IMDb-BEWERTUNG
7,7/10
21.311
IHRE BEWERTUNG
Ein Tänzer aus dem USA kommt nach Großbritannien und verliebt sich in ein Modell. Sie findet ihn anfangs langweilig, verwechselt ihn aber mit seinem vertrottelten Produzenten.Ein Tänzer aus dem USA kommt nach Großbritannien und verliebt sich in ein Modell. Sie findet ihn anfangs langweilig, verwechselt ihn aber mit seinem vertrottelten Produzenten.Ein Tänzer aus dem USA kommt nach Großbritannien und verliebt sich in ein Modell. Sie findet ihn anfangs langweilig, verwechselt ihn aber mit seinem vertrottelten Produzenten.
- Für 4 Oscars nominiert
- 7 Gewinne & 6 Nominierungen insgesamt
Robert Adair
- London Hotel Clerk
- (Nicht genannt)
Lucille Ball
- Flower Clerk
- (Nicht genannt)
Tito Blasco
- Minor Role
- (Nicht genannt)
William A. Boardway
- Club Member
- (Nicht genannt)
Tom Brandon
- Minor Role
- (Nicht genannt)
Roy Brent
- Minor Role
- (Nicht genannt)
Tex Brodus
- Hotel Guest
- (Nicht genannt)
Pokey Champion
- Dancer
- (Nicht genannt)
Phyllis Coghlan
- Dancer
- (Nicht genannt)
Gino Corrado
- Venice Hotel Manager
- (Nicht genannt)
Tom Costello
- Minor Role
- (Nicht genannt)
Lorinne Crawford
- Dancer
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe first time Fred Astaire and Ginger Rogers had a screenplay written specifically for them.
- PatzerWhen Dale and Beddini leave the hotel in London, it is obvious the drivers of the cabs are sitting on the left. The UK drives on the left, so the drivers should have been on the right.
- Zitate
Jerry Travers: In dealing with a girl or horse, one just lets nature take its course.
- Alternative VersionenThe Lobster video edition has a few missing shots around 33 minutes.
- VerbindungenFeatured in Hollywoods goldene Jahre, Teil 2: Die große Zeit des Tonfilms (1962)
- SoundtracksAlexander's Ragtime Band
(1911) (fragment) (uncredited)
Music by Irving Berlin
In the score during the opening credits
Ausgewählte Rezension
Top Hat is a terrific musical about mistaken identity that pushes the "joke" to the limit but never takes it self very seriously. Fred Astaire and Ginger Rogers are perfect as actors, dancers, and pals in this engaging comedy with several great dance numbers.
Astaire does a great solo (with male chorus line) to Top Hat and teams with Rogers in The Piccolino, Isn't It a Lovely Day, and Cheek to Cheek. All excellent. During The Piccolino number they seem to be having so much fun it's contagious and it seems like the entire number is done in ONE TAKE! Co-starring are 4 great actors who all turn in splendid performances. Helen Broderick is Madge, the frustrated and wise-cracking wife. Edward Everett Horton is Horace, the henpecked but conniving husband. Eric Blore is the valet, and Erik Rhodes is Beddini. Each gets his/her turn in the spotlight. Broderick was the perfect "older" woman as sidekick, Horton and Blore are a great comedy team of scene stealers, and Rhodes has a ball fracturing English. Lucille Ball has a bit part as the florist's assistant.
Central of course are Ginger Rogers and Fred Astaire. The Cheek to Cheek number is a classic and is fun to watch the feathers fly off Ginger's dress. My favorite is The Piccolino, especially when it breaks into a swing number and the dancers can really cut loose. Great fun.
One drawback is the UGLY set decorations that are in the same style no matter where they are. It's all that white-on-white stuff with hideous Greek decals and floral sprays everywhere. Even the scenes in Venice are all white right down to the gondolas. And just why are people swimming in the canals?
Astaire does a great solo (with male chorus line) to Top Hat and teams with Rogers in The Piccolino, Isn't It a Lovely Day, and Cheek to Cheek. All excellent. During The Piccolino number they seem to be having so much fun it's contagious and it seems like the entire number is done in ONE TAKE! Co-starring are 4 great actors who all turn in splendid performances. Helen Broderick is Madge, the frustrated and wise-cracking wife. Edward Everett Horton is Horace, the henpecked but conniving husband. Eric Blore is the valet, and Erik Rhodes is Beddini. Each gets his/her turn in the spotlight. Broderick was the perfect "older" woman as sidekick, Horton and Blore are a great comedy team of scene stealers, and Rhodes has a ball fracturing English. Lucille Ball has a bit part as the florist's assistant.
Central of course are Ginger Rogers and Fred Astaire. The Cheek to Cheek number is a classic and is fun to watch the feathers fly off Ginger's dress. My favorite is The Piccolino, especially when it breaks into a swing number and the dancers can really cut loose. Great fun.
One drawback is the UGLY set decorations that are in the same style no matter where they are. It's all that white-on-white stuff with hideous Greek decals and floral sprays everywhere. Even the scenes in Venice are all white right down to the gondolas. And just why are people swimming in the canals?
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Sombrero de copa
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 609.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 13.592 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Ich tanz mich in dein Herz hinein (1935) officially released in India in English?
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