Eine selbstbewusste Braut wird von Erinnerungen an die verstorbene, erste Frau ihres zukünftigen Mannes gequält.Eine selbstbewusste Braut wird von Erinnerungen an die verstorbene, erste Frau ihres zukünftigen Mannes gequält.Eine selbstbewusste Braut wird von Erinnerungen an die verstorbene, erste Frau ihres zukünftigen Mannes gequält.
- 2 Oscars gewonnen
- 10 Gewinne & 10 Nominierungen insgesamt
Bunny Beatty
- Maid
- (Nicht genannt)
Billy Bevan
- Policeman
- (Nicht genannt)
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Handlung
WUSSTEST DU SCHON:
- WissenswertesPer Sir Alfred Hitchcock's instructions, Dame Judith Anderson rarely blinks her eyes while playing Mrs. Danvers.
- PatzerIn the outside take of Manderley seen in the scene where the Narrator stares at one window being closed, it's a miniature, as is the 'Mrs Danvers' dummy dressed in black. You can realize this by the motion of the window as it's being closed, not in a continuous way, but by little fast jumps, which look too unreal.
- Zitate
[the new Mrs. de Winter wants to dispose of Rebecca's letters]
The Second Mrs. de Winter: I want you to get rid of all these things.
Mrs. Danvers: But these are Mrs. de Winter's things.
The Second Mrs. de Winter: *I* am Mrs. de Winter now!
- Crazy CreditsThe original 1940 credits read "Selznick International presents its picturization of Daphne Du Maurier's 'Rebecca'". The credits on the re-issue version read "The Selznick Studio presents its production of Daphne Du Maurier's 'Rebecca'".
- Alternative VersionenThe opening credits were re-done (with different font) for the 1950's re-release of the movie. It is these credits that have turned up on all telecasts of the film (even as recently as 2013) and all previous video releases. The Criterion release (which is now only available through outlet stores) restores all of the credits to their original form.
- VerbindungenEdited into The Last Tycoon: Pilot (2016)
- SoundtracksLove's Old Sweet Song (Just a Song at Twilight)
(1884) (uncredited)
Music by J.L. Molloy
Hummed by Joan Fontaine
Ausgewählte Rezension
This is a Daphne Du Maurier's story (from a best-seller novel) concerning a prominent widower (Laurence Olivier) called Maxim De Winter who finds a gorgeous and timid young girl (Joan Fontaine) who is serving to an old Mistress (Florence Bates) . They are married and head to Manderley , the familiar mansion (in the exterior actually is a scale model). But Maxim is haunted by the ghost first wife , an enigmatic Rebecca , who died in mysterious circumstances . There works as a servant the creepy and obsessive housekeeper , Mrs Danvers (Judith Anderson,a famous stage actress in her most important role) and sh meets a cynic gentleman (George Sanders).
This film has suspense , romance , unlimited tension , full of lingering images and with the typical touches Hitchcock . Besides , a literately and thoughtful dialog signed by Joan Harrison (Hitchcock's usual screenwriter) though lacking humor . After ¨39 steps¨and ¨Jamaica Inn¨ , Hitch was encouraged to go to America and promptly shot his first work in Hollywood hired by the great producer David O'Selznick . Fine performance by Laurence Olivier , he married Vivien Leigh and he wished to her as protagonist but Hitch hired Joan Fontaine who took seven rehearsal sessions until the engaging . Joan Fontaine as a shy bride young is superb and enjoyable . Judith Anderson as a spooky and cold house keeper is top-notch, her role as obsessed person by the glamorous Rebecca is unforgotten and immortal . Atmospheric and perceptible music by Franz Waxman and sensational visual style by the cameraman George Barnes . The picture won Academy Awards for Best film and cinematography . The movie was brilliantly directed by the Master of Suspense . It's remade in inferior versions for Television, the 1980 adaptation with Jeremy Brett as Maxim and 1996 rendition with Charles Dance and Emilie Fox . The motion picture is indispensable watching for Hithcock lovers achieving the maximum impact on his audience.
This film has suspense , romance , unlimited tension , full of lingering images and with the typical touches Hitchcock . Besides , a literately and thoughtful dialog signed by Joan Harrison (Hitchcock's usual screenwriter) though lacking humor . After ¨39 steps¨and ¨Jamaica Inn¨ , Hitch was encouraged to go to America and promptly shot his first work in Hollywood hired by the great producer David O'Selznick . Fine performance by Laurence Olivier , he married Vivien Leigh and he wished to her as protagonist but Hitch hired Joan Fontaine who took seven rehearsal sessions until the engaging . Joan Fontaine as a shy bride young is superb and enjoyable . Judith Anderson as a spooky and cold house keeper is top-notch, her role as obsessed person by the glamorous Rebecca is unforgotten and immortal . Atmospheric and perceptible music by Franz Waxman and sensational visual style by the cameraman George Barnes . The picture won Academy Awards for Best film and cinematography . The movie was brilliantly directed by the Master of Suspense . It's remade in inferior versions for Television, the 1980 adaptation with Jeremy Brett as Maxim and 1996 rendition with Charles Dance and Emilie Fox . The motion picture is indispensable watching for Hithcock lovers achieving the maximum impact on his audience.
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Details
Box Office
- Budget
- 1.288.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 113.328 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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