Füge eine Handlung in deiner Sprache hinzuPlayboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.Playboy Bill Carey woos a half-caste beauty in French Indochina, but her second-class legal status makes a formidable barrier.
Marguerita Padula
- Madame Kya
- (as Margaret Padula)
Leon Belasco
- Assistant to Manager
- (Nicht genannt)
Abner Biberman
- Wardrobe Buyer
- (Nicht genannt)
Gino Corrado
- Waiter
- (Nicht genannt)
Vernon Downing
- Ship Passenger
- (Nicht genannt)
Willie Fung
- Ling
- (Nicht genannt)
Charles Halton
- Manager of Rubber Company
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe American Film Institute Catalog of Feature Films 1931-1940 states that this was Hedy Lamarr's last film under her MGM contract; it was her first. AFI also adds that Mary Taylor was signed to a long-term MGM contract as a result of her work in this picture; in fact, she would be seen in only four feature films in her entire career, and only one more of them, Blüten im Staub (1941) would be made at MGM.
- Zitate
Bill Carey: Father... Father, help us.
Father Antoine: My son, she goes where there is no east or west. And she will be judged by one who alone knows how great or how little were her sins.
- VerbindungenFeatured in From the Ends of the Earth (1939)
- SoundtracksEach Time You Say Goodbye (I Die A Little)
(1939)
Music by Phil Ohman
Lyrics Foster Carling
Sung by Gloria Franklin (uncredited) (dubbed by Harriet Cruise (uncredited))
Ausgewählte Rezension
Certainly two of the most beautiful stars in films were Hedy Lamarr and Robert Taylor, and here they are together in "Lady of the Tropics," a 1939 film directed by Jack Conway. It's the story of a half-caste named Manon who, as a second class citizen, can't get a passport to leave Saigon. Taylor is a playboy who falls for her; the two marry, incurring the wrath of Manon's sometime boyfriend Delaroch (Joseph Schildkraut).
Made under the Hays code, the ending of the film is obvious and inevitable; also, it closely follows the story of Manon Lescaut, told twice in opera, once by Puccini and once by Massenet. There's a scene from the Puccini version in the film.
The film is beautifully photographed. Lamarr has a lovely, tender quality as Manon, and she is stunning in her Adrian gowns and hats. Taylor has a role similar to his Alfred in Camille, and he does it well, resplendent in his white suit and brilliant smile. One of the posts suggested Francis Lederer in the role. Lederer was a handsome and wonderful actor, very romantic, and would have brought a more exotic persona to the part. I admit, however, to liking the rugged, earthy, American quality Taylor brings, as the character should be truly out of his element in Saigon. This makes Manon's inability to get a passport all the sadder and more desperate.
Joseph Schildkraut was a master at portraying the kind of evil manipulator he did as Laroch, so while his Oriental makeup is a little disconcerting, his performance isn't.
A lovely film. Too bad about the code.
Made under the Hays code, the ending of the film is obvious and inevitable; also, it closely follows the story of Manon Lescaut, told twice in opera, once by Puccini and once by Massenet. There's a scene from the Puccini version in the film.
The film is beautifully photographed. Lamarr has a lovely, tender quality as Manon, and she is stunning in her Adrian gowns and hats. Taylor has a role similar to his Alfred in Camille, and he does it well, resplendent in his white suit and brilliant smile. One of the posts suggested Francis Lederer in the role. Lederer was a handsome and wonderful actor, very romantic, and would have brought a more exotic persona to the part. I admit, however, to liking the rugged, earthy, American quality Taylor brings, as the character should be truly out of his element in Saigon. This makes Manon's inability to get a passport all the sadder and more desperate.
Joseph Schildkraut was a master at portraying the kind of evil manipulator he did as Laroch, so while his Oriental makeup is a little disconcerting, his performance isn't.
A lovely film. Too bad about the code.
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Details
Box Office
- Budget
- 913.000 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Lady of the Tropics (1939) officially released in India in English?
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