Ein Gelegenheitsspieler, der eine Anstellung in einem Casino in Buenos Aires erhält, entdeckt, dass die neue Frau seines Chefs seine Ex-Geliebte ist.Ein Gelegenheitsspieler, der eine Anstellung in einem Casino in Buenos Aires erhält, entdeckt, dass die neue Frau seines Chefs seine Ex-Geliebte ist.Ein Gelegenheitsspieler, der eine Anstellung in einem Casino in Buenos Aires erhält, entdeckt, dass die neue Frau seines Chefs seine Ex-Geliebte ist.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Gabe Evans
- (as Robert Scott)
- Thomas Langford
- (as Don Douglas)
- Newsman
- (Nicht genannt)
- …
- Gambler
- (Nicht genannt)
- Nightclub Patron
- (Nicht genannt)
- Blackjack Dealer
- (Nicht genannt)
- Girl at Carnival
- (Nicht genannt)
- Gambler
- (Nicht genannt)
- American Cartel Member
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThere is a rumour that this film is the only time Rita Hayworth's real singing voice is heard, but that is not true. According to the bonus features from the DVD, Hayworth actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in this film. Hayworth always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used; Hayworth remained bitter about that for the rest of her life.
- PatzerWhen Farrell asks to cut the deck at the blackjack table, he shuffles the deck prior to the cut; this is not allowed.
- Zitate
Gilda: You do hate me, don't you, Johnny?
Johnny Farrell: I don't think you have any idea of how much.
Gilda: Hate is a very exciting emotion. Haven't you noticed? Very exciting. I hate you too, Johnny. I hate you so much I think I'm going to die from it. Darling...
[they kiss passionately]
Gilda: I think I'm going to die from it.
- VerbindungenEdited into Head (1968)
Modern film femme fatales are a pale shadow by comparison, for example Linda Fiorentino or Sharon Stone. I'm not sure why. It could be either that nowadays allure is too much equated with sex or nudity (less tantalising than several dashes of suggestion) or maybe it's that present day equivalents are portrayed as hard as nails without the necessary mix of sadness and vulnerability.
Whatever, if you've never appreciated what the appeal of 40s noir is, this is definitely one to try.
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Details
Box Office
- Weltweiter Bruttoertrag
- 5.999 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1