IMDb-BEWERTUNG
6,6/10
2317
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe story of a large U.S. Marines invasion task force bound for Guadalcanal in the Solomon Islands in 1942.The story of a large U.S. Marines invasion task force bound for Guadalcanal in the Solomon Islands in 1942.The story of a large U.S. Marines invasion task force bound for Guadalcanal in the Solomon Islands in 1942.
Eddie Acuff
- Pvt. Tex Mcllvoy
- (Nicht genannt)
Warren Ashe
- Col. Morton
- (Nicht genannt)
Martin Black
- Marine
- (Nicht genannt)
Marion Carl
- Marine Pilot
- (Nicht genannt)
Harry Carter
- Dispatch Officer
- (Nicht genannt)
Tom Dawson
- Captain
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMarine Corps Capt. Marion Carl, a multi-ace (18.5 air victories), makes an appearance as a Marine Corps pilot. Capt. Carl wears his baseball cap with the bill pointed skyward and makes the comment, "Don't look now, fellas, but a truck of gas just came on the field." Capt. Carl was a survivor of the Battle of Midway and the air campaign for Guadalcanal in 1942. He was awarded 2 Navy Crosses for his actions at Midway and Guadalcanal. Sadly, on June 28, 1998, he was murdered in his Oregon home by a home intruder.
- PatzerWhen Japanese snipers hid in the tops of trees, they tied themselves into their positions. They did not fall out of the trees when shot.
- Zitate
Cpl. Aloysius T. 'Taxi' Potts: [In dugout waiting out a heavy artillery barrage] I don't mind the one with my name on it. It's the one that says, 'To whom it may concern' that I don't like.
[after the barrage increases]
Cpl. Aloysius T. 'Taxi' Potts: They're throwing everything at us but the kitchen stove.
Gunnery Sgt. Hook Malone: [after an even louder explosion] That's the stove now!
- Crazy CreditsThe film's opening prologue in the preface of a book states: A new chapter in the history of America by a correspondent who landed on Guadalcanal with the first detachment of United States Marines.
- VerbindungenEdited into All This and World War II (1976)
- SoundtracksMarine Hymn
(uncredited)
Music by Jacques Offenbach from "Geneviève de Brabant"
Played during the opening credits and occasionally in the score
Ausgewählte Rezension
"Guadalcanal Diary" came out smack dab in the middle of the U.S. fighting in WW II. It was made the year after the actual events portrayed in the film. It's based on a book by the same title, written by Richard Tregaskis. He was a war correspondent who covered the taking of Guadalcanal.
One can appreciate this film for its reality and straightforward portrayal as written by the author. This was before Hollywood began to fantasize and over dramatize many of the battles and the war action in later films. The narration is a nice touch, with an actor representing the author who tells us about the story as it unfolds.
Others have commented on the excellent cast. All actors did a superb job in portraying a bunch of American Marines who hadn't yet seen war and had no idea of what to expect. Onboard ship somewhere in the South Pacific, we see the men lying around and waiting and wondering. The usual hijinks and talk about girls back home, baseball and family take place. Finally, we see the naval bombardment, the beach landing unchallenged by the Japanese, and then the battles as the Marines move inland and route the enemy.
Some other nice touches of realism are in the lines by various actors. Lloyd Nolan as Sgt. Hook Malone cautions the men about not going after Japanese souvenirs because they could be booby-trapped. Preston Foster as the chaplain, Father Donnelly, is a paternal figure for the men who will be right beside them in the first wave to hit the beach. Col. Grayson tells the men it will be a tedious, tough job to route the enemy, because the Japanese soldiers are tough.
We see ordinary men fighting, getting wounded, and being killed – on both sides. When Army replacements arrive, the Marines welcome them. The battle action sequences are very realistic, and the movie makers must have received actual film footage of the naval bombardment from the Navy. It's very impressive. Some people quibble about racial slurs. We must remember that this film is an accurate portrayal of what really happened, and what it was like for and with our troops. Later modern sanitized films were scripted to be politically correct, but in the process they sacrificed some of the truth and realism of the times and events.
Movie companies today put disclaimers on older films for various portrayals, especially regarding race and culture. They point out the inappropriate language, behavior or treatment of some people in the older films, by today's standards. And, they note that to expunge or change the film to eliminate such material after the fact, would be a denial of the facts and truth that such things had occurred in history as portrayed. Therefore, they have significant historical value in educating society about those times and behaviors of the past.
This film is a must for any serious war film collection.
One can appreciate this film for its reality and straightforward portrayal as written by the author. This was before Hollywood began to fantasize and over dramatize many of the battles and the war action in later films. The narration is a nice touch, with an actor representing the author who tells us about the story as it unfolds.
Others have commented on the excellent cast. All actors did a superb job in portraying a bunch of American Marines who hadn't yet seen war and had no idea of what to expect. Onboard ship somewhere in the South Pacific, we see the men lying around and waiting and wondering. The usual hijinks and talk about girls back home, baseball and family take place. Finally, we see the naval bombardment, the beach landing unchallenged by the Japanese, and then the battles as the Marines move inland and route the enemy.
Some other nice touches of realism are in the lines by various actors. Lloyd Nolan as Sgt. Hook Malone cautions the men about not going after Japanese souvenirs because they could be booby-trapped. Preston Foster as the chaplain, Father Donnelly, is a paternal figure for the men who will be right beside them in the first wave to hit the beach. Col. Grayson tells the men it will be a tedious, tough job to route the enemy, because the Japanese soldiers are tough.
We see ordinary men fighting, getting wounded, and being killed – on both sides. When Army replacements arrive, the Marines welcome them. The battle action sequences are very realistic, and the movie makers must have received actual film footage of the naval bombardment from the Navy. It's very impressive. Some people quibble about racial slurs. We must remember that this film is an accurate portrayal of what really happened, and what it was like for and with our troops. Later modern sanitized films were scripted to be politically correct, but in the process they sacrificed some of the truth and realism of the times and events.
Movie companies today put disclaimers on older films for various portrayals, especially regarding race and culture. They point out the inappropriate language, behavior or treatment of some people in the older films, by today's standards. And, they note that to expunge or change the film to eliminate such material after the fact, would be a denial of the facts and truth that such things had occurred in history as portrayed. Therefore, they have significant historical value in educating society about those times and behaviors of the past.
This film is a must for any serious war film collection.
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- Laufzeit1 Stunde 33 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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What is the French language plot outline for Guadalkanal - Die Hölle im Pazifik (1943)?
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