Füge eine Handlung in deiner Sprache hinzuThe life of a juvenile delinquent is threatened by his own incessant desire for trouble.The life of a juvenile delinquent is threatened by his own incessant desire for trouble.The life of a juvenile delinquent is threatened by his own incessant desire for trouble.
Johnny Briggs
- Skinny
- (as John Briggs)
Roy Bentley
- Football Coach
- (Nicht genannt)
Marian Chapman
- Young Girl
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesRoy Bentley, at the time Captain of Chelsea Football Club, and an England international, has a small, uncredited role as an instructor.
- PatzerIn the draughts game, Walshy's opponent makes two moves before Walshy makes one. The position of the pieces at the end of the scene reflect a different game to the one they appear to have played, especially as they do not seem to have moved any pieces during their conversation other than the first three moves.
- Zitate
Police Sergeant: How would you describe the men who attacked you?
Queenie: As dirty lot of stinking rotten sons of...
Police Sergeant: Alright, alright. What did they look like?
Queenie: 'Ow the hell should I know? D'you suppose they came up and raised their bloomin' 'ats before they 'it me?
Police Sergeant: [filling in a form] No description...
- Crazy CreditsOpening credits prologue: By itself, the "Cosh" is the cowardly implement of a contemporary evil; in association with "Boy", it marks a post-war tragedy - the juvenile delinquent. "Cosh Boy" portrays starkly the development of a young criminal, an enemy of society at sixteen. Our Judges and Magistrates, and the Police, whose stern duty it is to resolve the problem, agree that its origins lie mainly in the lack of parental control and early discipline. The problem exists - and we cannot escape it by closing our eyes. This film is presented in the hope that it will contribute towards stamping out this social evil.
- VerbindungenFeatured in Mike Baldwin & Me (2001)
Ausgewählte Rezension
"Cosh Boy" (also known as "The Slasher") is an incredibly Oedipal picture that takes advantage of post-war worries that the youth were running amok. It begins with Roy Walsh and a friend committing a mugging (a 'cosh') and soon getting caught. They are placed on probation and Roy acts very contrite and decent in court...and almost immediately after, he's planning his next crimes! His idea is to use the Youth Club his probation officer wants him to attend. He and his gang will go there...and use it as a cover for their criminal activities. In the process, Roy discovers a pretty young lady (Joan Collins)...who he treats like dirt.
Through the course of the film, Roy continually ups the ante--with his criminal behaviors getting worse and worse. He clearly is without a redeeming quality...though his co-dependent mother makes excuses for him. The only one who sees right through the punk is his mother's boyfriend...he knows that Roy needs a very firm hand. But here is where it gets rather Freudian...as Roy throws a weird temper tantrum and swears no one will have his mother as she is HIS! What's next? See this weird little film.
James Kenney is quite good as Roy--snarling, nasty and incredibly two- faced..as well as hopelessly in love with his mother..though he and his mum don't seem to realize it. My biggest complaint, however, is that the film tries to say that who Roy is turns out to be because he has a super-permissive mother. In fact, the preachy prologue says exactly that! Oversimplified to say the least! Overall, it's not a great film at all...but it IS entertaining and worth seeing!
By the way, although the film seems very tame by modern standards, it received the brand new X-rating--which was very unusual for the 1950s. Perhaps this was because the film talks about teenage pregnancy and is a tad violent...all of which would lead to a PG or PG-13 rating today.
"Get up you little rat...you're making me sick!!!"--best line in the film.
Through the course of the film, Roy continually ups the ante--with his criminal behaviors getting worse and worse. He clearly is without a redeeming quality...though his co-dependent mother makes excuses for him. The only one who sees right through the punk is his mother's boyfriend...he knows that Roy needs a very firm hand. But here is where it gets rather Freudian...as Roy throws a weird temper tantrum and swears no one will have his mother as she is HIS! What's next? See this weird little film.
James Kenney is quite good as Roy--snarling, nasty and incredibly two- faced..as well as hopelessly in love with his mother..though he and his mum don't seem to realize it. My biggest complaint, however, is that the film tries to say that who Roy is turns out to be because he has a super-permissive mother. In fact, the preachy prologue says exactly that! Oversimplified to say the least! Overall, it's not a great film at all...but it IS entertaining and worth seeing!
By the way, although the film seems very tame by modern standards, it received the brand new X-rating--which was very unusual for the 1950s. Perhaps this was because the film talks about teenage pregnancy and is a tad violent...all of which would lead to a PG or PG-13 rating today.
"Get up you little rat...you're making me sick!!!"--best line in the film.
- planktonrules
- 9. Aug. 2016
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Slasher
- Drehorte
- Riverside Studios, Hammersmith, London, England, Vereinigtes Königreich(studio: Riverside Studios Hammersmith)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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