IMDb-BEWERTUNG
6,7/10
720
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA drunken, abusive tavern-keeper's adulterous wife uses the backward son of a rigid, puritanical pharmacist who makes his entire family miserable.A drunken, abusive tavern-keeper's adulterous wife uses the backward son of a rigid, puritanical pharmacist who makes his entire family miserable.A drunken, abusive tavern-keeper's adulterous wife uses the backward son of a rigid, puritanical pharmacist who makes his entire family miserable.
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film is set in the English seaside town of Brighton in the 1880s. (Madame Adelina Patti's poster for her impending performance at the Brighton Pavilion gives a date of [Friday] May 7th 1880.)
- PatzerGordon Jackson as David Sutton, one of the elder children of five in the Sutton household, is the only one with a Scottish accent. It appears after the first few scenes.
- VerbindungenReferenced in Auf ein Neues mit Ealing (2019)
Ausgewählte Rezension
Don't be fooled by the silly title, this is no flimsy, lightweight piece but rather a lurid, moralistic tale taking in adultery, murder, blackmail and suicide within its tightly-wrapped 90 minutes.
The action is set in late Victorian-era Brighton and framed by the local newspaper editor dictating recent town events to his copy-writer. It's fair to say this was a heavy-news day as we are flash-backed and introduced to the two town background settings for the story, the first being the local pub, run by a boozy landlord who drinks himself to a stupor to overlook his tarty wife's extra-marital affairs, particularly her current one with the appropriately-named dapper Dan, a handsome but married dandy of the insincere type. When the barman knocks her about once too many times for her perceived indiscretions the feisty wife hatches a plan to clear a better path for her and Dan which naturally doesn't bode well for her old man.
The other background setting is the family of the town coroner, the unforgiving, Puritanical Mr Sutton who rules his loveless house with a rod of iron in his bible-punching zeal, squashing the singing ambitions of his daughter, the romantic dreams of his impressionable young son and worst of all, the swine, the guinea-pig pets of his youngest daughter, which he instead plans to dissect for scientific research. There's only so much such a put-upon family can take however and they all proceed to quietly rebel in their own way against papa's iron-will authority, his seemingly docile wife quietly but tellingly informing her husband of her resistance over breakfast, the daughters secretly attend the concert of a famous singer who is visiting the town, with the intention of catching her ear by giving an impromptu public audition after the show and most significantly, the young son, his hopes of marrying his sweetheart dashed by dad, who wanders into the pub one night and sets his puppy-dog eyes on the figure of the landlord's alluring wife.
The two elements are nicely bound up together, no doubt with the pink string and sealing wax of the title and by the end the murdering widow has run her race, though not before a game attempt to shift the blame elsewhere and in an even bigger turnabout, the flinty old patriarch has changed his outlook towards his family, serving up a nice bow with which to tie up all the loose ends, in the process neatly reintroducing the newspaper article device introduced at the beginning.
Featuring in its cast two future doyens of British TV, Googie "Within These Walls" Withers as the scheming wife, her bosom heaving as she imperiously cuts a swathe through the menfolk in her wake until she takes it too far and the young Gordon "Upstairs Downstairs" / "The Professionals" Jackson as the simpering, lovelorn youth who falls under her spell. There are other good performances too, notably Mervyn Johns as the unyielding father, Mary Merrall as his long-suffering wife and John Carol who plays the heartless Dan, he and Withers possible fore-runners to the warring Dirty Den and Angie characters in the 80's BBC soap-opera "Eastenders".
I enjoyed Robert Hamer's direction, besides the tidy ending, I liked the way he used the pub lush, always asking for her penn'orth of gin, to comment on and indeed at times move along the action.
All in all, a highly enjoyable period melodrama well worth discovering and unwrapping.
The action is set in late Victorian-era Brighton and framed by the local newspaper editor dictating recent town events to his copy-writer. It's fair to say this was a heavy-news day as we are flash-backed and introduced to the two town background settings for the story, the first being the local pub, run by a boozy landlord who drinks himself to a stupor to overlook his tarty wife's extra-marital affairs, particularly her current one with the appropriately-named dapper Dan, a handsome but married dandy of the insincere type. When the barman knocks her about once too many times for her perceived indiscretions the feisty wife hatches a plan to clear a better path for her and Dan which naturally doesn't bode well for her old man.
The other background setting is the family of the town coroner, the unforgiving, Puritanical Mr Sutton who rules his loveless house with a rod of iron in his bible-punching zeal, squashing the singing ambitions of his daughter, the romantic dreams of his impressionable young son and worst of all, the swine, the guinea-pig pets of his youngest daughter, which he instead plans to dissect for scientific research. There's only so much such a put-upon family can take however and they all proceed to quietly rebel in their own way against papa's iron-will authority, his seemingly docile wife quietly but tellingly informing her husband of her resistance over breakfast, the daughters secretly attend the concert of a famous singer who is visiting the town, with the intention of catching her ear by giving an impromptu public audition after the show and most significantly, the young son, his hopes of marrying his sweetheart dashed by dad, who wanders into the pub one night and sets his puppy-dog eyes on the figure of the landlord's alluring wife.
The two elements are nicely bound up together, no doubt with the pink string and sealing wax of the title and by the end the murdering widow has run her race, though not before a game attempt to shift the blame elsewhere and in an even bigger turnabout, the flinty old patriarch has changed his outlook towards his family, serving up a nice bow with which to tie up all the loose ends, in the process neatly reintroducing the newspaper article device introduced at the beginning.
Featuring in its cast two future doyens of British TV, Googie "Within These Walls" Withers as the scheming wife, her bosom heaving as she imperiously cuts a swathe through the menfolk in her wake until she takes it too far and the young Gordon "Upstairs Downstairs" / "The Professionals" Jackson as the simpering, lovelorn youth who falls under her spell. There are other good performances too, notably Mervyn Johns as the unyielding father, Mary Merrall as his long-suffering wife and John Carol who plays the heartless Dan, he and Withers possible fore-runners to the warring Dirty Den and Angie characters in the 80's BBC soap-opera "Eastenders".
I enjoyed Robert Hamer's direction, besides the tidy ending, I liked the way he used the pub lush, always asking for her penn'orth of gin, to comment on and indeed at times move along the action.
All in all, a highly enjoyable period melodrama well worth discovering and unwrapping.
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Details
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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By what name was Apotheker Sutton (1945) officially released in India in English?
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