IMDb-BEWERTUNG
8,1/10
11.486
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe young wife of an aging priest falls in love with his son amidst the horror of a merciless witch hunt in 17th-century Denmark.The young wife of an aging priest falls in love with his son amidst the horror of a merciless witch hunt in 17th-century Denmark.The young wife of an aging priest falls in love with his son amidst the horror of a merciless witch hunt in 17th-century Denmark.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Thorkild Roose
- Rev. Absalon Pederssøn
- (Nicht genannt)
Lisbeth Movin
- Anne Pedersdotter (Absalon's second wife)
- (Nicht genannt)
Sigrid Neiiendam
- Merete (Absalon's mother)
- (Nicht genannt)
Albert Høeberg
- The Bishop
- (Nicht genannt)
Preben Neergaard
- Degn
- (Nicht genannt)
Anna Svierkier
- Herlofs Marte
- (Nicht genannt)
Olaf Ussing
- Laurentius
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere was a gap of eleven years between this film and Dreyer's last feature, being Vampyr in 1932.
- PatzerThe film is set in 1623. But at the back of the main room, where much of the action takes place, is a large wooden chest with a Latin inscription: "Quodque parum novit nemo docere potest - Anno 1639."
- Zitate
Anne Pedersdotter: I see through my tears, but no one comes to wipe them away.
Ausgewählte Rezension
Just borrowing a phrase with my summary, and not trying to trivialize "Day Of Wrath", an extraordinarily powerful film. I think we in the States are not used to films as masterfully done and as impactful as this one.
In the 17th century - Europe as well as in the States - witchcraft and witch hunts were all the rage, an age of ignorance during the Age Of Enlightment. How quaint and simplistic a notion that someone could be a witch just by anothers accusation! Director Carl Dreyer brings this idea home to us in this methodical masterpiece in harrowing detail. His story centers on a young Danish woman who goes from mouse-wife to temptress to doomed heroine. She is surrounded throughout the picture by hypocrisy and narrow-mindedness and in the end she succumbs to Christian ideals, the same ones she had been struggling to suppress for most of the picture.
You can watch until your eyes drop out and you won't find a scene not executed to perfection in all departments. I am not familiar with the actors but they were outstanding down to the smallest part. The pacing, like a Bergman film, is slow and deliberate, much the same way it would have been lived out in the 1600's. The Inquisition-type scene involving the old accused woman is even slower still, making the scene all the more horrifying, even though the torture is in the viewers mind and not on screen. Note how slowly the camera pans around the chamber of judges.
There are so many scenes worth mentioning, but it's best to see the picture for yourself if you haven't. It is an unforgettable treatment of nasty, unsavory material.
In the 17th century - Europe as well as in the States - witchcraft and witch hunts were all the rage, an age of ignorance during the Age Of Enlightment. How quaint and simplistic a notion that someone could be a witch just by anothers accusation! Director Carl Dreyer brings this idea home to us in this methodical masterpiece in harrowing detail. His story centers on a young Danish woman who goes from mouse-wife to temptress to doomed heroine. She is surrounded throughout the picture by hypocrisy and narrow-mindedness and in the end she succumbs to Christian ideals, the same ones she had been struggling to suppress for most of the picture.
You can watch until your eyes drop out and you won't find a scene not executed to perfection in all departments. I am not familiar with the actors but they were outstanding down to the smallest part. The pacing, like a Bergman film, is slow and deliberate, much the same way it would have been lived out in the 1600's. The Inquisition-type scene involving the old accused woman is even slower still, making the scene all the more horrifying, even though the torture is in the viewers mind and not on screen. Note how slowly the camera pans around the chamber of judges.
There are so many scenes worth mentioning, but it's best to see the picture for yourself if you haven't. It is an unforgettable treatment of nasty, unsavory material.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 7.642 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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