IMDb-BEWERTUNG
6,6/10
1741
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuYoung love confronts stupidity and boredom of society.Young love confronts stupidity and boredom of society.Young love confronts stupidity and boredom of society.
- Auszeichnungen
- 1 Nominierung insgesamt
Nils Alm
- Guest at the cafe
- (Nicht genannt)
Bertil Anderberg
- Police constable
- (Nicht genannt)
Britta Billsten
- Woman at the court
- (Nicht genannt)
John W. Björling
- Guest at the cafe
- (Nicht genannt)
Edvard Danielsson
- Hotel porter
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAlle Einträge enthalten Spoiler
- VerbindungenFeatured in Rederiet: Nya krafter (1994)
Ausgewählte Rezension
This feature, like Bergman's first' is a relatively simple melodrama. Both follow rather simple narratives about characters going through simple struggles. And yet, where his first one left me unmoved, this second film is at the very least Charming with also thought provoking commentary on Swedish society at best.
Like Birger Malmsten's character David says in the first minutes of the film, "Damn Society", or something along those lines at least. Time and time again our two lovers are confronted with unfortune from society and everytime they pull through and come out stronger, ending in a finally in court that felt satisfying to say the least.
While nothing too special in terms of Cinematography or anything like that I think this is a more than fine film and a good start for Bergman. It's funny to see these light hearted early films of him that feel almost out of place when compared to his dramatic works we now know would later follow. I guess the Swedish audiences at that time were more interested in light hearted films about love than deep ones about human nature and death and such.
3/5 Stars.
Like Birger Malmsten's character David says in the first minutes of the film, "Damn Society", or something along those lines at least. Time and time again our two lovers are confronted with unfortune from society and everytime they pull through and come out stronger, ending in a finally in court that felt satisfying to say the least.
While nothing too special in terms of Cinematography or anything like that I think this is a more than fine film and a good start for Bergman. It's funny to see these light hearted early films of him that feel almost out of place when compared to his dramatic works we now know would later follow. I guess the Swedish audiences at that time were more interested in light hearted films about love than deep ones about human nature and death and such.
3/5 Stars.
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Details
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Es regnet auf unsere Liebe (1946) officially released in India in English?
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