IMDb-BEWERTUNG
7,5/10
15.133
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe wife of a rubber plantation administrator shoots a man to death and claims it was self-defense, but a letter written in her own hand may prove her undoing.The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense, but a letter written in her own hand may prove her undoing.The wife of a rubber plantation administrator shoots a man to death and claims it was self-defense, but a letter written in her own hand may prove her undoing.
- Für 7 Oscars nominiert
- 5 Gewinne & 9 Nominierungen insgesamt
Elizabeth Inglis
- Adele Ainsworth
- (as Elizabeth Earl)
Victor Sen Yung
- Ong Chi Seng
- (as Sen Yung)
Zita Baca
- Undetermined Role
- (Nicht genannt)
Brooks Benedict
- Party Guest
- (Nicht genannt)
William A. Boardway
- Trial Spectator
- (Nicht genannt)
David Bruce
- Undetermined Role
- (Nicht genannt)
James Carlisle
- Attorney
- (Nicht genannt)
George Ford
- Party Guest
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe first scene that William Wyler filmed was the famous opening shot in which Leslie shoots Geoffrey Hammond. This sequence, which lasted two minutes on screen, took an entire day to film, and that was before even a single word of dialogue was spoken. The studio expected him to shoot at a rate of 3-4 script pages a day, but the opening shot reflected a mere paragraph on page one.
- PatzerThe motor vehicles throughout are all left-hand drive. In Singapore traffic drives on the left, and all vehicles there are right-hand drive.
- Alternative VersionenAlso shown in computer colorized version.
- VerbindungenEdited into Wer hat Angst vor Virginia Woolf? (1966)
Ausgewählte Rezension
With a fine cast, an atmospheric setting, and a tight, tension-packed plot, this is a memorable adaptation of the Somerset Maugham story. Both the story and the film are well-constructed, and indeed both are also aptly titled, in that "The Letter" is what drives the characters and most of the action.
The opening sequence starts out with a languid look at the rubber plantation, immediately establishing the atmosphere, and then suddenly grabs your attention with the shooting. From then on, most of the suspense is psychological, and the scenario is very well-crafted, wringing everything it can out of the setup.
The cast is led by Bette Davis, who gives a vivid performance in the kind of role that she seemed born to play. Herbert Marshall is also excellent as the husband, using little mannerisms and gestures to complement his lines, as he convincingly portrays his earnest, naive character.
The supporting cast has many good moments of their own. James Stephenson's performance is essential to making the movie work so well. His portrayal of the anguished lawyer could not have been surpassed, as he flawlessly shows his outward restraint and inner torment. Victor Sen Yung also performs well - his oily character is perhaps somewhat uncomfortable to watch, but he is essential to the plot, and Yung plays him to good effect. Gale Sondergaard has very few lines, but she establishes an imposing presence all the same.
The British colonial setting, with its clubby atmosphere, its social inequalities, its opportunities, and its contrasting cultures, is done well, and even the tropical heat is believably rendered. Light and darkness are also used well - in addition to the frequent shots of the moon, the slats on so many of the windows not only make for attractive scenery, but at times they are also used creatively, as they let just a little bit of light shine on characters who themselves might not want too much light to come into their lives.
Everything adds up to a memorable melodrama with many strong features, well worth seeing both for the cast and for the story.
The opening sequence starts out with a languid look at the rubber plantation, immediately establishing the atmosphere, and then suddenly grabs your attention with the shooting. From then on, most of the suspense is psychological, and the scenario is very well-crafted, wringing everything it can out of the setup.
The cast is led by Bette Davis, who gives a vivid performance in the kind of role that she seemed born to play. Herbert Marshall is also excellent as the husband, using little mannerisms and gestures to complement his lines, as he convincingly portrays his earnest, naive character.
The supporting cast has many good moments of their own. James Stephenson's performance is essential to making the movie work so well. His portrayal of the anguished lawyer could not have been surpassed, as he flawlessly shows his outward restraint and inner torment. Victor Sen Yung also performs well - his oily character is perhaps somewhat uncomfortable to watch, but he is essential to the plot, and Yung plays him to good effect. Gale Sondergaard has very few lines, but she establishes an imposing presence all the same.
The British colonial setting, with its clubby atmosphere, its social inequalities, its opportunities, and its contrasting cultures, is done well, and even the tropical heat is believably rendered. Light and darkness are also used well - in addition to the frequent shots of the moon, the slats on so many of the windows not only make for attractive scenery, but at times they are also used creatively, as they let just a little bit of light shine on characters who themselves might not want too much light to come into their lives.
Everything adds up to a memorable melodrama with many strong features, well worth seeing both for the cast and for the story.
- Snow Leopard
- 16. Feb. 2005
- Permalink
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Details
Box Office
- Weltweiter Bruttoertrag
- 16.455 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Das Geheimnis von Malampur (1940) officially released in India in English?
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