IMDb-BEWERTUNG
7,7/10
16.736
IHRE BEWERTUNG
Das geordnete Leben eines älteren Professors gerät gefährlich außer Kontrolle, als er sich in eine Nachtklubsängerin verliebt.Das geordnete Leben eines älteren Professors gerät gefährlich außer Kontrolle, als er sich in eine Nachtklubsängerin verliebt.Das geordnete Leben eines älteren Professors gerät gefährlich außer Kontrolle, als er sich in eine Nachtklubsängerin verliebt.
Eduard von Winterstein
- Der Schuldirektor
- (as Eduard V. Winterstein)
Roland Varno
- Lohmann
- (as Rolant Varno)
Carl Balhaus
- Ertzum
- (as Karl Balhaus)
Károly Huszár
- Der Wirt
- (as Karl Huszar-Puffy)
Die Weintraub Syncopators
- Group Cast Performers
- (as The Weintraub Syncopators)
Friedrich Hollaender
- Pianist
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere are various accounts of why Marlene Dietrich was cast as Lola Lola, but the one given by director Josef von Sternberg in his autobiography is that Dietrich came to test for the film with a bored, world-weary attitude because she was convinced she wasn't going to get the role and was merely going through the motions - and Sternberg hired her because that world-weary attitude was precisely what he wanted for the character.
- PatzerWhen the professor returns to the night club and sees Lola again, he gets covered in her makeup and moves to the mirror to clean himself up, which he does not completely manage. Yet, when confronting the captain, his clothes are completely clean. After he has thrown him out of doors, the stains reappear.
- Alternative VersionenSimultaneously shot in two versions (English and German) with the same cast; the German (with English subtitles) version is more popular because of the heavy German accents of the cast in the English language version. English lyrics for the songs were written by Sam Lerner.
- VerbindungenEdited into The Double-Headed Eagle: Hitler's Rise to Power 1918-1933 (1973)
- SoundtracksIch bin von Kopf bis Fuß auf Liebe eingestellt
(uncredited)
Written by Friedrich Hollaender
Performed by Marlene Dietrich
Ausgewählte Rezension
First -and only- time I saw Der Blaue Engel, I was a boy of about 13-14 years old. Even though this was over 35 years ago, I still remember how this movie blew me away. I came out of the theater with a new understanding of the world and the human condition.
The story is in essence about love, and what it can make a person do. It is also about what people will do to each other, a theme this movie takes to it's extreme. The acting is supreme, the atmosphere breathtaking, the music score fabulous. Marlene sings one of the great songs in movie history; German cabaret pur sang.
This is a European film in the best sense of the word. It gives the spectator the feeling of being picked up and dropped somewhere in time and place, to witness a dramatic sequence of events in the lives of a small group of people. It starts out jolly enough, but pretty soon you feel that things are going to go terribly wrong. And sure enough, they do.
The young boy that was I, left this movie with a weird mixture of feelings. On the one hand the fear of ever being trapped in such a romantic cul-de-sac, and of losing all human dignity. On the other, a deep longing to experience those bitter emotions. Isn't this the greatest accolade for a tragedy: that it moves you to tears, but at the same time makes you want to experience the sad events that caused those tears?
The story is in essence about love, and what it can make a person do. It is also about what people will do to each other, a theme this movie takes to it's extreme. The acting is supreme, the atmosphere breathtaking, the music score fabulous. Marlene sings one of the great songs in movie history; German cabaret pur sang.
This is a European film in the best sense of the word. It gives the spectator the feeling of being picked up and dropped somewhere in time and place, to witness a dramatic sequence of events in the lives of a small group of people. It starts out jolly enough, but pretty soon you feel that things are going to go terribly wrong. And sure enough, they do.
The young boy that was I, left this movie with a weird mixture of feelings. On the one hand the fear of ever being trapped in such a romantic cul-de-sac, and of losing all human dignity. On the other, a deep longing to experience those bitter emotions. Isn't this the greatest accolade for a tragedy: that it moves you to tears, but at the same time makes you want to experience the sad events that caused those tears?
- The_unemployed_cynic
- 21. Dez. 2001
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Professor Unrat
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 4.410 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.20 : 1
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Oberste Lücke
By what name was Der blaue Engel (1930) officially released in India in English?
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