Füge eine Handlung in deiner Sprache hinzuA prison reformer and a controversial judge fall in love and have a child out of wedlock.A prison reformer and a controversial judge fall in love and have a child out of wedlock.A prison reformer and a controversial judge fall in love and have a child out of wedlock.
J. Carrol Naish
- Dr. Sorelle
- (as J. Carroll Naish)
Rafaela Ottiano
- Mrs. Feldermans
- (as Rafaella Ottiano)
Wally Albright
- Mischa Feldermans
- (Nicht genannt)
Margaret Armstrong
- Miss Jones
- (Nicht genannt)
Irving Bacon
- Waiter
- (Nicht genannt)
May Beatty
- Nurse
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesSome objections were made by the Hays Office concerning the plot of the first draft of the screenplay, where Ann marries Captain Resnick and then has an affair with Barney. The plot was changed to Ann being seduced by the Captain with the offense somehow deemed less if only one of the parties in the adulterous affair is married. No reference is made about any abortion in the trip to Havana, and in the released print the cause of death of Ann's baby girl is never mentioned. RKO applied for an "Approved" certificate in 1935, when the production code was more rigorously enforced, but they were informed that no certificate would be given because of the film's attitude towards adultery.
- PatzerAlthough the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode, and continue as such through the decade of the 1920s which follows.
- Zitate
Barney Dolphin: [last lines]
Matthew Dolphin: Who are you?
Barney Dolphin: Well, son, i refuse to answer without advice of counsel.
- Crazy CreditsThe opening credits are printed in the pages of the novel. They are revealed by a man's hand opening the book and turning the pages.
- VerbindungenFeatures Her Man (1930)
- SoundtracksSmiles
(1917) (uncredited)
Music by Lee S. Roberts
Lyrics by J. Will Callahan
Played by a band for dance music at the Lorlears Hook Settlement House
Whistled by Sam Hardy
Danced by Sam Hardy and Helen Cromwell and other couples
Ausgewählte Rezension
What can have been on Irene Dunne's mind when she accepted the role in this distasteful account of a woman of negotiable morals? Certainly, the Irene Dunne of the 1940's, whose reputation as a faithful Roman Catholic who publicly abhorred smut, and shunned any film scripts or Hollywood society, that might be even be remotely construed as corrupting public morals--would never have become associated with such a dubious project as this.
Perhaps, New York's Cardinal Spellman, in his private audience with her, gave her a good dressing down over this role? That we will likely never know, inasmuch as she never spoke of it in later years, though she did denounce her morally suspect, (though quite successful) 1932 film, "Back Street" as "trash".
Certainly by the time she received the distinguished St. Robert Bellarmine Award in 1965 for exemplary public Catholicism, "Ann Vickers" was no longer recalled by the general public.
Suffice it to say that "Ann Vickers" works neither as entertainment or social commentary.
Miss Dunne's role as an adulterous social worker, who sleeps around, (between reforming prisons and writing a best seller on correctional rehabilitation) doesn't dovetail with her temperament or on screen demeanor, and one keeps suspecting that the whole thing is a kind of tongue in cheek gag, (what else can we think when we witness a montage of Miss Dunne's sympathetic beatific gaze superimposed over a shot of a female prisoner being scourged?) By films end, she has renounced careerism in favor of marriage, (to crusty convict Walter Huston no less--and what kind of lunacy would ever conceive of pairing these two romantically?)
Irene Dunne completists will no doubt wish to see this curiosity, if only for the chance to hear her promise to rehabilitate a cocaine addict under her charge: "I'm going to get you off the snow cold turkey" !!!
Well, if nothing else such sordid goings on, do present her light years from her usual milieu of operatic trills, furbellowed chiffon and strawberry phosphates--cocaine addiction not being the first subject one associates with the irreproachable Miss Dunne.
Perhaps, New York's Cardinal Spellman, in his private audience with her, gave her a good dressing down over this role? That we will likely never know, inasmuch as she never spoke of it in later years, though she did denounce her morally suspect, (though quite successful) 1932 film, "Back Street" as "trash".
Certainly by the time she received the distinguished St. Robert Bellarmine Award in 1965 for exemplary public Catholicism, "Ann Vickers" was no longer recalled by the general public.
Suffice it to say that "Ann Vickers" works neither as entertainment or social commentary.
Miss Dunne's role as an adulterous social worker, who sleeps around, (between reforming prisons and writing a best seller on correctional rehabilitation) doesn't dovetail with her temperament or on screen demeanor, and one keeps suspecting that the whole thing is a kind of tongue in cheek gag, (what else can we think when we witness a montage of Miss Dunne's sympathetic beatific gaze superimposed over a shot of a female prisoner being scourged?) By films end, she has renounced careerism in favor of marriage, (to crusty convict Walter Huston no less--and what kind of lunacy would ever conceive of pairing these two romantically?)
Irene Dunne completists will no doubt wish to see this curiosity, if only for the chance to hear her promise to rehabilitate a cocaine addict under her charge: "I'm going to get you off the snow cold turkey" !!!
Well, if nothing else such sordid goings on, do present her light years from her usual milieu of operatic trills, furbellowed chiffon and strawberry phosphates--cocaine addiction not being the first subject one associates with the irreproachable Miss Dunne.
- BrentCarleton
- 27. Dez. 2007
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Sinclair Lewis' Ann Vickers
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 303.000 $ (geschätzt)
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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