Füge eine Handlung in deiner Sprache hinzuThe life story of the musical star from her discovery in 1890 by bandleader Tony Pastor until her retirement in 1912, when she married newspaperman Alexander Moore.The life story of the musical star from her discovery in 1890 by bandleader Tony Pastor until her retirement in 1912, when she married newspaperman Alexander Moore.The life story of the musical star from her discovery in 1890 by bandleader Tony Pastor until her retirement in 1912, when she married newspaperman Alexander Moore.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
- Arthur Sullivan
- (as Claude Allister)
- Lew Fields
- (as Fields)
Handlung
WUSSTEST DU SCHON:
- WissenswertesTo secure the part of Tom Joad in Früchte des Zorns (1940), Henry Fonda had to sign a long-term contract with Fox. Except for Ritt zum Ox-Bow (1942), Fonda disliked the other films he was forced to do, none more so than "Lillian Russell".
- PatzerWhen Russell sings to President Grover Cleveland over the long-distance telephone, she performs "After the Ball is Over." In actuality, she sang the "Sabre Song" from the show she was then doing, Offenbach's "The Grand Duchess of Gerolstein." The film sets the scene backstage, with Russell backed by a full chorus. In fact, the call was placed from her dressing room.
- Zitate
Charles K. Leonard: You'll be a success in whatever you do, Helen, because you're all woman, and there's nothing finer than that. You know, that's where your mother's suffragettes are all wrong. They're going to get equal rights ultimately, and the chance to act like men, maybe. But they're going to lose a lot of femininity. And when they do, something tells me that they're going to lose more power than they'll ever get back by voting. Uh, honey, you needn't tell your mother that I said that.
- VerbindungenFeatured in AFI Life Achievement Award: Salut für Henry Fonda (1978)
- SoundtracksAdored One
(1940)
Music by Alfred Newman
Lyrics by Mack Gordon
Performed by Don Ameche (uncredited)
Also sung by Alice Faye (uncredited)
In the score as background music often
While in some ways this film is accurate about the great stage actress Lillian Russell, here are a few ways where the film is total bull:
The film shows Lillian's parents as a loving couple. They actually separated when Lillian was 18 and she and her mother moved across country--leaving dad behind.
Lillian's first marriage in the film is the biggest problem in the film. Her creepy husband (Don Ameche) dies--leaving her a sad, sad widow who then sings HIS song as a tribute to him. In reality, it turned out this total louse was ALREADY MARRIED!!!! When Lillian discovered he was a bigamist, she divorced him! Some love story!!! He also was her second husband--and she'd been cheating on her poor old first husband!
Lillian was married four times...but not in this movie! She only married once and there is an implied marriage at the end.
Her beautiful baby is important in the film. The fact that it died as an infant was never mentioned!
Lillian herself was a feminist and suffragette--writing articles and speaking out for the cause. None of this is in the film and only her mother's political aspirations are discussed--odd considering the film is supposed to be about Lillian.
The film, despite having a completely dull and inaccurate plot, was a big-budget film--with AMAZING sets and lots of stars. It was odd, however, that despite having many big-name actors in the film that they were often used very poorly. Don Ameche, probably Fox's #1 male star at the time, plays a simpering loser--who also behaves VERY creepy 80 minutes into the film (where he basically says she can NEVER, NEVER leave him--even if she wants to!). Clearly it was NOT a role suited to such an illustrious star and might have been better for Boris Karloff! Henry Fonda basically plays a love-sick loser....and a creepy one who has stalked her from afar. Warren William is in the film...and that's all that can be said about his part. Pretty much the same can be said for Leo Carillo. Edward Arnold isn't bad as Diamond Jim Brady, however, and Helen Westley is GREAT as grandma. And as for the star, Alice Faye, this is one of her best films and the makeup and costuming folks have made her radiant. Clearly the women in this film outshine the men--as if the men, for a change, are more window dressing than people.
The overall verdict is that although the film looks great and has some decent moments, it's a dull, bloated and incredibly inaccurate film. By the way, there is a VERY funny glitch at the 89 minute mark. Lillian picks up her crying baby. The closeup of the kid is of a completely different kid--with the hair changing from brown to blond before your very eyes--and with a completely different face!! Didn't they think anyone would notice.
FYI--This film was wildly inaccurate that there is a special feature on the DVD entitled "A Woman Like No Other: The Real Lillian Russell"! It is worth seeing. It also shows that Lillian's life was FAR more interesting than the 20th Century-Fox film!
- planktonrules
- 9. Aug. 2012
- Permalink
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- Laufzeit2 Stunden 7 Minuten
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