IMDb-BEWERTUNG
8,0/10
22.935
IHRE BEWERTUNG
Ein alternder Komiker und eine suizidale Balletttänzerin kümmern sich umeinander und finden so wieder Hoffnung und einen Sinn in ihrem Leben.Ein alternder Komiker und eine suizidale Balletttänzerin kümmern sich umeinander und finden so wieder Hoffnung und einen Sinn in ihrem Leben.Ein alternder Komiker und eine suizidale Balletttänzerin kümmern sich umeinander und finden so wieder Hoffnung und einen Sinn in ihrem Leben.
- 1 Oscar gewonnen
- 7 Gewinne & 4 Nominierungen insgesamt
Molly Glessing
- Maid
- (as Mollie Glessing)
Leonard Mudie
- Dr. Blake - Calvero's Doctor
- (as Leonard Mudi)
'Snub' Pollard
- Street Musician
- (as Snub Pollard)
Billy Lee Aimone
- Little Boy
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe Academy Award that Sir Charles Chaplin won for composing this film's score is the only competitive Oscar he ever received; his other awards were given to him for special achievement outside of the established categories.
- PatzerIn discussing the ballet with the cast, the dance director Bodalink casts a giant shadow in front of the auditorium seats (revealing it to be nothing more than a backdrop).
- Crazy Credits"The glamour of limelight, from which age must pass as youth enters."
- Alternative VersionenThe version of the film that premiered in London in 1952 ran 141 minutes. It had been in distribution for several months, when Charles Chaplin recalled film prints and deleted a scene in which Calvero leaves the sleeping Thereza, and goes to a bar, where he meets his old friend Claudius, the arm-less violin player, who gives Calvero money. The film ran 137 minutes after this scene was edited out for worldwide distribution. In the ending credits, there is still a billing for Stapleton Kent as Claudius, even though he is no longer seen in the film. The DVD includes the deleted scene as an extra feature.
- VerbindungenEdited into Geschichte(n) des Kinos: Une histoire seule (1989)
Ausgewählte Rezension
A washed-up, formerly-famous Music Hall comic, Charlie Chaplin, saves a suicidal ballerina, Claire Bloom. In the process of giving her the hope to move on and succeed, he regains the confidence to return to the stage himself.
"Limelight" is a moving and autobiographical film that works as both a bittersweet drama and a mirror into the soul of one of the world's greatest film makers. I sometimes wondered if my affection for this film is based on my knowledge of Chaplin's life and career, and the parallels between "Limelight" and people and incidents in his own life. When I watch this film I see an artist standing naked at a crossroads before his audience, unsure where to go and what to do. However, I know the film does not require an advanced degree in Chaplin to enjoy. My wife, who could probably do little more than identify the Tramp in a lineup before marrying me, loved this film before she met me. I have also had the good fortune to see the film in a theater in New York and watch it work its wonders on an audience. Stylistically, it might be dated, but the magic lingers.
"Limelight" is best viewed as a drama with comedy rather than a comedy with drama. Outwardly, it is the simple story of a vulnerable youth who mistakes her gratitude for love, and an older man wise enough to know the difference. But it's more than that too. It's about an artist's nature, and the addictive power of applause. The Chaplin character, Calvero, knows how to make people laugh, but feels he has lost the ability to do so. He realizes he is at the end of his career, but he still hungers for one final moment in the limelight. The film is talky and philosophical, and, yes, a little pompous and pretentious at times too. It's almost as if Chaplin is trying to impart through words the simple joys and mystery of life he was once able to express effortlessly through simple slapstick alone. Does this flood of words mean Chaplin has lost his skills as a film maker? No. He still has the power to move.
"Limelight" is Chaplin's final masterpiece. It is one of my favorites. I prefer to think of it as his last film. Should this be your first Chaplin film? No. Start with films like "The Gold Rush," "City Lights," and "The Great Dictator." Come to know the comedian before you get to know the man.
"Limelight" is a moving and autobiographical film that works as both a bittersweet drama and a mirror into the soul of one of the world's greatest film makers. I sometimes wondered if my affection for this film is based on my knowledge of Chaplin's life and career, and the parallels between "Limelight" and people and incidents in his own life. When I watch this film I see an artist standing naked at a crossroads before his audience, unsure where to go and what to do. However, I know the film does not require an advanced degree in Chaplin to enjoy. My wife, who could probably do little more than identify the Tramp in a lineup before marrying me, loved this film before she met me. I have also had the good fortune to see the film in a theater in New York and watch it work its wonders on an audience. Stylistically, it might be dated, but the magic lingers.
"Limelight" is best viewed as a drama with comedy rather than a comedy with drama. Outwardly, it is the simple story of a vulnerable youth who mistakes her gratitude for love, and an older man wise enough to know the difference. But it's more than that too. It's about an artist's nature, and the addictive power of applause. The Chaplin character, Calvero, knows how to make people laugh, but feels he has lost the ability to do so. He realizes he is at the end of his career, but he still hungers for one final moment in the limelight. The film is talky and philosophical, and, yes, a little pompous and pretentious at times too. It's almost as if Chaplin is trying to impart through words the simple joys and mystery of life he was once able to express effortlessly through simple slapstick alone. Does this flood of words mean Chaplin has lost his skills as a film maker? No. He still has the power to move.
"Limelight" is Chaplin's final masterpiece. It is one of my favorites. I prefer to think of it as his last film. Should this be your first Chaplin film? No. Start with films like "The Gold Rush," "City Lights," and "The Great Dictator." Come to know the comedian before you get to know the man.
- hausrathman
- 13. Jan. 2004
- Permalink
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- Limelight
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- Weltweiter Bruttoertrag
- 9.291 $
- Laufzeit2 Stunden 17 Minuten
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