IMDb-BEWERTUNG
6,5/10
3177
IHRE BEWERTUNG
Ein Wissenschaftler wird zum Mörder, nachdem er ein starkes neues Element namens Radium X entdeckt hat und dessen Strahlung ausgesetzt war.Ein Wissenschaftler wird zum Mörder, nachdem er ein starkes neues Element namens Radium X entdeckt hat und dessen Strahlung ausgesetzt war.Ein Wissenschaftler wird zum Mörder, nachdem er ein starkes neues Element namens Radium X entdeckt hat und dessen Strahlung ausgesetzt war.
- Auszeichnungen
- 1 wins total
Boris Karloff
- Dr. Janos Rukh
- (as Karloff)
Georges Renavent
- Chief of the Surete
- (as Georges Renevant)
Ricca Allen
- Bystander
- (Nicht genannt)
Charles Bastin
- French Newsboy
- (Nicht genannt)
May Beatty
- Mme. LeGrand
- (Nicht genannt)
Ted Billings
- Counterman
- (Nicht genannt)
Ernest A. Bouveron
- French Newsboy
- (Nicht genannt)
Helen Brown
- Blind Girl's Mother
- (Nicht genannt)
Daisy Bufford
- Infant's Mother
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe set for Dr. Rukh's laboratory appeared as that of Ming the Merciless in Flash Gordon (1936) and Countess Zelaska's castle in Draculas Tochter (1936).
- PatzerThe film shows a clipping from a news magazine announcing that the principal characters have gone on an expedition to Nigeria to find the meteor containing Radium X. Yet in the earlier sequence showing the meteor landing on earth, it hit on the southwest coast of Africa over 1,000 miles away from Nigeria.
- Zitate
Ronald Drake: [discussing Benet's plan to invite unwitting scientists to a lecture intended as a trap for Rukh] Do you think it's fair to expose them to the danger?
Dr. Felix Benet: There are only two people he wants to destroy. Two, or perhaps... three.
- Crazy CreditsThe character of "Professor Meiklejohn," correct in the opening credits, is listed as "Professor Mendelssohn" in the closing credits.
- VerbindungenEdited into Mondo Lugosi - A Vampire's Scrapbook (1987)
- SoundtracksBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Played on an organ for the wedding
Ausgewählte Rezension
Karloff and Lugosi - Together again! This is one of those films that casual fans will pass over and tend not to appreciate as much. It's not an all-out horror film like the duo's previous two hits, The Black Cat and The Raven. But, it is very worthy of both's talents and is a fun film when re-visited.
The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.
Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.
Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.
Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).
The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!
The Invisible Ray was directed by Lambert Hillyer, a director who mainly made westerns, but curiously in these final days of the Laemmles' reign at Universal, he found himself helming this and the Laemmles' final horror film, Dracula's Daughter. Both are crisp, clean-cut fantasies that are very light on horror content despite the fantastic elements.
Just as Lugosi went wild in The Raven, much needs to be said of Karloff's hamming in The Invisible Ray. The one aspect of the story that is particularly unsatisfying is that Karloff's character, Rukh, acts so madly before he is poisoned by Radium X, that there really isn't much of a change once he starts glowing. This is very similar to the complaint people have about Jack Nicholson in The Shining - He's basically a loony right from the start. There isn't any real transformation. Same here. Halfway through Karloff simply has an added purpose for revenge in his mind. I still enjoyed his performance, though, just as I did Lugosi's over-the-top antics in The Raven.
Meanwhile, Lugosi completely surprises you and gives a restrained, and thoughtful turn as Rukh's rival in science, Dr. Benet. Lugosi also has some of the best lines in the film, including a memorable warning to the police trying to catch Rukh, of which I am in alignment with horror film writer John Soister on - "And if he (Rukh) touches anyone?" the inspector inquires. Lugosi hesitatingly replies, in a way that only Lugosi could deliver, "They die". Just as Lugosi could be so off, he could also be more perfect than any actor. This is one of those moments.
Therefore, Karloff and Lugosi's interactions are all very good as we get the mad antics of Karloff pared off against the cool logic of Lugosi. Karloff would go on to play similar mad scientists many times, however, one wishes Lugosi would have gotten to play more straight roles like this one. He only had one more chance (Ninotchka).
The Invisible Ray is a fun film, and a real treat to the true Karloff and Lugosi fans. It is one of those films that improves on each viewing, not because it is a masterpiece, but because of the charisma and talent of its' stars and how this story complements the darker, more horrific pairings they had. The special effects, by the always innovative John Fulton, are terrific and the supporting actors are all adequate. Frances Drake looks as beautiful as she did in Mad Love and plays a strong woman, something seldom seen in classic horror films. The scene in the end when Karloff stalks her and she doesn't scream is one of the most haunting moments of the film. A terrific, fun film!
- the_mysteriousx
- 8. Apr. 2005
- Permalink
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- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Invisible Ray
- Drehorte
- Backlot, Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA(Hunchback of Notre Dame church set)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 20 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was Tödliche Strahlen (1935) officially released in India in English?
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