them, and didn't waste its potential at all. Is it a masterpiece? No. Does it deserve to be seen more and is it a good film? To me, yes on both counts.
A lot works here. One of the most striking aspects of 'The Sin of Nora Moran' is the cinematography, not many pre-code films made this early on in the history of sound pictures had photography this realistic-looking. Stylish and atmospheric absolutely many times, like here, but the camera techniques and the atmosphere created with them was so vivid it was like watching a semi-documentary. The film is very skillfully directed, going at a tight pace while allowing some breathing room, and the scoring and use of sound is not intrusive or over-the-top in my view. Zita Johann gives a very powerful and heartfelt lead performance that makes one care about Nora without making her too obvious.
Rest of the cast do very well too if not quite up to Johann's level with their characters not being as interesting. Alan Dineheart comes off best as the second most interesting character and with some of the film's best lines. In a script that is very thought-provoking with some tense and poignant parts. The film may not look lavish outside of the cinematography, but in my view it does not look cheap and has a suitable amount of grit that suits the bold subject matter well. As well as the cinematography, the other interesting aspect of 'The Sin of Nora Moran' is the structure of the story. A relatively unconventional one at the time, not unheard of but not seen a lot, and an interesting one, not many films at the time had a flashback within a flashback for instance. Also appreciated its boldness, with some ahead of the time themes to address on film and none are sugar-coated. Did find myself caring for Nora and her plight.
Having said all of that, some of the constant back and forth in the first half can feel a little confusing (wouldn't go as far to say that it's illogical though personally) and like one is not quite keeping up always.
Some of it is admittedly melodramatic and schmaltzy early on.
In summary, very good and interesting on the whole. 8/10
While hopes were extremely high, there was admittedly a little doubt as to whether 'The Sin of Nora Moran' would work well. Having seen my fair share of films etc that had great potential but either doesn't fully live up to it or completely wastes it. Luckily 'The Sin of Nora Moran' did live up to expectations, if not exceeded them, and didn't waste its potential at all. Is it a masterpiece? No. Does it deserve to be seen more and is it a good film? To me, yes on both counts.
A lot works here. One of the most striking aspects of 'The Sin of Nora Moran' is the cinematography, not many pre-code films made this early on in the history of sound pictures had photography this realistic-looking. Stylish and atmospheric absolutely many times, like here, but the camera techniques and the atmosphere created with them was so vivid it was like watching a semi-documentary. The film is very skillfully directed, going at a tight pace while allowing some breathing room, and the scoring and use of sound is not intrusive or over-the-top in my view. Zita Johann gives a very powerful and heartfelt lead performance that makes one care about Nora without making her too obvious.
Rest of the cast do very well too if not quite up to Johann's level with their characters not being as interesting. Alan Dineheart comes off best as the second most interesting character and with some of the film's best lines. In a script that is very thought-provoking with some tense and poignant parts. The film may not look lavish outside of the cinematography, but in my view it does not look cheap and has a suitable amount of grit that suits the bold subject matter well. As well as the cinematography, the other interesting aspect of 'The Sin of Nora Moran' is the structure of the story. A relatively unconventional one at the time, not unheard of but not seen a lot, and an interesting one, not many films at the time had a flashback within a flashback for instance. Also appreciated its boldness, with some ahead of the time themes to address on film and none are sugar-coated. Did find myself caring for Nora and her plight.
Having said all of that, some of the constant back and forth in the first half can feel a little confusing (wouldn't go as far to say that it's illogical though personally) and like one is not quite keeping up always.
Some of it is admittedly melodramatic and schmaltzy early on.
In summary, very good and interesting on the whole. 8/10
- TheLittleSongbird
- 20. Juli 2020
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Woman in the Chair
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 5 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was The Sin of Nora Moran (1933) officially released in India in English?
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