IMDb-BEWERTUNG
7,7/10
107.272
IHRE BEWERTUNG
Eine Collage aus animierten Interpretationen klassischer westlicher Musik.Eine Collage aus animierten Interpretationen klassischer westlicher Musik.Eine Collage aus animierten Interpretationen klassischer westlicher Musik.
- Auszeichnungen
- 9 Gewinne & 1 Nominierung insgesamt
Corey Burton
- Narrator: Deems Taylor overdubs (2000 restoration)
- (Synchronisation)
- (Nicht genannt)
Walt Disney
- Mickey Mouse (segment 'The Sorcerer's Apprentice')
- (Synchronisation)
- (Nicht genannt)
Hugh Douglas
- Narrator (1982 version)
- (Synchronisation)
- (Nicht genannt)
James MacDonald
- Percussionist
- (Nicht genannt)
Tim Matheson
- Narrator (1985 version)
- (Synchronisation)
- (Nicht genannt)
Julietta Novis
- Soloist (segment 'Ave Maria')
- (Gesang)
- (Nicht genannt)
Paul J. Smith
- Violinist
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesDuring production, the animators were given no instructions for coloring. Walt Disney instructed them to use any colors they wanted, which was a first.
- PatzerWhen introducing the "Pastoral" sequence, Deems Taylor mixes Greek and Roman names of deities: Bacchus, Vulcan and Diana are Roman; Zeus, Iris and Morpheus are Greek. Apollo is the only one whose Greek and Roman equivalents have the same name.
- Zitate
Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!
[Mickey whistles to get Stokowski's attention]
Mickey Mouse: My congratulations, sir!
Leopold Stokowski: [shaking hands with Mickey] Congratulations to you, Mickey!
Mickey Mouse: Gee, thanks! Hehe! Well, so long! I'll be seeing ya!
Leopold Stokowski: Goodbye!
- Crazy CreditsThere are no closing credits of any kind. Not even the words "THE END" appear on the screen.
- Alternative VersionenBefore the 1990 re-release, the film was shown with no credits other than the title and the RKO logo. Leopold Stokowski received a written credit only on the posters advertising the film. In the film's original roadshow release, not even the title was shown at the beginning of the film - that was saved for the intermission break.
- VerbindungenEdited into A World Is Born (1955)
- SoundtracksToccata and Fugue in D Minor, BWV 565
Composed by Johann Sebastian Bach
Orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra
Conducted by Leopold Stokowski
Ausgewählte Rezension
2017 is a year of technical marvel. Looking at movies of today, we see massive, stunning works of animation. We can now achieve computer generated images that look nearly indistinguishable from reality, and at the forefront of movie making today is Disney. Through Marvel, Disney creates multiple action packed superhero blockbusters a year. Star Wars, after it's 2015 revival, has new movies being released annually. Pixar, after creating several successful franchises, is now resting on its laurels, creating sequels like Finding Dory, Toy Story 4, Cars 3 and Incredibles 2. Even Disney's in house animation team is finding success, bringing back the Disney princess formula with movies like Frozen and Moana. However, amidst all this success, we have lost the truly human touch. Fantasia perfectly captures all that was lost in today's Disney movies. The movie has a very personal and human feel to every aspect of it. The orchestra, a very tangible presence in the movie, feels alive. They laugh, play their own little tunes during the intermission, but most importantly, they make mistakes. The animation is the same way, It's very rough at times and sometimes lacking, with some animations being reused, however every shot is filled with passion. You can tell that people worked on this, people with ambition, though they were not perfect. In modern movies, this beautiful animation that looks so real lacks the touch of individualism that Fantasia has in spades. The scene of the Sorcerer's apprentice dancing around the broom is burned into our collective memory for a reason. In all its flaws, its rough edges, it feels real to us. We can see all the raw effort and energy that the animator's put into each of Mickey's footsteps and that resonates with us. Fantasia speaks to the viewer not because it's perfect, but because it's flawed.
- sethsholtes
- 17. Okt. 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bach to Stravinsky and Bach
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 2.280.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 76.408.097 $
- Eröffnungswochenende in den USA und in Kanada
- 980.798 $
- 10. Feb. 1985
- Weltweiter Bruttoertrag
- 76.411.978 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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